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Morleigh Steinberg
Born
Los Angeles, California, US
NationalityAmerican
Occupation(s)Choreographer, dancer, lighting designer, filmmaker.
Years active1983–present
SpouseThe Edge (2002–present)
Children2
Career
Current groupArcane Collective
Former groupsMOMIX
ISO
DancesModern
Websitearcanecollective.com

Morleigh Steinberg is an American choreographer and dancer with the production company Arcane Collective. She is the wife of the musician the Edge from the rock group U2.

Raised in Los Angeles and schooled in modern dance, Steinberg became a formative member of the dancer-illusionist company MOMIX in 1983. They became known for their visual humour and contorted positions. In 1986, she co-founded the ISO dance company, which embodied an approach they called "serious fun" and sometimes collaborated with a singing group, and gave performances around the country and abroad. In both companies she did choreography as well as dancing. She staged her own experimental dance solo production and did choreographic work for films and music videos. Starting in the mid-1990s, she branched out into lighting design and film directing as well, with dance usually being the subject matter. She has continued with various projects into the 2010s, often collaborating with the Japanese choreographer and dancer Oguri. Together they are co-founders of the production company Arcane Collective.

Steinberg first became involved with U2 when she appeared in the 1987 music video for "With or Without You". She was then hired as a choreographer, and subsequently as a belly dancer for the song "Mysterious Ways", during their 1992–1993 Zoo TV Tour. By the end of the tour she was in a relationship with the Edge. The couple has two children together, married in 2002, and live at residences in Ireland, France, and the United States.

Early life and education

Steinberg was born and raised in Los Angeles[1] under affluent circumstances.[2] Her father, Robert, is a lawyer in Los Angeles.[3][4] Her mother, a successful interior designer,[5] came from a film industry heritage and grew up on the Universal Studios lot.[5] She has two sisters, Roxanne, older and Eliza, younger.[4][6] Her family is Jewish.[7]

Morleigh was tutored in modern dance[4] and her instructors included Bella Lewitzky.[1] Steinberg attended Beverly Hills High School"[4] where she was part of its Advanced Dance Group which gave modern dance performances.[8] At age 16, she spent time at the Interlochen Arts Academy in Michigan and when 17, left with her sister for a year of dancing in Paris.[4] She also attended Hampshire College in Amherst, Massachusetts, for two weeks.[1] She later said that her training in dance had "stressed relationships to objects and to poems."[5]

Early career and work with U2

In 1983, on her way back from Paris,[4] Steinberg began dancing in the studio of Moses Pendleton, who had founded the modern dance company Pilobolus.[9] She had been attracted to Pilobolus growing up: "I was taller than most girls my age, and I thought that was a company I could be with because the women were always lifting the men."[1] There she joined up with Daniel Ezralow, Jamey Hampton, and Ashley Roland, and the four created the Connecticut-based, dancer-illusionist company MOMIX.[4][9] From 1983 to 1986, Steinberg toured nationally with MOMIX. The group became known for their visual humour, contorted positions, and Trompe-l'œil effects.[10]

However, the dancers felt financially insecure, because Pendleton owned the MOMIX name,[9] and also felt artistically stagnant.[10] The four split from MOMIX in 1986[9] and founded the ISO ("I'm So Optimistic") dance company. With ISO, they set their acro dance moves against the new-wave a cappella singing of The Bobs in combined performances.[10] The dancers labelled their new approach as "serious fun".[10]

Steinberg's first association with U2 came in February 1987.[11] The group's lead singer, Bono, was a fan of ISO and she was cast for the music video of their hit "With or Without You".[12] In it, director Matt Mahurin portrayed Steinberg in an abstract style, swirling in various positions in shots interposed with the band performing.[11][12] During a Los Angeles stop on the band's subsequent Joshua Tree Tour, Steinberg met The Edge (actual name Dave Evans) in person for the first time during a party at her house. He came and had a conversation with her and her sister.[12]

Steinberg did choreographic work for two feature films, Earth Girls Are Easy (1988) and Wild Orchid (1990).[13] She did the choreography for Paula Abdul's 1991–1992 Under My Spell Tour.[1] She additionally did concert or music video choreographic work for David Bowie, Rod Stewart, Sting, and Lenny Kravitz.[1] She also ran her own dance school.[5]

