List of artworks by Ivan Albright
Appearance
The following is a list of notable artworks by American artist Ivan Albright (1897–1983), organized by medium and listed chronologically.[1]
Paintings
Image | Title | Date | Technique | Dimensions | Current Location |
---|---|---|---|---|---|
The Oaks in Winter | 1918 | watercolor | unknown | unknown.[2] | |
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The Philosopher | 1922 | oil on paper laid to panel | 24 x 18 inches | Private collection,[3] formerly the Milwaukee Art Center.[4] |
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I Am He of Whom He Spoke (Samson) | 1925 | oil on canvas | 26.13 x 20.13 inches | Lowe Art Museum, University of Miami.[5][6] |
Paper Flowers | 1926 | oil on canvas | 26 x 20 inches | Private collection.[7] | |
Fur Collar (formerly The Baskerville Portrait) | 1926 | oil on canvas | 30 x 20 inches | National Academy of Design, New York.[8] | |
Burgomaster With a Key | 1926 | oil on canvas | 30 x 24.25 inches | Detroit Institute of Arts.[9][10] | |
I Slept With the Starlight in My Face (The Rosicrucian) | 1926 | oi on canvas | 30 x 20 inches | Wadsworth Atheneum, Hartford.[11][12] | |
I Walk To and Fro Through Civilization and I Talk As I Walk (Follow Me, The Monk) | 1926-27 | oil on canvas | 73 x 36 inches | Art Institute of Chicago.[13][14] | |
I Drew a Picture in the Sand and the Water Washed It Away (The Theosophist) | 1927 | oil on canvas | 36 x 23 inches | Art Institute of Chicago.[15][16] | |
The Lineman | 1927 | oil on canvas | 73 x 36 inches | Art Institute of Chicago.[17][18] | |
Memories of the Past | 1927 | oil on canvas | 29.5 x 20.5 inches | Art Institute of Chicago.[19][20] | |
Among Those Left (The Wheelwright, the Blacksmith) | 1927-28 | oil on canvas | 73 x 36 inches | Carnegie Museum of Art, Pittsburgh.[21][22] | |
Woman | 1928 | oil on canvas | 33 x 22 inches | Museum of Modern Art, New York.[23][24] | |
Maker of Dreams (Man With a Mallet, the Maker of Images) | 1928 | oil on canvas | 30 x 20.25 inches | Private collection.[25] | |
Flesh (Smaller Than Tears Are the Little Blue Flowers) | 1928 | oil on canvas | 36 x 24 inches | Art Institute of Chicago.[26][27] | |
Fleeting Time, Thou Hast Left Me Old | 1928-29 | oil on canvas | 30.25 x 20.25 inches | Metropolitan Museum of Art, New York.[28][29] | |
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Heavy the Oar to Him Who is Tired, Heavy the Coat, Heavy the Sea | 1929 | oil on canvas | 55.38 x 34.25 inches | Art Institute of Chicago.[30][31] |
There Were No Flowers Tonight (Midnight) | 1929 | oil on canvas | 48.5 x 30.25 inches | National Gallery of Art, Washington D.C.[32][33] | |
Beneath My Feet | 1929 | oil on canvas | 18 x 22 inches | Formerly collection of the artist.[34] | |
Into the World There Came a Soul Called Ida | 1929-30 | oil on canvas | 55 x 46 inches | Art Institute of Chicago.[35][36] | |
And Man Created God in His Own Image (Room 203) | 1930-31 | oil on canvas | 48 x 26 inches | Art Institute of Chicago.[37][38] | |
And Wherefore Now Ariseth the Illusion of a Third Dimension | 1931 | oil on canvas | 20 x 36 inches | Art Institute of Chicago.[39][40] | |
Nude (Fourteen Year Old Child) | 1931 | oil on canvas | 22 x 15 inches (framed) | Art Institute of Chicago.[41][42] | |
That Which I Should Have Done I Did Not Do (The Door) | 1931-41 | oil on canvas | 97 x 36 inches | Art Institute of Chicago.[43][44] | |
And The Starlight in Her Eyes | 1932 | gouache | 13.25 x 17.75 inches | Private collection.[45] | |
Self Portrait (Unfinished) | 1933 | oil on canvas | 15 x 11 inches | Private collection.[46] | |
