The Buried Giant
 UK first-edition cover | |
| Author | Kazuo Ishiguro |
|---|---|
| Genre | Fantasy |
| Set in | Sub-Roman Britain |
| Published |
|
| Publication place | United Kingdom |
| Media type | Hardcover |
| Pages | 352 |
| ISBN | 978-0-571-31503-1 |
| Preceded by | Nocturnes |
The Buried Giant is a fantasy novel by Nobel Prize-winning British writer Kazuo Ishiguro, published in March 2015.[1][2]
The book was nominated for the 2016 World Fantasy Award for best novel, and the 2016 Mythopoeic Award for Adult Literature. It was also placed sixth in the 2016 Locus Award for Best Fantasy Novel.[3] The book has been translated into French, German, Spanish and Italian as Le géant enfoui, Der begrabene Riese, El gigante enterrado and Il gigante sepolto respectively.[3]
Background
The Buried Giant took ten years to write, longer than Ishiguro had anticipated. Speaking at the Cheltenham Book Festival in 2014, he said his wife, Lorna MacDougall, had rejected an early draft of the book, saying "this won't do ... there's no way you can carry on with this, you'll have to start again from the beginning".[4] Ishiguro added that, at the time, he had been surprised by her comments because he had been pleased with his progress so far.[4] He shelved the novel and wrote a short story collection, Nocturnes (2009).[2] It was six years before Ishiguro returned to The Buried Giant, and, following his wife's advice, he proceeded to "start from scratch and rebuild it from the beginning".[2][4]
Ishiguro's inspiration for The Buried Giant came from the 14th-century Arthurian chivalric romance, Sir Gawain and the Green Knight. He had wanted to write about collective memory and the way societies cope with traumatic events by forgetting. He ruled out modern historic settings because they would be too realistic and interpreted too literally. The poem about Sir Gawain solved Ishiguro's problem: "this kind of barren, weird England, with no civilization ... could be quite interesting".[2] He proceeded to research life in England around that time, and discovered, "[t]o my delight ... nobody knows what the hell was going on. It's a blank period of British history".[2] Ishiguro filled in the blanks himself and this led to the novel's fantasy setting. For the book's title, he sought his wife's help. But after many discarded ideas they found it near the end of the novel's text. Ishiguro explained, "The giant well buried is now beginning to stir. And when it wakes up, there's going to be mayhem".[2]
Plot summary
The story takes place in England, some number of years after the death of Arthur, king of the Britons. Saxons and Britons inhabit the same regions without war, suffering only occasional misgivings. Axl and Beatrice, an elderly Briton couple, decide to visit their son who lives in a nearby village, despite that they remember very little of him. Axl observes that everyone living in the region seems to suffer from amnesia. On their first night of travel, the couple stays at a Saxon village, only to discover that two ogres had attacked some of the villagers and dragged off a boy named Edwin. A visiting Saxon warrior, Wistan, agrees to kill the ogres and rescue Edwin, but the latter is discovered to have a wound, believed to be an ogre-bite. The Saxons, owing to superstition, attempt to kill Edwin, but Wistan rescues him and joins Axl and Beatrice on their journey, hoping to leave Edwin at the son's village. The group decides to visit a monastery on the way to consult with Jonus, a wise monk, about Beatrice's symptoms of illness. On the way, they meet the elderly Sir Gawain, nephew of King Arthur, who was tasked decades ago with slaying the she-dragon Querig, but had never succeeded. A Briton soldier, acting under orders from Lord Brennus, attempts to capture or kill Wistan and Edwin, but is killed by Wistan. Sir Gawain, who considers Lord Brennus corrupt, offers to conceal the soldier's death. Wistan reveals that he was sent by the Saxon king to slay Querig out of concern that Querig would be tamed by Lord Brennus and employed to kill Saxons.
The four travelers are treated with hospitality at the monastery, but are informed by Jonus that most of the monks are corrupt and answer to Lord Brennus. Sir Gawain rides to the monastery and meets with the abbot, telling him the truth about the four travelers, believing that the abbot would shield them. Instead, the abbot informs Lord Brennus, who sends thirty soldiers to have them murdered. A monk who is corrupt ostensibly aids Axl, Beatrice, and Edwin in escaping, but they are directed into a tunnel with a doglike monster meant to kill them. However, Sir Gawain, being warned by Jonus, runs into the tunnel ahead of them, and with their help, slays the monster. Meanwhile, Wistan kills the thirty soldiers using various traps. He is slightly injured in the process and is granted shelter at a nearby cottage, where Edwin finds him. Axl and Beatrice continue with their journey, and, finding themselves too weary to walk, ask to borrow a man's boat. Instead, they are offered two baskets to ride down the river. Shortly afterward, the baskets are caught in weeds, but they approach a boat with a diseased elderly woman, whereupon they are attacked by a swarm of pixies. Axl fights to save Beatrice and they run onto the shore. Time passes, and their journey takes them near Querig's lair, whereupon they are asked by a girl to take a poisoned goat to the top of the mountain, in the hope that Querig would consume the goat and be poisoned.