By 1990, ISO was performing not just in the US but also abroad.[10] The troupe was regularly reviewed by The New York Times. A 1988 review said that, "Unfortunately, many of [the troupe's] effects looked too self-consciously clever."[14] A 1990 review concluded that, "It is easy to be optimistic about ISO; its shows are goofy fun. But the apparently casual silliness derives from great theatrical shrewdness."[15] A 1991 review said that, "The evening got off to a good, punchy start, then dwindled irretrievably into sophomoric hijinks."[16] A 1993 review stated that, "Iso is after laughs and it gets them. But its targets are threadbare just when dance could use some sharp satirists."[17] In one 1990 performance, Steinberg used elastic bands to playfully reshape her arms and legs as noodles, then flew from wires like an angel.[15] By 1992, Steinberg was living in the Venice neighborhood of Los Angeles.[1] She sometimes toured with the informal company Daniel Ezralow and Friends. A St. Louis Post-Dispatch review of one such show in 1994 described Steinberg's role as that of "a gorgeous, aloof woman in a red dress".[18] She also performed a solo work, the 1992 experimental show called XRAYD at the La Boca performance space in Los Angeles, which featured original music from Brian Eno and Paul Chavez.[1][19] The work featured her in a variety of strange poses and settings cued by video and lighting effects.[19] The Los Angeles Times said her composition represented "a descent into autism, achieved with frightening integrity. Everything she reveals is without self, the be-all and end-all of madness."[19]

Steinberg the belly dancer (left), as seen on the Zoo TV Tour

After meeting U2 in 1987, Steinberg stayed in touch with Bono and when the group was putting the Zoo TV Tour together in 1992, the lead singer thought it would be good to have a choreographer to critique his moves on stage.[20] Steinberg worked during the tour's pre-production to show the group how to communicate their ideas all the way to the last rows of a venue.[12][21] Recognizing Bono was not a dancer, she focused on movements he could do, and sought to help him pace himself and not get lost visually in the show's enormous stage set.[1] The group's hit "Mysterious Ways" had featured a belly dancer in its music video, and the group decided to incorporate one in their on-stage performance of the song. The original dancer left when the tour moved to its outdoor stadium legs.[21] According to Steinberg, having a belly dancer on the tour originated as "a bit of a joke".[20] Steinberg began by training the dancer, and when that dancer left the tour, a replacement was needed.[20] Bono asked Steinberg if she would like to take over and she agreed, although she had never belly danced before[4] and by her own description did not have the voluptuous body usually associated with the form.[1]

In the role of belly dancer, Steinberg engaged in dramatic interaction with Bono, especially upon entrance and exit from the stage.[22] At times Bono would sing to the belly dancer's image on the giant video screens around the stage.[23] During the tour, Steinberg changed the colours of her outfit to match certain occasions, such as wearing orange and black around Halloween.[24] Steinberg was originally reluctant to put her own activities on hold to continue on to the "Zooropa" leg of the tour, but eventually agreed.[25] Unlike others in the tour entourage, Steinberg exhibited a professional independence from the group and did not wait on their whims.[26] In 1993, while still on tour, Steinberg appeared in U2's Kevin Godley-directed music video for their single "Numb", first with her feet as part of the video's assault on The Edge and then with her back as she belly danced.[27]

Marriage and family

"All of us had fallen in love with Morleigh, she has a very easy way about her. She is a Californian in all the ways that you love California, a bright light in a very low-key way. Edge fell for her. It was that thing that often happens when people fall in love, they were friends before they were lovers."

—Bono, on Steinberg and The Edge's relationship[12]

The Edge had been married to his first wife Aislinn since 1983.[28] They had three children together, but had separated in March 1991.[29] Morleigh and The Edge developed a friendship during the Zoo TV Tour,[12] and by August–September 1993, towards the tour's end, it was clear to observers and the couple themselves that the friendship developed into a relationship, and Steinberg broke up with her boyfriend of the time.[20][30] Following the tour's completion, Steinberg and The Edge discovered they missed each other; she moved to Dublin in 1994, and the relationship became firm.[20][31] Having grown up around Hollywood, the prospect of being associated with a famous rock star did not faze her.[4] On his part, the relationship with Steinberg improved his frame of mind after a long period of unhappiness.[2]

The couple's daughter, Sian Beatrice, was born in Los Angeles in 1997[32] and their son, Levi, was born in 1999 in the same city.[33] She had kept her home and many of her possessions in Los Angeles even after moving to Dublin; only after she began raising her children in Ireland did Steinberg start feeling that country was her home.[4]