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The Farmer's Kitchen | 1933-34 | oil on canvas | 36 x 30 inches | Smithsonian Institution, Washington D.C., transfer from the U.S. Department of Labor.[47][48] |
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Self Portrait | 1934 | oil on canvas | 30.25 x 18.25 inches | New Trier Township High School, Winnetka, Illinois.[49] |
Self Portrait | 1935 | oil on canvas | 35 x 24 inches | Art Institute of Chicago.[50][51] | |
In the Year 1840 (Second Storeys Are Popular), or When Fall Winds Blow | 1937 | tempera | 14 x 22 inches | Dallas Museum of Fine Arts.[52][53] | |
After the Race | 1938 | oil on canvas | 36 x 20 inches | Forum Gallery, New York.[54][55] | |
Shore Sentinels | 1939 | oil on canvas | 26 x 45 inches | Art Institute of Chicago.[56] | |
This Ichnolite of Mine | 1940 | oil on canvas | 14 x 7 inches | Art Institute of Chicago.[57][58] | |
Black Cliffs, Schoodic Point, Maine, or Maine Coast | 1940 | gouache | 25 x 19 inches | Art Institute of Chicago.[59][60] | |
Maine Landscape | 1940 | gouache | 13 x 19.25 inches | Private collection.[61] | |
Lobster Salad | 1940 | oil on canvas | 19.5 x 31.5 inches | Private collection.[62] | |
Lobsterman's Catch | 1940 | oil on canvas | 20 x 30 inches | Forum Gallery, New York.[55] | |
Ah God, Herrings, Buoys, the Glittering Sea | 1940 | gouache | 22 x 29 inches | Art Institute of Chicago.[63][64] | |
Stones at Stonington, Maine | 1941 | gouache | 14 x 20 inches | University of Iowa Museum of Art.[65][66] | |
Bride with a Cold | 1941 | oil on panel | 9.75 x 6.75 inches | Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington D.C.[67][68] | |
Divided and Divided | 1941 | oil on canvas | 27 x 42 inches | Art Institute of Chicago.[69][70] | |
Poor Room – There Is No Time, No End, No Today, No Yesterday, No Tomorrow, Only the Forever and Forever and Forever Without End (The Window) | 1941-43
1948-55 1957-62 |
oil on canvas | 48 x 37 inches | Art Institute of Chicago.[71][72] | |
A Guttated Self Portrait – A Nutant Lycanthrope Seen in Glass | 1943 | gouache | unknown | Unknown.[73] | |
Still Life | 1943 | oil on mahogany panel | 14 1/2 × 21 inches | Middlebury College Museum of Art.[74] | |
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The Picture of Dorian Gray | 1943-44 | oil on canvas | 85 x 42 inches | Art Institute of Chicago.[75][76] |
Manifestation | 1944 | oil on canvas | 19.5 x 15.5 inches | William Benton Museum of Art.[77][78] | |
The Temptation of Saint Anthony | 1944-45 | oil on canvas | 50 x 60 inches | Art Institute of Chicago.[79][80] | |
Bridal Falls, Ten Sleep, Wyoming | 1946 | gouache | 12 x 18 inches | Art Institute of Chicago.[81][82] | |
After the Storm (Costal Rocks, Corea, Maine) | 1947 | gouache | 21.38 x 29.5 inches | Private collection.[83] | |
Mephistopheles | 1947 | oil on canvas | 90 x 42 inches | Private collection.[84][85] | |
Roaring Fork, Wyoming | 1948 | gouache | 22.5 x 30.25 inches | Whitney Museum of American Art, New York.[86][87] | |
Around and Around | 1948 | gouache | 14.25 x 20.5 | Private collection.[88] | |
We Are Gathered Here | 1948 | gouache and watercolor | 20 x 30.13 inches | Private collection.[89] | |
Self Portrait | 1948 | oil on canvas | 24 x 20 inches | National Academy of Design, New York.[90] | |
The Purist | 1949 | gouache on panel | 25.25 x 38.5 inches | Solomon R. Guggenheim Museum, New York.[91] | |
The Wild Bunch (Hole in the Wall Gang) | 1950-51 | oil on canvas | 30.5 x 42 inches | Phoenix Art Museum.[92][93] | |
Troubled Waves | 1952 | oil on canvas | 14 x 9 inches | Private collection.[94] | |
Tin | 1952-54 | gouache on panel | 32 x 45.5 inches | Formerly the collection of the artist.[95] | |
Portrait of Mary Block | 1955-57 | oil on canvas | 39.13 x 30 inches | Art Institute of Chicago.[96][97] | |
