Jump to content

Hobart Nichols

From Wikipedia, the free encyclopedia

This is the current revision of this page, as edited by Ser Amantio di Nicolao (talk | contribs) at 20:05, 14 May 2022 (add Category:20th-century American male artists). The present address (URL) is a permanent link to this version.

(diff) ← Previous revision | Latest revision (diff) | Newer revision → (diff)
Hobart Nichols
Born
Henry Hobart Nichols Jr.

(1869-05-01)May 1, 1869
DiedAugust 13, 1962(1962-08-13) (aged 93)
Education
Occupation(s)Painter, illustrator
SpouseWilhelmina von Stosch

Henry Hobart Nichols Jr. (May 1, 1869  – August 13, 1962) was an American landscape painter and illustrator.[1] Nichols was born to Henry Hobart and Indiana Jay Nichols on May 1, 1869, in Washington, DC.[2]

He studied under Howard Hemlock and Edmund Clarence Messer[3] at the Art Students League of Washington and later, completed in 1905, studies with Caludio Castelucho at the Académie Julian in Paris.

Family

[edit]

Nichols' father, Hobart Nichols Sr., was a noted wood engraver who engraved the sketches in The History of North American Birds by Baird, Brewer and Ridgeway.[4] His mother, Indiana Jay Nichols was skilled at drawing and "interested in all things related to the arts."[5] Hobart’s brother, Spencer Baird Nichols, was a portrait painter and illustrator.

Nichols married painter Wilhelmina von Stoschm also of Washington, DC, in 1895. They had two daughters, Hildegarde born 1896 and Leonora born in 1897.[5] In 1908, the family moved to New York City. Then in 1910 they bought land in Lawrence Park a growing artists' colony in Bronxville, New York.[6]

Career

[edit]

Nichols' began his career as an illustrator for the US Geological Survey where he remained for 15 years building his fine art career in his spare time. Ultimately he became known for his landscapes rendered in oil or watercolor. His grandniece, Barbara Sussman’s description of her great uncle's work repeats the themes of so many of his viewers through his long career “Hobart’s paintings are solid and well executed, and he seldom strayed from the winter landscapes in which he found so much interest in exploring the nuances of light on snow.”[5]

Hobart Nichols was known as much for his leadership in the art community as he was for his painting. He was president of the National Academy of Art for ten years and exhibited there, the Salmagundi Club and Grand Central Galleries many times. Today, Nichols’ work is among the collections of the Metropolitan Museum of Art, the Smithsonian Institution the National Gallery of Art and the Phillips Collection.

Nearly blind, Nichols died in Bronxville on August 13, 1962, at the age of 93 – 12 years after the death of his younger brother Spencer, and eight years after the death of his wife.[2][7]

Awards

[edit]
  • Washington Water Color Club Prize – 1895, 1901
  • Second Corcoran Prize, Society of Washington Artists – 1901
  • Parsons Prize, Society of Washington Artists – 1902, 1904
  • First Corcoran Prize, Society of Washington Artists – 1906
  • Turnbull Prize, Salmagundi Club – 1913
  • National Arts Club of New York bronze medal – 1914
  • Evans Prize, Salmagundi Club – 1915
  • Porter Prize, Salmagundi Club – 1918
  • National Arts Club of New York silver medal – 1920
  • Thompson Prize, Salmagundi Club – 1920
  • Second Altman Prize at the National Academy of Design – 1923
  • Vezin Prize, Salmagundi Club – 1924
  • First Altman Prize at the National Academy of Design – 1925
  • Isidor Prize, Salmagundi Club – 1926
  • Members Purchase Prize, Salmagundi Club – 1927
  • National Academy of Design Prize – 1928
  • Gregg Memorial Prize, National Arts Club – 1930
  • First Altman Prize at the National Academy of Design – 1934
  • National Academy of Design Prize – 1935
  • Henry B. Snope Prize, Society of American Etchers, Inc. – 1936
  • Century Club Prize – 1938
  • Salmagundi Club Prize – 1939[5]

Associations

[edit]
  • Allied Artists of America
  • The American Water Color Society (president, 1936–1937)
  • Artists for Victory, World War II (president)
  • The Century Club, NY (board of management)
  • Connecticut Academy of Fine Arts
  • The Cosmos Club, Washington, DC
  • Grand Central Art Galleries
  • Louis Comfort Tiffany Foundation (director, 1934–1959)
  • The Lotos Club of New York City
  • National Academy of Design (president, 1939–1949)
  • National Arts Club
  • National Institute of Arts and Letters
  • New York Water Color Club
  • North Shore Art Association
  • Pennsylvania Academy of Fine Arts
  • Salmagundi Club, NY (president, 1922–1924)
  • Society of Washington Artists
  • Washington Water Color Club[5]

References

[edit]
  1. ^ Artists and Architects, National Academy Museum 1083 Fifth Avenue New York, New York 10128 accessed October 11, 2015 http://www.nationalacademy.org/collections/artists/detail/824/
  2. ^ a b "Hobart Nichols". Smithsonian American Art Museum. Retrieved April 7, 2019.
  3. ^ Artist Edmund Clarence Messer
  4. ^ Baird, S. F.; Brewer, T. M.; Ridgway, R. (1874). A History of North American Birds. Boston: Little, Brown.[ISBN missing]
  5. ^ a b c d e Underhill, S. M.; Sussman, B. J. (2010). The Nichols Brothers: A Dialogue in Art and Life. Bronxville Historical Conservancy.[ISBN missing]
  6. ^ Buff, B. B. (1989). "Bronxville: the planned community as art colony". The Artists of Bronxville, 1890–1930. Hudson River Museum.[ISBN missing]
  7. ^ "Spencer Baird Nichols and Nichols family papers, 1870-1994". Archives of American Art. Smithsonian Institution. Retrieved April 7, 2019.

Further reading

[edit]
  • Austin, R. M. (2003). Artists of the Litchfield Hills. Waterbury: Mattatuck Historical Society.[ISBN missing]
  • Hill, M. W. (2008). Bronxville Artists & Friends: Legacies Past and Future. Bronxville: Bronxville Historical Conservancy.[ISBN missing]
  • Hoagland, L. (1992). Lawrence Park Bronxville's Turn-of-the-Century Artist Colony. Bronxville: Lawrence Park Hilltop Association.[ISBN missing]