Steinberg continued some professional activity with U2, directing one of the music videos made for their 1997 single "Staring at the Sun". The video featured close-ups of each of the band members set off by an array of lighting effects.[34] Following the September 11, 2001 terrorist attacks, she was one of the backing singers during the coda of "Walk On" for the America: A Tribute to Heroes telethon.[35]

The couple married on 17 June 2002.[7] They had a small civil service in the Dublin registry office and a few days later at a ceremony on the top of a mountain in the South of France. The Edge said "the Dublin ceremony was just a necessary formality", the only people present there were his two best men: Bono and antiques dealer Chantal O'Sullivan.[7][36] Four days later, their French wedding was held with 200 or more guests at the hilltop village of Èze overlooking the Côte d'Azur followed with a party by the sea.[3] The ceremony was led by Steinberg's father Robert and combined elements of both Christian and Jewish services.[7][3]

"The whole thing was hell – but you stay positive and you really live, actually. You live more; you don't take anything for granted."

—Morleigh referring to her daughter's illness[37]

The couple bought and renovated a €4 million house in Killiney outside Dublin during 2002–2003,[5][36] where they were living mostly for their children's primary education.[31] Their daughter, Sian had leukaemia at age 7, which required three years of treatment, in Dublin and in California.[31] After discussion with the family, U2 went forward with its 2005–2006 Vertigo Tour, but with changed scheduling, reduced dates, and a long postponement of the final leg, all to enable Edge to get home more often.[37][38] Bono later termed Steinberg a heroine for having to take up more of the parental burden and said that without her, the tour would never have taken place at all.[38] After their daughter was declared free of leukaemia, Steinberg and The Edge learned that she was dyslexic and relocated to New York so that she could attend a special learning centre there.[31]

With Bono and his wife Ali Hewson, the couple co-own a 20-room villa in Èze in the Alpes-Maritimes in the South of France, where they often meet with other celebrities.[39] By 2010, Morleigh and Edge altogether had residences in Dublin, New York, the South of France, and Los Angeles.[31] The couple spent an initial five years seeking to gain approval for a large, five-home development atop the Sweetwater Mesa hillside in Malibu, California on land they had bought.[40] Opposed by environmentalists, it was rejected by the California Coastal Commission in 2011, despite the efforts of Robert Steinberg to argue on its behalf.[41] The project was reactivated and the battle over it intensified again during 2014.[42] Finally in 2016 the couple won approval from the commission to proceed based upon a revised design.[40] However the Sierra Club then filed suit against the project.[40]

Subsequent career

Morleigh Steinberg has been working together with Japanese choreographer and dancer Oguri since the early 1990s, documenting Oguri's Butoh-derived style of dance in various environments, including Joshua Tree National Park and Los Angeles.[43][44] She made her directorial debut in 1994[43] with the short subject Traveling Light, which featured the interpretive dance of Oguri and her sister Roxanne, who is also a modern dancer and choreographer and married to Oguri.[4][45] A review of the film on DVD Talk said that "Moreleigh Steinberg's dance-filled daydream about relationships in freefall will be difficult for some to appreciate (the mostly modern dance is very insular and odd), but the brilliant cinematic mood created by the director helps us over the slightly strange nature of it all."[44] (In 2006 the film was included in a DVD release of the Francis Ford Coppola-produced claymation film of William S. Burroughs' The Junky's Christmas.[44]) Despite having no formal training in it,[5] Steinberg also began working as a lighting designer, serving in that role for 1995 and 1997 productions of Oguri works.[46] In 1999, Steinberg was selected for a ten-week National Dance/Media Project fellowship at the University of California, Los Angeles.[47]

Steinberg next came up with the idea of showing Oguri moving through two busy Los Angeles intersections. The result is the 11-minute dance film "Xing", which was screened in 2003 at the Getty Center during Dance Camera West.[43] "Nothing was choreographed beforehand. Oguri does not choreograph, he improvises. But the shots are very specific and the direction is very specific. He knows that he has to get from point A to point B, but I do not mind how."[43] Steinberg made her first feature-length documentary, Height of Sky, about Oguri, and it was shown on the Sundance Channel in 2008.[48]