Sir Gawain, riding alone, recalls a major battle between King Arthur's army and the Saxons in which they were victorious. Immediately prior to that, King Arthur had ordered the extermination of entire villages of Saxon women and children, reasoning that the children would grow up hating the Britons and would seek revenge. The massacre was a betrayal of the peace-treaties with the Saxons which Master Axelus, one of King Arthur's agents, now known as Axl, had earlier brokered. In the midst of the battle, King Arthur ordered Sir Gawain, Master Merlin, and a few others to maim Querig and to cast a spell turning her breath into an oblivion-inducing mist, with the result that Saxons would forget about the massacres and the Britons their grudges, thereby securing peace between the two races. Sir Gawain realizes that Edwin was bitten not by an ogre, but by a baby dragon which the ogres kept as a pet. Once a person is bitten, he acquires dragon-detecting capabilities. Thus, Sir Gawain races to Querig, just as Edwin is guiding Wistan to the location. They also run into Axl and Beatrice with their goat. Sir Gawain reveals that his duty was not to slay Querig, but to protect her. However, in her weakened state, Querig would die in another two years anyways. Wistan challenges Sir Gawain to a duel and kills him, and proceeds to slay Querig, causing the amnesia of all people to dissipate, and their memories to return. Axl is glad with the result, but is cautioned by Wistan that the Saxons and Britons are destined for another war.
In the final chapter, Axl and Beatrice realize that Beatrice had at one point committed adultery, leading their son to run from home, which led to his death during the black plague. A ferryman offers to take the couple to the island where their son is buried. The island supposedly has a curse which causes those who set foot to forget about the existence of other humans and to perpetually wander within the island's confines. However, the ferryman informs them that they qualify for a special dispensation where, if a couple's love is profound and genuine, their relationship will not be broken upon entering the island. That said, the boat can only transport one person at a time, so the ferryman will transport Beatrice first while Axl waits. Axl reluctantly accepts the decision, with the nagging suspicion that the ferryman has tricked them into separating forever.
Reception
The Buried Giant received generally positive reviews from critics.[5] Not all critics praised the novel, however.[6] James Wood writing for The New Yorker criticized the work, saying that "Ishiguro is always breaking his own rules, and fudging limited but conveniently lucid recollections."[7]
British author and journalist Alex Preston was much more positive in The Guardian, writing:[8]
Focusing on one single reading of its story of mists and monsters, swords and sorcery, reduces it to mere parable; it is much more than that. It is a profound examination of memory and guilt, of the way we recall past trauma en masse. It is also an extraordinarily atmospheric and compulsively readable tale, to be devoured in a single gulp. The Buried Giant is Game of Thrones with a conscience, The Sword in the Stone for the age of the trauma industry, a beautiful, heartbreaking book about the duty to remember and the urge to forget.
Audiobook
In 2015, Random House Audio released an audiobook version of the novel, read by David Horovitch.
References
- ^ Sutherland, John (21 February 2015). "The Buried Giant by Kazuo Ishiguro". The Times. Retrieved 31 January 2018.
{{cite news}}: Unknown parameter|subscription=ignored (|url-access=suggested) (help) - ^ a b c d e f Alter, Alexandra (19 February 2015). "For Kazuo Ishiguro, 'The Buried Giant' Is a Departure". The New York Times. Retrieved 17 December 2017.
- ^ a b "The Buried Giant". Internet Speculative Fiction Database. Retrieved 16 December 2017.
- ^ a b c Furness, Hannah (4 October 2014). "Kazuo Ishiguro: My wife thought first draft of The Buried Giant was rubbish". The Telegraph. Retrieved 15 December 2017.
- ^ "Bookmarks reviews of The Buried Giant by Kazuo Ishiguro". LitHub. Retrieved 6 October 2017.
- ^ Ulin L., David (27 February 2015). "In Ishiguro's 'The Buried Giant,' memory draws a blank". LA Times. Retrieved 11 April 2015.
- ^ Wood, James. "The Uses of Oblivion". Retrieved 31 January 2018.
- ^ Preston, Alex. "The Buried Giant by Kazuo Ishiguro – review: 'Game of Thrones with a conscience'". Retrieved 7 December 2017.
Works cited
- Ishiguro, Kazuo (2015). The Buried Giant (e-book ed.). London: Faber and Faber. ISBN 978-0-571-31505-5.
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External links
- Official website
- The Buried Giant. Random House. 2016. ISBN 9780307455796.