The Rustlers | 1959, 1963-64 | gouache | 22 x 40 inches | Art Institute of Chicago.[98][99] | |
Rue du Bac, Paris | 1960 | gouache | 25 x 15 inches | Private collection.[100][101] | |
Alicia Patterson | 1962 | enamel on copper | 4.88 inches diameter | Formerly collection of the artist.[102] | |
Red Onion | 1962 | gouache | 17.75 x 13.5 inches | Private collection.[103] | |
Captain Joseph Medill Patterson | 1962-64 | oil on masonite | 30 x 24 inches | Art Institute of Chicago.[104][105] | |
Aspen Self Portrait | 1963 | gouache | 24 x 17 inches | Private collection.[106] | |
To Tread Between Sky and Field | 1964 | gouache | 18 x 24 | Private collection.[107] | |
The Cliffs Revolve – But Slowly | 1965 | gouache | 16.25 x 24.13 inches | Private collection.[108] | |
Knees of Cypress (Reflections of a Cypress Swamp) | 1965 | gouache on panel | 16 x 20 inches | Union League Club of Chicago.[109][110] | |
If Life Were Life – There Would Be No Death (The Vermonter) | 1966-77 | oil on panel | 37 x 27 inches | Hood Museum of Art, Dartmouth College.[111][112] | |
The Trees: They Murmur So – Like People They Murmur – Murmur So | 1967 | gouache | 18 x 24 inches | Private collection.[113] | |
Self Portrait in Georgia | 1967-68 | oil on panel | 36 x 26 inches | Butler Institute of American Art.[114][115] | |
All Things Unassembled | 1968 | gouache | 16 x 20 inches | Private collection.[116] | |
There Comes a Time | 1969 | gouache on canvas board | 16 x 20 inches | Private collection.[117][118] | |
A Face From Georgia | 1970 | oil on canvas | 15.5 x 11 | Art Institute of Chicago.[119][120] | |
In Light Rise the Domes of Rome | 1970 | gouache | 22.25 x 15.25 inches | William Benton Museum of Art.[121][122] | |
Lima, Peru | 1971 | gouache | 5.5 x 11.5 inches | William Benton Museum of Art.[123][124] | |
From Yesterday's Day | 1971 | oil on canvas | 8.5 x 15.25 inches | Private collection.[125] | |
Apple on Apple – Ascent on Descent – Move the Apples | 1971 | gouache | 5.63 x 11.63 inches | William Benton Museum of Art.[126][127] | |
The Image After | 1972 | oil on canvas | 8.5 x 15.25 inches | Private collection. [128] | |
Pray for These Little Ones (Perforce They Live Together) | 1974 | oil on silk | 10.5 x 16.5 inches | Art Institute of Chicago.[129][130] | |
The Sea of Galilee | 1977 | gouache | 14.5 x 20 inches | Formerly the collection of the artist.[131] | |
Spoof-Tavern Club-Martinized Venus | unknown | oil on plywood, joined with hinges | 96 x 96 inches | University of Michigan Museum of Art.[132] |
Drawings
Image | Title | Date | Technique | Dimensions | Current Location |
---|---|---|---|---|---|
Three Love Birds | 1930 | oil and charcoal on canvas | 78.25 x 42 inches | Art Institute of Chicago.[133][134] | |
Show Case Doll | 1931-32 | charcoal and oil on canvas | 35 x 54 inches | Art Institute of Chicago.[135][136] | |
Here Within Me – Stand I | 1935 | charcoal | 18 x 11.5 inches | American Israel Cultural Foundation.[137] | |
After the Race | 1938 | pastel on paper | 27 x 14 inches | Private collection.[138] | |
Silver Miner's Row, Aspen, Colorado | 1956 | metalpoint on ivory wove paper prepared with a white ground | 14 x 22 inches | Art Institute of Chicago.[139][140] | |
Elm Street Bridge Over the Ottauquechee | 1965 | metalpoint on off-white wove paper prepared with an ivory ground | 16.5 x 20 inches | Art Institute of Chicago.[141][142] | |
The Fallen, Georgia, or The Old and the New, Georgia | 1965 | metalpoint on cream wove paper prepared with a cream ground | 10.25 x 16 inches | Art Institute of Chicago.[143] | |
The Vermonter I | 1965 | charcoal on canvas | 33 x 23.75 inches | Formerly the collection of the artist.[144] | |