Since Steinberg settled in Ireland, she has been involved in a number of projects, including doing the lighting for a Royal Hibernian Academy fringe gallery exhibition in 2001 and for Rex Levitates' dance production Bread & Circus in 2007, which showcases her collaborator Liz Roche.[5][31] A short dance film she directed, Unsung, which featured Roche's choreography, won a 2008 Dance on the Box award from RTÉ and was shown on that channel as part of the Dublin Dance Festival.[49] Steinberg provided the inspiration behind the dropped-from-on-high steering-wheel microphone that was a striking visual feature of the 2009–2011 U2 360° Tour.[50]

She was the artistic director of the 2010s Dance Homage to Irish painter Louis le Brocquy, entitled Cold Dream Colour.[4] The work had its world première in Dublin.[31] Le Brocquy later died, in 2012. The Edge had brought le Brocquy's work to Steinberg's attention, and she became convinced that his paintings could be interpreted through dance.[31] The music for Cold Dream Colour is composed by The Edge in collaboration with Paul Chavez (known for his experimental electronic compositions under the project name FeltLike).[31] Besides sharing in the choreography and lighting design for the work, Steinberg also staged a solo dance as well as a duet with her sister.[4][51] Oguri also had roles as choreographer and dancer.[51] The work had its US première at REDCAT in Los Angeles in 2012; a review in the Los Angeles Times said that "Visceral expressionism and a prodigious visual beauty coalesced ... a striking visual success", but that it was less certain whether the nature of le Brocquy's paintings had been conveyed to the less-familiar American audience.[51] Excerpts from Cold Dream Colour were performed at the Guggenheim Museum's Works & Process series for two nights in 2013 in New York, with Irish broadcaster John Kelly moderating a discussion of the work with its creators.[52] The US Cold Dream Colour was presented by Arcane Collective,[51] a production company that Steinberg and Oguri had co-founded in Spring 2011.[53] Steinberg continued to direct and appear in productions of Arcane Collective, including a 2016 performance at New York Live Arts consisting of adaptations of scenes from the Samuel Beckett trilogy.[54]

In 2017, Steinberg was featured as the second of two women in the video accompanying performances of the song "Trip Through Your Wires" on U2's Joshua Tree Tour 2017. She is dressed as a cowgirl, often drawing stage comment from Bono, while an American flag is painted on a wooden shack by the other woman.[55]

