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Richard Castelli

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Richard Castelli (born May 9, 1961) is a producer, artistic consultant and curator of numerous exhibitions associated with art, science, performance, or new technologies.[1]

1980-2003: Producer, graphic designer and film director, Art Zoyd

From 1982 to 2003, he started as producer of the French new music band Art Zoyd[2], [3], for which he also designed the lighting of the shows and graphics of the LPs and CDs.

During this period, he wrote scripts and directed short and medium-length films with the music of the band, among others Dernière danse (1982) and Ceremony (1984) [1][2] with Philippe Blanc, Upon the Heath (1988) with Christophe Jouret awarded Best musical film by the Rio de Janeiro International Film Festival and First Prize of the Estavar Festival), and broadcast on several channels worldwide.

1990-2007: Head of programming, curator

In the '90s, he became head of programming of two national theatres in France, Le Manège scène nationale in Maubeuge from 1990 to 2007 and Maison des Arts of Creteil from 1993 to 2007[4].

During this period, he initiated the co-production of international projects with theatre directors Robert Lepage, Peter Stein, Robert Wilson among others, and he specifically developed the Exit festival in Creteil and the Via festival in Maubeuge, as well as media art exhibitions[5] featuring Gregory Barsamian, Luc Courchesne, Du Zhenjun, Dumb Type, Masaki Fujihata, Ulrike Gabriel, Granular-Synthesis, Seiko Mikami, Christian Moeller, Gordon Monahan, Michael Saup, Jeffrey Shaw, Chiharu Shiota, Pierrick Sorin, Studio Azzurro, Time's Up, Mary Ziegler, among others.

He was Senior Curator of Lille 2004 - European Capital of Culture[6], [7] (1999-2005), then Lille 3000 (2005-2007).

From 1995: Founder of Epidemic

In 1995, Richard Castelli founded Epidemic (the name refers to Lars von Trier's movie[8]), a production company supporting international artists in the field of performing arts and new media. The artists produced by Epidemic since its creation are theatre/cinema directors Jean Michel Bruyère (France) and Robert Lepage (Canada), new media artists Dumb Type (Japan), Du Zhenjun (China), Granular-Synthesis, Kurt Hentschlager (Austria), Shiro Takatani (Japan), Ulf Langheinrich (Germany), Jeffrey Shaw (Australia) and Sarah Kenderdine (New Zealand), The User (Canada), music composer and visual artist Ryoji Ikeda (Japan), choreographers Édouard Lock (Canada) and Saburo Teshigawara (Japan).

From 2005: Curatorship and artistic direction

In 2005, Richard Castelli expanded the activities of Epidemic with the creation of an exhibition department[9]. Under his curatorship, Epidemic produced, among others, exhibitions in Berlin (Haus der Berliner Festspiele in 2005, Martin-Gropius-Bau in 2007-2008[10], [11], [12]), in Shanghai (Zendai MoMA in 2006 and 2008, Sculpture Art Space[13] in 2007, Science and Technology Museum in 2008, Power Station of Art[14], [15] in 2017), in Istanbul (Borusan Foundation in 2010 and 2011[16]).

He curated five exhibitions for the Romaeuropa Festival, two of which in co-operation with the Museum of Contemporary Art of Rome MACRO Testaccio (2010[17] and 2016)[18], [19], [20], [21] and one at the Palazzo delle Esposizioni in Roma (2017)[22], [23].

In France, the curated two exhibitions commissioned by Bethune Capitale Régionale de la Culture[24] in 2011.

On the occasion of the exhibition Robotic Art [25], [26] which he curated for the Cité des sciences et de l'industrie in Paris in 2014-2015, was inaugurated the 3D Water Matrix[27], a computer controlled display of animated three-dimensional liquid artworks, he designed, from an original idea he discussed with artist Shiro Takatani in 2000.

The 3D Water Matrix received the CODAawards Winner 2015[28] in the category "institutional".

He was also the Artistic Director of the Francofffonies ! Québec_numériQ event[29] featuring the Quebec avant-garde artists in digital arts at Théâtre du Châtelet in Paris in 2006.

In Russia, Richard Castelli is the first and to date the sole foreign Artistic Director of the Nikola-Lenivets Archstoyanie Architecture Festival[30], [31], [32], located 200km away from Moscow. For this 9th exhibition held in 2014, he focused on the notion of temporality in architecture.

Alongside his activities as producer and curator, he has participated in the publication of a number of books and exhibition catalogues.

He is author of several essays, including Robots d'artistes ou robots artistes? in the collective book Robots extraordinaires [33] published by Futuroscope FYP (2006), Hu Jieming, A World in Thickness in Hu Jieming, a monography of the Chinese artist Hu Jieming, published by Li Zenhua, Shanghart (2010)[34], A Future where we are already in in Romaeuropa Digitalife 2010 2011 2012 - Human Connections[35]

He has been invited to give lectures by the Universities of la Sorbonne-Paris, Beijing, Créteil, Hong Kong, Saint-Denis, Shanghai, Sydney and by various institutions in Chengdu, Istanbul, Montreal, Moscow, New York, Prague, Reykjavik, Saint Petersburg, Shanghai, Taipei, Toronto...