The Vermonter II | 1966 | charcoal and oil on canvas | 35 x 26.75 inches | Art Institute of Chicago.[145][146] | |
The Red Barn Walked Around Me | 1968 | metalpoint on off-white wove paper prepared with an ivory ground | 16.5 x 20.25 inches | Art Institute of Chicago.[147][148] | |
The Old Woodstock Inn, Vermont | 1968 | metalpoint on off-white wove paper prepared with an ivory ground | 20 x 16 inches | Art Institute of Chicago.[149][150] | |
First a Church – Then a Lumberyard | 1969 | metalpoint on off-white wove paper prepared with an ivory ground | 16 x 20 inches | Art Institute of Chicago.[151][152] | |
The Snow Moves Through the Morning Trees | 1972 | charcoal and black crayon, with stumping and erasing, on white wove card | 20 x 28 inches | Art Institute of Chicago.[153][154] | |
This Is Jill | 1975 | back crayon and graphite, on white clay-coated wove paper | 15 x 13 inches | Art Institute of Chicago.[155][156] | |
I Mary | 1975-76 | black crayon, with white crayon, touches of white gouache, scratching and erasing, on off-white clay coated paper | 20 x 16 inches | Art Institute of Chicago.[157][158] | |
Made When Legally Blind | 1977 | colored pencil | 9 x 11.88 | Formerly the collection of the artist.[159] |
References
- ^ Croydon, Michael (1978). Ivan Albright. New York: Abbeville Press. ISBN 0896590038.
- ^ Murphy, John (11 May 2018). "Inside an Exhibition: Fleshing Out Ivan Albright". The Art Institute of Chicago.
{{cite web}}
: CS1 maint: url-status (link) - ^ "Ivan Le Lorraine Albright, (American, 1897-1983), The - Jul 25, 2013 | Hindman in WI". LiveAuctioneers. Retrieved 2020-07-23.
- ^ Croydon (1978) Plate 11
- ^ Croydon (1978) Plate 12
- ^ "I Am He of Whom He Spoke (Samson)". emuseum1.as.miami.edu. Retrieved 2020-10-28.
- ^ Croydon (1978) Plate 1
- ^ Croydon (1978) Plate 13
- ^ Croydon (1978) Plate 14
- ^ "You are being redirected..." www.dia.org. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 16
- ^ "Wadsworth Atheneum Collection". argus.wadsworthatheneum.org. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 16
- ^ "I Walk To and Fro through Civilization and I Talk as I Walk (Follow Me, the Monk)". The Art Institute of Chicago. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 17
- ^ "I Drew A Picture in the Sand and the Water Washed It Away". The Art Institute of Chicago. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 18
- ^ "The Lineman". The Art Institute of Chicago. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 19
- ^ "Memories of the Past". The Art Institute of Chicago. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 21
- ^ "CMOA Collection". collection.cmoa.org. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 2
- ^ "Ivan LeLorraine Albright. Woman. 1928 | MoMA". The Museum of Modern Art. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 22
- ^ Croydon (1978) Plate 25
- ^ "Flesh (Smaller Than Tears Are the Little Blue Flowers)". The Art Institute of Chicago. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 23
- ^ www.metmuseum.org https://www.metmuseum.org/art/collection/search/488651. Retrieved 2020-07-24.
{{cite web}}
: Missing or empty|title=
(help) - ^ Croydon (1978) Plate 4
- ^ "Heavy the Oar to Him Who Is Tired, Heavy the Coat, Heavy the Sea". The Art Institute of Chicago. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 26
- ^ "There Were No Flowers Tonight". www.nga.gov. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 43
- ^ Croydon (1978) Plate 6
- ^ "Into the World There Came a Soul Called Ida". The Art Institute of Chicago. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 27
- ^ "And Man Created God in His Own Image". The Art Institute of Chicago. Retrieved 2020-07-23.
