Jump to content

Aarti Bajaj

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Sush150 (talk | contribs) at 04:31, 19 May 2020 (Filmography). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Aarti Bajaj
NationalityIndian
OccupationFilm editor
Years active1995 - present
Spouse
(m. 1997; div. 2009)
Children1

Aarti Bajaj (Template:Lang-hi) is an Indian film editor. She is one of the editors working in Hindi Cinema currently. She has edited films like Jab We Met and Aamir.

Education

Aarti Bajaj moved from Delhi to Mumbai to pursue her dream of working in films at the age of 21. She did a film course in 1994 at the Xavier Institute of Communication, Mumbai. She said in an interview with India Today], "My dad threw a fit when he heard of my decision to head to Mumbai. But I told him I would run away if he didn't let me go, so he reluctantly gave in." In her internships with Bardroy Baretto and Shyam Ramanna, she "fell in love with the whole process of rewriting a film at the edit table." Having gained some experience, she began editing for music videos and advertisements. Over eight years, she became an established independent editor.

Career

Aarti Bajaj began editing with Anurag Kashyap's unreleased film Paanch. She followed it with his controversial and acclaimed film Black Friday for which she was nominated for a Star Screen Award in 2008.[1] She has also edited Reema Kagti's Honeymoon Travels Pvt. Ltd., Imtiaz Ali's Jab We Met and Rajkumar Gupta's Aamir, for which she was nominated for her second Star Screen Award.[2] Later, she edited Kashyap's Dev.D, Gulaal, Ugly, Raman Raghav 2.0, Mukkabaaz, Sacred Games and Manmarziya. An article on The Hindu describes her as "one of those rare new-age film editors who lets the narrative breathe, supremely confident of her pacing."

In the same article, Bajaj describes her process of deciding which film she wants to contribute to. It is true that many of her works are films which are different from what one expects from the average Bollywood movie. She answers in The Hindu interview, "I enjoy mainstream Bollywood, but I don't know if I can edit them. What's the point of doing the same formula again? What do you look forward to? I know I will go brain-dead." She also adds, "I like quirky, I like different." She goes on to emphasise the importance of mental stimulation and how every project she does must present to her some sort of challenge. Her professionalism is such that she only does one project at a time to ensure compete focus.

Bajaj has worked on films across different genres, from Rockstar to Sacred Games, which demand different editing styles, and has proved herself to be a versatile editor.[3]

Filmography

Film Year Notes
Love Aaj Kal 2020
Albert Pinto Ko Gussa Kyun Aata Hai? 2019
Manmarziyaan 2018
Sacred Games 2018 TV series
Cake 2018 Pakistani film
Mukkabaaz 2017
Jab Harry Met Sejal 2017
Raman Raghav 2.0 2016
Love Shagun 2016
Tamasha 2015
Revolver Rani 2014
Highway 2014
Ugly 2013
Ghanchakkar (film) 2013
Ishaqzaade 2012
Paan Singh Tomar 2012
Rockstar 2011
No One Killed Jessica 2011
Do Dooni Chaar 2010
Mumbai Cutting 2010 Segment: "Pramod Bhai 23"
Karthik Calling Karthik 2010
Love Aaj Kal 2009
Gulaal 2009
Dev.D 2009
Aamir 2008
Maharathi 2008
Jab We Met 2007
No Smoking 2007
Honeymoon Travels Pvt. Ltd. 2007
Black Friday 2007
Paanch 2003 Unreleased

References

  1. ^ "14th Annual Star Screen Awards nominations". Screenindia.com. Retrieved 8 March 2009.
  2. ^ "15th Annual Star Screen Awards nominations". Bollywoodhungama.com. Archived from the original on 27 February 2009. Retrieved 8 March 2009.
  3. ^ "Aarti Bajaj; an editor who chases the art of deconstruction and reconstruction". The Compass. 31 October 2018. Retrieved 23 November 2019.