References

  1. ^ C.R.I.S, Association. "Actualités de Richard Castelli, actualités, textes, spectacles, vidéos, tous ses liens avec la scène". www.theatre-contemporain.net (in French). Retrieved 2018-08-01.
  2. ^ "ART ZOYD - Musiques pour de nouvelles odyssées - Rythmes Croisés Webzine". Rythmes Croisés Webzine (in French). 2007-11-25. Retrieved 2018-08-01.
  3. ^ "Ork Alarm! # 24 | The Interesting Alternative". www.orkalarm.co.uk. Retrieved 2018-08-01.
  4. ^ "Richard Castelli-Last Exit to Créteil, interview 2001 – Isabelle Arvers". www.isabellearvers.com. Retrieved 2018-08-01.
  5. ^ "Les robots, ou l'histoire de l'art revue par les puces". Le Monde.fr (in French). Retrieved 2018-08-01.
  6. ^ Moulon, Dominique (December 2003). "Lille 2004, cinémas du futur" (PDF). Images magazine. 2: 92–95.
  7. ^ "Les robots, ou l'histoire de l'art revue par les puces". Le Monde.fr (in French). Retrieved 2018-08-01.
  8. ^ Rassat, Paul. "Richard Castelli, un transfrontière dans un monde ouvert". Move-On Magazine / Actu, Agenda & Billetterie de vos Sorties! #BONPLAN (in French). Retrieved 2018-08-01.
  9. ^ ARTLINKART. "Richard Castelli | artist | ARTLINKART | Chinese contemporary art database". www.artlinkart.com. Retrieved 2018-08-01.
  10. ^ Villarreal, Ignacio. "From Spark to Pixel - Art + New Media". artdaily.com. Retrieved 2018-08-01.
  11. ^ Preuss, Sebastian. "Ein Schau medialer Kunst bringt den Gropius-Bau in digitale Wallung: Funken, Pixel, Sensationen". Berliner Zeitung (in German). Retrieved 2018-08-01.
  12. ^ "kultur-online :: Vom Funken..." kultur-online.net (in German). Retrieved 2018-08-01.
  13. ^ "ArtAsiaPacific: Big Ambitions For New Media Art Festival In Shanghai". artasiapacific.com. Retrieved 2018-08-01.
  14. ^ Group, SEEC Media. "Review: Body·Media II". Retrieved 2018-08-01. {{cite news}}: |last= has generic name (help)
  15. ^ "#Review# Body Media II". www.madnessglobe.com. Retrieved 2018-08-01.
  16. ^ "Işık ve ses ile görünmeyenin peşinde - MÜGE AKGÜN". Radikal (in Turkish). Retrieved 2018-08-01.
  17. ^ "Digital Life Exhibition". When Art Does Show Off • Digicult | Digital Art, Design and Culture". Digicult | Digital Art, Design and Culture. 2010-05-03. Retrieved 2018-08-02.
  18. ^ "Digital Life Exhibition". When Art Does Show Off • Digicult | Digital Art, Design and Culture". Digicult | Digital Art, Design and Culture. 2010-05-03. Retrieved 2018-08-01.
  19. ^ www.tunethebit.com. "INSIDEART". INSIDEART (in Italian). Retrieved 2018-08-01.
  20. ^ "L'avanguardia artistica di Digitalife: flussi dati e infiniti virtuali". CulturaMente (in Italian). 2016-10-08. Retrieved 2018-08-01.
  21. ^ Redazione. "Al MacroTestaccio La Pelanda un'immersione tra arte, robotica e ambienti virtuali" (in Italian). Retrieved 2018-08-01.
  22. ^ "Digitalife focuses on the future and investigates the relationship between art and science • Digicult | Digital Art, Design and Culture". Digicult | Digital Art, Design and Culture. Retrieved 2018-08-01.
  23. ^ "Digital Life 2017: la tecnologia nell'arte e l'arte nella tecnologia". Il Corriere del Giorno (in Italian). Retrieved 2018-08-01.
  24. ^ "Let's Motiv Nord & Belgique n°63 mai 2011 - Page 52 - 53 - Let's Motiv Nord & Belgique n°63 mai 2011 - Let's Motiv Nord & Belgique - actualité - musique - Arts & culture - 1001mags - Magazines en PDF à 1 € et GRATUITS !". fr.1001mags.com. Retrieved 2018-08-01.
  25. ^ "[Interview] ROBOTIC-ART". media.digitalarti.com (in French).
  26. ^ "Autour de la question - 2. Jusqu'où irons-nous avec les robots ?". RFI (in French). 2014-04-30. Retrieved 2018-08-01.
  27. ^ "This Water-Based Video Installation Is Not a Piece of Art—It's a Medium". Creators. 2016-07-23. Retrieved 2018-08-01.
  28. ^ "3D water matrix, an interface to conceive + display animated liquid artworks". designboom | architecture & design magazine. 2016-07-21. Retrieved 2018-08-01.
  29. ^ "Festival : visite de bidouilleurs canadiens". Le Monde.fr (in French). Retrieved 2018-08-01.
  30. ^ "Future ruins, Richard Castelli on the role of time in architecture". Bashny.net. Retrieved 2018-08-01.
  31. ^ "В Калужской области завершился IX фестиваль "АрхСтояние"". Российская газета (in Russian). 2014-07-28. Retrieved 2018-08-01.
  32. ^ Chramtchenko, Tatiana (2014-07-31). "ArchStoyanie, un festival d'architecture à l'accent français" (in French). Retrieved 2018-08-01.
  33. ^ Fiévet, Cyril; Bultez Adams, Philippe (2006). Robots extraordinaires (in French). Futuroscope - France: FYP. pp. 54–56. ISBN 2-9517802-9-X.
  34. ^ Archive, Asia Art. "Hu Jieming". Retrieved 2018-08-01.
  35. ^ Romaeuropa Digitalife 2010 2011 2012 - Human Connections. Italy: Insidearteventi. 2012. pp. 44–45. ISBN 9788895202044.
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