Huck Hodge
Huck Hodge (b. 1977, Gainesville, FL) is an American composer of contemporary classical music.
Huck Hodge | |
|---|---|
 Huck Hodge at the Gaudeamus Muziekweek | |
| Born | 1977 |
| Era | Contemporary |
Hodge's music "is influenced by the fields of Psychoacoustics and Cognition, eastern and western philosophical inquiry and music of the early Renaissance".[1] From an aesthetic standpoint, his works are influenced by French Spectralism while maintaining rhythmic and textural complexity that is reminiscent of music of the German post-war Avant Garde.[2]
Biography
Hodge's first musical training took place in Oregon. In 1999 he began a course of study in Germany at the Musikhochschule in Stuttgart with funding from the Deutscher Akademischer Austauschdienst. Between 2002 and 2008 he was an Andrew W. Mellon Foundation Fellow at Columbia University where he studied Composition under the instruction of Tristan Murail and Fred Lerdahl.[3]
Hodge is the winner of the 2010-2011 Rome Prize, the 2008 Gaudeamus Prize and the Aaron Copland Award from the Bogliasco Foundation. He is an assistant professor of composition at the University of Washington, Seattle.
Catalog of Works
Le Tombeau de Chopin [2009]
- written for the 2010 ISCM World New Music Days, Sydney, Australia
Apparent Motion [2008]
String Quartet [2008]
- commissioned by the American Composers Forum with funding from the Jerome Foundation
Efflux for Clarinet and Violin [2007]
In Lumine for SATB Choir [2007]
Two Preludes for Harp solo [2007]
Out of a Dark Sea (Fl/Alto Fl, Cl/Bcl, Hrn, Perc, Harp, Pno, Vln, Vcl and Electronics) [2006]
- commissioned by The Stony Brook Contemporary Chamber Players, Gilbert Kalish, Director, as part of the
19th Annual World Premieres Commission Series
Phantasie for amplified Cello [2006]
- commissioned by Musik der Jahrhunderte for cellist Adrian Fung as part of the ISCM World New Music Festival, 2006
Remix-Asyla for Large Ensemble [2006]
- in collaboration with members of Ensemble Modern and the Berlin Philharmonic
A Distant Mirror for Bass Clarinet/Clarinet and Piano [2006]
. . .como un respiro for solo Cello and eleven strings [2005]
Parallaxes for Chamber Orchestra [2005]
Early Lyrics (Sop, Fl, Cl/Bcl, Vln, Vcl, Pno and Electronics) [2004]
Psalm XIII for SSAATTB Choir [2004]
De Nativitate for Piano Quintet [2003]
Between Light and Shade for Flute, Cello and 3 Percussion [2003]
Seeds of Fire for Piano and Computerized Sound [2003]
Zeremonie (version for Large Ensemble, Computerized Sound and Dance) [2002]
- in collaboration with the NYU New Music and Dance Ensemble
The Awakeneing for Full Orchestra [2002]
Zeremonie (for Computerized Sound) [2001]
AntEroica for Piano, Live Electronics and Video Projection [2001]
Kandinsky Studies for Computer-Synthesized Sound (programmed in C Sound) [2001]
String Quintet [2001]
Widerspiegelung | Mirror Image for Tenor Saxophone and Piano [2000]
Concerto for Cello and Chamber Orchestra [1999]
Toccata for Piano solo [1998]
