Man Push Cart
Man Push Cart | |
---|---|
Directed by | Ramin Bahrani |
Written by | Ramin Bahrani |
Produced by | Ramin Bahrani |
Starring | Ahmad Razvi Leticia Dolera Charles Daniel Sandoval |
Music by | Atif Aslam |
Distributed by | Films Philos (North America) |
Release dates |
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Running time | 87 minutes |
Country | United States |
Language | English |
Man Push Cart is a 2005 American independent film by Ramin Bahrani that tells the story of a former Pakistani rock star who sells coffee and bagels from his pushcart on the streets of Manhattan.[1]
Plot
Early every morning, Ahmad (Ahmad Razvi), a Pakistani immigrant, struggles to drag his heavy cart along the streets of New York to a corner in Midtown Manhattan, where he sells coffee and bagels. He encounters a wealthy Pakistani businessman who offers him some work and financial assistance, promising also to introduce him to the music scene. He also spends time with a young Spanish woman who works in a nearby newspaper and magazine kiosk. He is haunted by the death of his wife and is unable to spend time with his son. Just as it appears that he is making some progress in improving his life, an event occurs that pushes him back down again.
Music
Atif Aslam's three songs were included in the film. "Aadat" is the main track while portions of the songs "Ehsaas" and "Yakeen" are also introduced in the film. All are taken from the album Jal Pari.
Critical reception
The film was met with critical acclaim; some critics have compared the film to the style and films of the Italian Neorealism and French New Wave movements. The film has a score of 89% with a certified "Fresh" rating on Rotten Tomatoes based on 54 reviews with the consensus being that "This compassionate portrait of a New York City street vendor is as beautiful as it is melancholy."[2]
Film critic Roger Ebert of the Chicago Sun-Times awarded the film 4 out of 4 stars and wrote that the film "embodies the very soul of Italian neo-realism" and went on to say "Free of contrived melodrama and phony suspense, it ennobles the hard work by which its hero earns his daily bread" and "Bahrani, as director, not only stays out of the way of the simplicity of his story, but relies on it; less is more, and with restraint he finds a grimy eloquence."[3]
Michael Wilmington of the Chicago Tribune liked the film and wrote a positive review saying "Ahmad's concerns — his sadness and his striving — become universal. Though his early-morning riser's world is gray and threaded with melancholy, it becomes, in the end, a place we recognize."[4]
Dana Stevens of Slate wrote in her review "If one of the things movies are supposed to do is make you look anew at the world around you, you may never see your doughnut vendor in the same way again."[5] This was also iterated by Jack Matthews of the New York Daily News who said "You'll think of him the next time you pass a cart."[6]
Johnathan Rosenbaum of the Chicago Reader in his positive review said "it's a potent mood piece, and its portrait of urban loneliness has some of the intensity of Taxi Driver without the violence."[7]
Time Out magazine wrote of the film saying, "What begins as a delineation of a man in a landscape becomes a study in sadness and stoicism, disorientation and even desperation, then finally, a delicate, rewarding and cliché-free enquiry into the complex heart of the lone immigrant experience."[8]
Stephen Holden of The New York Times liked the film and gave it a positive review saying "Man Push Cart is an exemplary work of independent filmmaking carried out on a shoestring. Mr. Razvi’s convincing performance is a muted portrait of desolation bordering on despair."[9]
Kevin Thomas of the Los Angeles Times wrote "It's by no means an exaggeration to describe this quietly powerful film as Bressonian."[6]
Awards
The film had its world premiere at the 2005 Venice Film Festival. It entered the 2006 Sundance Film Festival[10] and won the Fipresci Critic's Award at the London Film Festival. It was nominated for three Independent Spirit Awards[11][12] and was on Roger Ebert's list of the top 10 movies of 2006.
References
- ^ Criterion Collection
- ^ "Man Push Cart". Rotten Tomatoes. Retrieved March 26, 2014.
- ^ "Man Push Cart". Roger Ebert.com. Retrieved 26 March 2014.
- ^ "Movie Review: 'Man Push Cart'". Chicago Tribune. Retrieved 26 March 2014.
- ^ Stevens, Dana (7 September 2006). "Sob Stories: The quiet beauty of Man Push Cart". Slate. Slate Magazine. Retrieved 26 March 2014.
- ^ a b "Man push Cart: Top Critics". Rotten Tomatoes. Retrieved 26 March 2014.
- ^ "Man Push Cart". Chicago Reader. 20 October 2006. Retrieved 26 March 2014.
- ^ "Man Push Cart (15)". Time Out London. Retrieved 26 March 2014.
- ^ Holden, Stephen (8 September 2006). "Sisyphus, Making It Work on the Streets of New York". The New York Times. Retrieved 26 March 2014.
- ^ Sundance #10: Push comes to screen|Festivals & Awards|Roger Ebert
- ^ 2007 Spirit Awards at IMDb
- ^ 23rd Spirit Awards ceremony hosted by Rainn Wilson - full show (2008) | Film Independent on YouTube
External links
- Man Push Cart at IMDb
- Man Push Cart at AllMovie
- Roger Ebert Review 4 stars, 20 October 2006
- Man Push Cart: A Melancholy Pull an essay by Bilge Ebiri at the Criterion Collection
- 2005 films
- 2000s avant-garde and experimental films
- American avant-garde and experimental films
- Films shot in New York City
- Films about Pakistani Americans
- Films directed by Ramin Bahrani
- American independent films
- 2005 independent films
- 2005 directorial debut films
- 2000s English-language films
- 2000s American films