A Colour Symphony
A Colour Symphony, Op. 24, F. 106, was written by Arthur Bliss in 1921–22.[1] It was his first major work for orchestra,[2] and is today one of his best-known compositions.
Orchestration
[edit]The symphony is scored for 3 flutes (one doubling on piccolo), 2 oboes, cor anglais, 2 clarinets, bass clarinet, 2 bassoons, double bassoon, 4 horns, 3 trumpets, 3 trombones, tuba, 2 tympanists, cymbals, 2 harps and strings.
History
[edit]A Colour Symphony was written to be performed at the Three Choirs Festival, held in 1922 in Gloucester,[3] at the invitation of Sir Edward Elgar, who also invited Herbert Howells and Eugene Goossens to write a piece each.[4] Howells wrote Sine Nomine for wordless chorus,[5] which was not given its second performance until his centenary year 70 years later, in 1992.[6] Goossens wrote a piece called Silence for chorus and orchestra.[5] Elgar's own contribution was his orchestration of Johann Sebastian Bach's Fantasia and Fugue in C minor.
Bliss decided to write a symphony, but was at first undecided what the theme or character of the work would be. He could not get started for some weeks. One day, by chance, he came across a book on heraldry in which he read of the symbolic meanings attached to certain colours; this gave him the notion of writing a work about colours. He attempted to give each movement a character corresponding to these meanings, but without attempting to depict the colours themselves.[7] Bliss dedicated the symphony to the conductor Adrian Boult.[2]
The first performance, with the London Symphony Orchestra, in Gloucester Cathedral on 7 September 1922, was conducted by the composer. It was not well received at first, due to poor preparation. The work uses a large orchestra, but the platform was so taken up with the chorus required for other works also being performed, that several instruments had to be omitted.[8] Elgar attended, but found it "disconcertingly modern".[2] It nevertheless entered the repertoire and has been recorded various times, although it is now an infrequent visitor to concert platforms.
Analysis
[edit]The four movements are:
| Purple | Andante maestoso | slow and majestic in pace and ceremonial in character |
| The colour of Amethysts, Pageantry, Royalty and Death | ||
| Red | Allegro vivace | a glittering, spiky and percussive scherzo, reminiscent of Stravinsky.[citation needed] |
| The colour of Rubies, Wine, Revelry, Furnaces, Courage and Magic | ||
| Blue | Gently flowing | slow, with chords used to depict the lapping of water against a moored boat or a pier |
| The colour of Sapphires, Deep Water, Skies, Loyalty and Melancholy | ||
| Green | Moderato | a double fugue (which has been described as "Schoenbergian"[9]) on violas, strings, clarinets and woodwinds, leading to a triumphant climax |
| The colour of Emeralds, Hope, Youth, Joy, Spring and Victory |
A theme from towards the end of the Red movement was used as the signature tune of the televised "Royal Institution Christmas Lectures".[10]
Revision
[edit]In 1932, Bliss revised the codas of the first two movements.[1] He conducted the revised work himself in a recording with the London Symphony Orchestra in 1955.[11]
The last movement, "Green", was separately published as Pyonepsion.
Other uses
[edit]In 1977, a ballet called Royal Offering was created, with music based on A Colour Symphony.
A short extract from the 'Red' movement was used as the opening music to BBC TV coverage of The Proms until 2011.[12]
The British artist Kevin Laycock created a visual piece called Four Movements in Colour, in which he attempted to portray, in colour, the sounds created by Arthur Bliss.[13] In 2004, Laycock created a series of paintings called Tectonics as a direct response to Bliss's A Colour Symphony using parallel compositional structures.[14]
Select discography
[edit]- Arthur Bliss conducting the London Symphony Orchestra, Decca "Ace of Clubs" ACL 239, 1964, Mono.
- Charles Groves conducting the Royal Philharmonic Orchestra, EMI ASD 3416, 1977, Stereo.
- Vernon Handley conducting the Ulster Orchestra, Chandos Records CHAN 8503, 1987, Digital Stereo.
- Barry Wordsworth conducting the BBC Welsh Symphony Orchestra, Nimbus Records NI 5294, 1991, Digital Stereo.
- David Lloyd-Jones conducting the English Northern Philharmonia, Naxos 8.553460, 1996, Digital Stereo.
References
[edit]- ^ a b Randel, Don Michael (2003). The Harvard dictionary of music. Harvard University Press. p. 191. ISBN 978-0-674-01163-2.
- ^ a b c Classical Archives
- ^ Bourne, Joyce; Michael Kennedy (2004). The concise Oxford dictionary of music. Oxford University Press US. p. 153. ISBN 978-0-19-860884-4.
- ^ "Bliss: Colour Symphony". Archived from the original on 26 October 2016. Retrieved 31 March 2009.
- ^ a b Culot, Hubert (2003). "Review: British Choral Music". MusicWeb International.
- ^ Romanticism in Retrospect
- ^ The eMusic Dozen: British Composers
- ^ Greene's Biographical Encyclopedia of Composers
- ^ Barnett, Rob (2007). "Review: Bliss - Orchestral Works (EMI)". MusicWeb International.
- ^ Serotsky, Paul (2017). "Programme Notes: Bliss - A Colour Symphony". MusicWeb International.
- ^ "derkeiler.com". Archived from the original on 14 February 2012. Retrieved 31 March 2009.
- ^ BBC Proms 2010 Archived April 2, 2011, at the Wayback Machine
- ^ Four Movements in Colour: Recent Paintings by Kevin Laycock Archived September 30, 2006, at the Wayback Machine
- ^ Uncertain Harmonies
Sources
[edit]- Arthur Bliss, liner notes to the recording by Anthony Collins and the London Symphony Orchestra
Further reading
[edit]- Hull, Robert H. (July 1, 1931). "Bliss's 'Colour' Symphony Reconsidered." The Monthly Musical Record, vol. 61, no. 727, p. 200.
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