- ^ Croydon (1978) Plate 30
- ^ "Wherefore Now Ariseth the Illusion of a Third Dimension". The Art Institute of Chicago. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 44
- ^ "Nude". The Art Institute of Chicago. Retrieved 2020-07-23.
- ^ Croydon (1978) Plate 32
- ^ "That Which I Should Have Done I Did Not Do (The Door)". The Art Institute of Chicago. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 45
- ^ Croydon (1978) Plate 48
- ^ Croydon (1978) Plate 46
- ^ "The Farmer's Kitchen". Smithsonian Institution. Retrieved 2020-07-23.
- ^ Croydon (1978) Plate 47
- ^ Croydon (1978) Plate 49
- ^ "Self-Portrait". The Art Institute of Chicago. Retrieved 2020-07-23.
- ^ Croydon (1978) Plate 51, 52
- ^ "In the Year 1840 - DMA Collection Online". www.dma.org. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 53
- ^ a b "Ivan Le Lorraine Albright - Artists - Forum Gallery". www.forumgallery.com. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 54
- ^ Croydon (1978) Plate 55
- ^ "This Ichnolite of Mine". The Art Institute of Chicago. Retrieved 2020-07-23.
- ^ Croydon (1978) Plate 56
- ^ "Maine Coast". The Art Institute of Chicago. Retrieved 2020-07-23.
- ^ Croydon (1978) Plate 57
- ^ Croydon (1978) Plate 58
- ^ Croydon (1978) Plate 59
- ^ "Oh God, Herrings, Buoys, the Glittering Sea". The Art Institute of Chicago. Retrieved 2020-07-23.
- ^ Croydon (1978) Plate 60
- ^ "Stones at Stonington, Maine | The University of Iowa Libraries". digital.lib.uiowa.edu. Retrieved 2020-07-23.
- ^ Croydon (1978) Plate 61
- ^ "Bride With A Cold". Smithsonian Institution. Retrieved 2020-07-23.
- ^ Croydon (1978) Plate 62
- ^ "Divided and Divided". The Art Institute of Chicago. Retrieved 2020-07-23.
- ^ Croydon (1978) Plate 35
- ^ "Poor Room—There Is No Time, No End, No Today, No Yesterday, No Tomorrow, Only the Forever, and Forever, and Forever without End". The Art Institute of Chicago. Retrieved 2020-07-23.
- ^ Croydon (1978) Plate 65
- ^ "Still Life – Works – eMuseum". museumcollections.middlebury.edu. Retrieved 2020-11-10.
- ^ Croydon (1978) Plate 38
- ^ "Picture of Dorian Gray". The Art Institute of Chicago. Retrieved 2020-07-23.
- ^ Croydon (1978) Plate 120
- ^ "Ivan Albright | "Manifestation"". Benton Museum Art Collection.
{{cite web}}
: CS1 maint: url-status (link) - ^ Croydon (1978) Plate 67
- ^ "The Temptation of St. Anthony". The Art Institute of Chicago. Retrieved 2020-07-23.
- ^ Croydon (1978) Plate 63
- ^ "Bridal Ten Sleep Falls, Wyoming". The Art Institute of Chicago. Retrieved 2020-07-23.
- ^ Croydon (1978) Plate 64
- ^ Croydon (1978) Plate 71
- ^ Huebner, Jeff. "The Return of the Magnificent Seven". Chicago Reader. Retrieved 2020-07-23.
- ^ Croydon (1978) Plate 69
- ^ "Ivan Le Lorraine Albright | Roaring Fork, Wyoming". whitney.org. Retrieved 2020-07-23.
- ^ Croydon (1978) Plate 75
- ^ Croydon (1978) Plate 127
- ^ "Ivan Le Lorraine Albright – NA Database". Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 70
- ^ Croydon (1978) Plate 40
- ^ "The Wild Bunch (or Hole in the Wall Gang) [(El Wild Bunch (o la banda de Hole in the Wall)]". Phoenix Art Museum. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 72
- ^ Croydon (1978) Plate 42
- ^ Croydon (1978) Plate 73
- ^ "Portrait of Mary Block". The Art Institute of Chicago. Retrieved 2020-07-23.