References

  1. ^ a b c d e f g h i j Leader, Jody (19 October 1992). "Monday Profile". Daily News of Los Angeles. p. L18.(subscription required)
  2. ^ a b Jobling, U2, p. 242.
  3. ^ a b c "French Connection". People. 8 July 2002.
  4. ^ a b c d e f g h i j k l m Ingle, Róisín (13 November 2010). "Dancing About Art". The Irish Times. Dublin. {{cite news}}: Cite has empty unknown parameter: |1= (help)
  5. ^ a b c d e f g O'Brien, Daire (22 June 2003). "She has her feet firmly on the ground but Morleigh Steinberg moves in mysterious ways". The Times. London. {{cite news}}: Cite has empty unknown parameter: |1= (help)
  6. ^ Harman, Danna (12 August 2012). "State of the Union: When Moshe met Eliza". Haaretz. Tel Aviv.
  7. ^ a b c d McCormick, U2 by U2, p. 395.
  8. ^ "Taking the Leap Into Modern Dance". Los Angeles Times. 1 January 1981. p. WS1.(subscription required)
  9. ^ a b c d Citron, Paula (30 March 1990). "MOMIX spinoff ISO now dancing to The Bobs". Toronto Star. p. D16.
  10. ^ a b c d e Sondak, Eilenn (5 October 1990). "Serious Fun with ISO and the Bobs". Los Angeles Times.
  11. ^ a b McGee, U2: A Diary, p. 100.
  12. ^ a b c d e f McCormick, U2 by U2, pp. 297–298.
  13. ^ "Morleigh Steinberg – Filmography". The New York Times. Retrieved 22 April 2013.
  14. ^ Anderson, Jack (21 December 1988). "Review/Dance: A Pas de Liberte for Human Rights". The New York Times.
  15. ^ a b Anderson, Jack (10 May 1990). "Review/Dance: Whimsical Works by an Optimistic Troupe". The New York Times.
  16. ^ Dunning, Jennifer (10 August 1991). "Review/Dance: Comic Work Has Four Act as One". The New York Times.
  17. ^ Dunning, Jennifer (13 November 1993). "Review/Dance: Movement and Song in 24 Short Works". The New York Times.
  18. ^ Popper, Regina (9 October 1994). "Ezralow and Friends Dance from the Heart". St. Louis Post-Dispatch.
  19. ^ a b c Perlmutter, Donna (3 August 1992). "Morleigh Steinberg's 'XRAYD' at La Boca". Los Angeles Times.
  20. ^ a b c d e Friel, Jenny; Winston, Frances (28 March 2003). "'I've Never Laughed So Hard Since I've Moved to Dublin'". Dublin Daily Interactive. {{cite web}}: Cite has empty unknown parameter: |1= (help); Missing or empty |url= (help)
  21. ^ a b Flanagan, U2 at the End of the World, p. 139.
  22. ^ Beeaff, A Grand Madness, pp. 141, 148.
  23. ^ Beeaff, A Grand Madness, p. 154.
  24. ^ Beeaff, A Grand Madness, pp. 94, 97, 141.
  25. ^ Flanagan, U2 at the End of the World, pp. 139, 250.
  26. ^ Flanagan, U2 at the End of the World, p. 256.
  27. ^ Flanagan, U2 at the End of the World, pp. 257–259.
  28. ^ Kootnikoff, U2, p. xviii.
  29. ^ Kootnikoff, U2, p. xxii.
  30. ^ Flanagan, U2 at the End of the World, pp. 353, 357.
  31. ^ a b c d e f g h i Murphy, Adrienne (15 November 2010). "For a Dancer". Hot Press.
  32. ^ McCormick, U2 by U2, p. 345.
  33. ^ McCormick, U2 by U2, p. 365.
  34. ^ "Staring At The Sun (Directed by Morleigh Steinberg)". u2.com. Retrieved 21 April 2013.
  35. ^ Boas, Gary (14 July 2011). "Like a Song: Walk On (A Tribute To Heroes version)". atu2.com. Retrieved 14 June 2013.
  36. ^ a b Jobling, U2, p. 294.
  37. ^ a b Dunne, Hannah-Louise (11 November 2010). "We Went through Hell as Our Girl Battled Leukaemia, Says Edge's Wife". Daily Mail. London.
  38. ^ a b McCormick, U2 by U2, pp. 419–423.
  39. ^ Horan, Niamh (10 August 2008). "Eze does it for Bono and pals". Irish Independent. Dublin.
  40. ^ a b c Dolan, Jack (13 May 2016). "U2's The Edge and his decade-long fight to build on a pristine Malibu hillside". Los Angeles Times.
  41. ^ Groves, Martha; Barboza, Tony (17 June 2011). "Coastal Commission rejects U2 guitarist's Malibu development plan". Los Angeles Times.
  42. ^ O'Regan, Mark (24 October 2014). "The Edge faces fresh storm over plans for Malibu mansions". Irish Independent. Dublin.
  43. ^ a b c d Pasles, Chris (1 May 2003). "Concept is anything but pedestrian". Los Angeles Times. p. E13. {{cite news}}: Cite has empty unknown parameter: |1= (help)
  44. ^ a b c Gibson, Bill (7 November 2006). "Francis Ford Coppola Presents William S. Burroughs' The Junky's Christmas". DVD Talk.
  45. ^ Cheng, In Other Los Angeleses, pp. 260, 286.
  46. ^ Cheng, In Other Los Angeleses, pp. 327, 389–390.
  47. ^ Campbell, Carolyn (29 October 1998). "UCLA National Dance/Media Project Names 1999 Fellows" (Press release). University of California, Los Angeles.
  48. ^ Guzman, Richard (15 May 2012). "U2 Guitarist and Choreographer Wife Show Mysterious Moves at REDCAT". Los Angeles Downtown News.
  49. ^ "Dance on the Box 2008 Winners". Film Ireland. May–June 2008.
  50. ^ Johnson, David (6 October 2011). "Q+A: Willie Williams: Around The World In Two Years". Live Design.
  51. ^ a b c d Bleiberg, Laura (17 May 2012). "Striking visuals lift 'Cold Dream Colour' at REDCAT". Los Angeles Times.
  52. ^ Burke, Siobhan. "Works & Process at the Guggenheim". The New York Times. Retrieved 25 May 2013.
  53. ^ "About". Arcane Collective. Retrieved 14 June 2013.
  54. ^ Seibert, Brian (18 April 2016). "Review: Arcane Collective Turns a Beckett Trilogy Into Physical Theatre". The New York Times.
  55. ^ McGee, Matt (8 June 2017). "The @U2 Interview: Willie Williams Talks About The Joshua Tree Tour 2017". atu2.com.

Bibliography

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