Eric Lott
Eric Lott | |
|---|---|
.jpg) Lott at the Seattle Pop Conference 2015 | |
| Born | 1959 (age 64–65) |
| Nationality | United States |
| Occupation | Distinguished Professor of English |
| Awards | MLA's "Best First Book" (1994), Outstanding Book on the Subject of Human Rights by the Gustavus Myers Center for the Study of Human Rights (1994), Avery O. Craven Award from the Organization of American Historians (1994) |
| Academic background | |
| Alma mater | Columbia University |
| Academic work | |
| Discipline | American Studies, African American Literature and Culture |
| Institutions | The Graduate Center, CUNY |
| Notable works | Love and Theft: Blackface Minstrelsy and the American Working Class (1993), Black Mirror: The Cultural Contradictions of American Racism (2017) |
Eric Lott (born 1959) is an American cultural historian and Distinguished Professor of English at The Graduate Center, CUNY in New York City.[1] Previously, he was a faculty member in the Department of English at the University of Virginia.[2]
Lott received his Ph.D. in 1991 from Columbia University. His book about the origins, evolution, and cultural significance of blackface minstrelsy, Love and Theft: Blackface Minstrelsy and the American Working Class (1993), received the 1994 Avery O. Craven Award from the Organization of American Historians and the first annual Modern Language Association's "Best First Book" prize, and the 1994 Outstanding Book on the Subject of Human Rights by the Gustavus Myers Center for the Study of Human Rights.[3] Love and Theft extensively documents the racism and cultural appropriation inherent in blackface performance; Lott also argues that it demonstrates a current of homosexual desire for Black men's bodies;[4] he also argues that "mixed in with vicious parodies and lopsided appropriation, minstrelsy involved a real love of African American culture."[5]
Bob Dylan is widely reported to have taken the title of his album Love and Theft from that of Lott's book; Lott, in turn, considered his own title "a riff on" Leslie Fiedler's Love and Death in the American Novel.[6]
Lott's writing has also appeared in numerous publications, such as Village Voice, The Nation, Transition, and American Quarterly. He is one of the co-directors of the Futures of American Studies Institute at Dartmouth College.[7]
Lott's latest book, Black Mirror, extends his views on the contradictions of American racism to more contemporary themes, including the presidency of Barack Obama, Elvis impersonation, and – with the wit that distinguishes Lott's writing – Dylan's Love and Theft. The analysis in the book is heavily driven by Marxist analysis regarding "surplus value," which is extended to an analysis of the "symbolic capital" of cultural appropriation.[8]
Books
- The Disappearing Liberal Intellectual (2006)
- Love and Theft: Blackface Minstrelsy and the American Working Class (1993; 2nd ed., 2013)
- Black Mirror: The Cultural Contradictions of American Racism (2017)
Notes
- ^ "The GC's Eric Lott Is Promoted to Distinguished Professor". www.gc.cuny.edu. Retrieved 2018-12-13.
- ^ Eric Lott Biography http://www.gc.cuny.edu/Faculty/Core-Bios/Eric-Lott
- ^ Nationally acclaimed author to give Nye Lecture as part of Ethnomusicology Forum Archived 2006-09-01 at the Wayback Machine University of Michigan, April 15, 1999. Accessed online 10 August 2006.
- ^ Love and Theft, passim.
- ^ Abstract Archived 2007-03-11 at the Wayback Machine for Lott's plenary talk "Love and Theft Revisited: Poseurs and Playas from Blackface to Hip-Hop (And What This All Means for Rock and Roll)" at the Pop Conference, Experience Music Project, 2005. Accessed online 10 August 2006.
- ^ David McNair and Jayson Whitehead interview with Lott on Gadfly Online. Accessed online 10 August 2006.
- ^ "Futures of American Studies Institute". www.dartmouth.edu. Retrieved 2018-11-26.
- ^ "Black Mirror by Eric Lott". onlinereviewofbooks.com. Retrieved 2017-10-05.
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