- ^ Croydon (1978) Plate 114
- ^ "The Rustlers". The Art Institute of Chicago. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 76
- ^ "136: Ivan Le Lorraine Albright, (American, 1897-1983), - Sep 11, 2011 | Hindman in IL". LiveAuctioneers. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 77
- ^ Croydon (1978) Plate 81
- ^ Croydon (1978) Plate 79
- ^ "Captain Joseph Medill Patterson". The Art Institute of Chicago. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 78
- ^ Croydon (1978) Plate 121
- ^ Croydon (1978) Plate 123
- ^ Croydon (1878) Plate 125
- ^ "Knees of Cypress (Reflections of a Cypress Swamp) – Works – Ivan Le Lorraine Albright – People – Union League Club of Chicago". ulcc.emuseum.com. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 116
- ^ "The Vermonter (If Life Were Life There Would Be No Death) | Hood Museum". hoodmuseum.dartmouth.edu. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 128
- ^ Croydon (1978) Plate 129
- ^ "Ivan Albright – The Butler Institute of American Art". Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 124
- ^ Croydon (1978) Plate 135
- ^ "Ivan Albright - There Comes A Time". 1stdibs.com. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 119
- ^ "A Face from Georgia". The Art Institute of Chicago. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 130
- ^ "Ivan Albright | "In Light Rise The Domes Of Rome" | 1970". Benton Museum Art Collection.
{{cite web}}
: CS1 maint: url-status (link) - ^ Croydon (1978) Plate 131
- ^ "Ivan Albright | "Lima, Peru" | 1971". Benton Museum Art Collection.
{{cite web}}
: CS1 maint: url-status (link) - ^ Croydon (1978) Plate 132
- ^ Croydon (1978) Plate 134
- ^ "Ivan Albright | Apple on Apple | 1971". Benton Museum Art Collection.
{{cite web}}
: CS1 maint: url-status (link) - ^ Croydon (1978) Plate 133
- ^ Croydon (1978) Plate 140
- ^ "Pray for These Little Ones (Perforce They Live Together)". The Art Institute of Chicago. Retrieved 2020-07-24.
- ^ Croydon (1978) Plate 139
- ^ "Exchange: Spoof-Tavern Club-Martinized Venus". exchange.umma.umich.edu. Retrieved 2020-12-11.
- ^ Croydon (1978) Plate 82
- ^ "Three Love Birds". The Art Institute of Chicago. Retrieved 2020-07-27.
- ^ Croydon (1978) Plate 84
- ^ "Showcase Doll". The Art Institute of Chicago. Retrieved 2020-07-27.
- ^ Croydon (1978) Plate 86
- ^ Croydon (1978) Plate 87
- ^ Croydon (1978) Plate 88
- ^ "Silver Miners' Row, Aspen, Colorado". The Art Institute of Chicago. Retrieved 2020-07-27.
- ^ Croydon (1978) Plate 89
- ^ "Elm Street Bridge, Woodstock, Vermont". The Art Institute of Chicago. Retrieved 2020-07-27.
- ^ "The Old and the New Georgia". The Art Institute of Chicago. Retrieved 2020-07-27.
- ^ Croydon (1978) Plate 136
- ^ Croydon (1978) Plate 137
- ^ "Study for "The Vermonter"". The Art Institute of Chicago. Retrieved 2020-07-27.
- ^ Croydon (1978) Plate 91
- ^ "The Red Barn Walked Around Me". The Art Institute of Chicago. Retrieved 2020-07-27.
- ^ Croydon (1978) Plate 92
- ^ "The Old Woodstock Inn". The Art Institute of Chicago. Retrieved 2020-07-27.
- ^ Croydon (1978) Plate 93
- ^ "First a Church, Then a Lumberyard, Woodstock, Vermont". The Art Institute of Chicago. Retrieved 2020-07-27.
- ^ Croydon (1978) Plate 90
- ^ "The Snow Moves Through the Trees-the Trees Move Through the Snow". The Art Institute of Chicago. Retrieved 2020-07-27.
- ^ Croydon (1978) Plate 94
- ^ "This is Jill". The Art Institute of Chicago. Retrieved 2020-07-27.
- ^ Croydon (1978) Plate 95
- ^ "I, Mary". The Art Institute of Chicago. Retrieved 2020-07-27.
- ^ Croydon (1978) Plate 138