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De l'autre côté

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DVD cover

De l’autre côté (English: From the Other Side) is a 103-minute 2002 Australian-Belgian-Finnish-French English-, French-, and Spanish-language independent documentary art film directed by Chantal Akerman.

Synopsis

The film, which premiered at the 2002 Cannes Film Festival and was released on DVD in 2016 as part of a boxset also containing D’Est (1993), Sud (1999), and Down There (2006),[1] looks at the fate of Mexicans who cross the border into the United States.[2][3][4][5][6][7][8][9][10][11][12][13] Edited by Claire Atherton, distributed by Shellac [fr] and First Run Features, financed by Yle TV2-Yle, Special Broadcasting Service, RTBF, and Arte-Arte France Cinéma [fr], and featuring music by Claudio Monteverdi and Frédéric Chopin performed by Natalia Shakhovskaya, it was included as the fourth best film of 2002 by Cahiers du cinéma’s annual top ten list, and was also shown at the 2002 Terra di Siena Film Festival [it], at the 2002 Flanders International Film Festival Ghent (where it was nominated for the Joseph Plateau Award), at the 2002 and 2011 Vienna International Film Festival, at the 2003 International Film Festival Rotterdam, at the 2003 Wisconsin Film Festival, and at the French Institute Alliance Française in 2015.

References

  1. ^ Akerman, Chantal Anne (March 2016). Chantal Akerman: Four Films (DVD) (in French and Spanish). New York, New York: Icarus Films. OCLC 1037269053. Retrieved 6 February 2019. {{cite AV media}}: Invalid |script-title=: missing prefix (help) Includes Jonathan Rosenbaum’s “Place and Displacement: Akerman and Documentary.” Retrieved 6 February 2019.
  2. ^ MacDonald, Prof. Dr. Scott (January 2005). A Critical Cinema 4: Interviews With Independent Filmmakers. A Critical Cinema: Interviews With Independent Filmmakers, California Film Books, ed. Prof. Dr. Scott MacDonald, Vol. 4. Oakland, Los Angeles, and Berkeley, California and London: University of California’s University of California Press. pp. 258–273. ISBN 9780520242715. OCLC 56876181. Retrieved 6 February 2019. {{cite book}}: Invalid |script-title=: missing prefix (help)
  3. ^ De l’autre côté [From the Other Side]. Time Out. London: Time Out Group. Retrieved 6 February 2019. {{cite news}}: Invalid |script-title=: missing prefix (help)
  4. ^ Schwartz, Dennis (20 April 2012). Thought-Provoking Documentary on Illegal Immigrants. Ozu’s World Movie Reviews. Bennington, Vermont: Online Film Critics Society. Retrieved 6 February 2019. {{cite news}}: Invalid |script-title=: missing prefix (help); Italic or bold markup not allowed in: |work= (help)
  5. ^ Kehr, David. Inching Toward America, So Near But So Far. The New York Times. New York, New York: The New York Times Company. 20 February 2003. p. E00001. Retrieved 6 February 2019. {{cite news}}: Invalid |script-title=: missing prefix (help)
  6. ^ Charlesworth, Dr. Amy. On Absence and Saturation in Chantal Akerman’s De l’autre côté (From the Other Side). Oxford Art Journal, Volume 40, Issue 2, August 2017, pp. 287–303. Oxford: University of Oxford’s Oxford University Press. Retrieved 6 February 2019. {{cite news}}: Invalid |script-title=: missing prefix (help); Italic or bold markup not allowed in: |work= (help)
  7. ^ Ramos, Prof. Dr. Iván A. Slow Encounters: Chantal Akerman’s From The Other Side, Queer Form, and the Mexican Migrant. ASAP/Journal, Volume 2, Number 2, May 2017, Special Issue: Queer Form, pp. 423–448. Baltimore, Maryland: Johns Hopkins University’s Johns Hopkins University Press. Retrieved 6 February 2019. {{cite news}}: Invalid |script-title=: missing prefix (help); Italic or bold markup not allowed in: |work= (help)
  8. ^ Chan, Dr. Suzanna. Sexual Difference as Hospitality: Chantal Akerman’s De l’autre côté/From the Other Side. Association of Art Historians Annual Conference, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich, 9–11 April 2015. Retrieved 6 February 2019.
  9. ^ Zaniello, Dr. Thomas A. (February 2017). The Cinema of Globalization: A Guide to Films About the New Economic Order. Ithaca, New York: Cornell University’s Cornell University Press’s ILR Press and Cornell University School of Industrial and Labor Relations. pp. 81–82. ISBN 9781501711343. OCLC 928876423. Retrieved 6 February 2019. {{cite book}}: Invalid |script-title=: missing prefix (help)
  10. ^ Vermeersch, Laure, Zaoui, Prof. Dr. Pierre [de; fr], et Zilberfarb, Sacha. Là-bas ou ailleurs: Entretien avec Chantal Akerman [There or Elsewhere: Interview With Chantal Akerman]. Vacarme [fr], n°39, pp. 4–10 (in French). Paris: Association Vacarme. April 2007. Retrieved 7 February 2019. {{cite news}}: Invalid |script-title=: missing prefix (help); Italic or bold markup not allowed in: |work= (help)
  11. ^ Hoberman, James Lewis. Losing Ground Meditates on Art as It Examines a Marriage in Peril. The New York Times. New York, New York: The New York Times Company. 15 April 2016. p. AR15. Retrieved 7 February 2019. {{cite news}}: Invalid |script-title=: missing prefix (help)
  12. ^ Youmans, Prof. Dr. Gregory Martin. Ghosted Documentary: Chantal Akerman’s Là-bas. Millennium Film Journal, No. 50 (Spring/Summer 2009): Experiments in Documentary, pp. 71–80. New York, New York: Millennium Film Workshop. Retrieved 7 February 2019. {{cite news}}: Invalid |script-title=: missing prefix (help); Italic or bold markup not allowed in: |work= (help)
  13. ^ Rapord, Nicolas. Over There: Chantal Akerman Presents From the Other Side at FIAF. Film Comment. New York, New York: Film Society of Lincoln Center. 6 October 2015. Retrieved 7 February 2019. {{cite news}}: Invalid |script-title=: missing prefix (help)
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