Jump to content

Ukiyo

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Hse643 (talk | contribs) at 01:16, 2 August 2020 (ce, rm cat, added cat, spacing.). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Onnayu[1] (Ladies' Bath), a colored woodcut ukiyo-e by Torii Kiyonaga (1752–1815) depicting a male sansuke (upper left corner) attending on women at a public bathhouse

Ukiyo (浮世, "floating, fleeting, or transient world") describes the urban lifestyle, especially the pleasure-seeking aspects, of the Edo-period Japan (1600–1867). The Floating World culture developed in Yoshiwara, the licensed red-light district of Edo (modern Tokyo), which was the site of many brothels frequented by Japan's growing middle class. A prominent author of the ukiyo genre was Ihara Saikaku, who wrote The Life of an Amorous Woman. The ukiyo culture also arose in other cities such as Osaka and Kyoto.

The famous Japanese woodblock prints known as ukiyo-e, or "pictures of the Floating World", had their origins in these districts and often depicted scenes of the Floating World itself such as geisha, kabuki actors, sumo wrestlers, samurai, chōnin, and prostitutes.

The term ukiyo (when meaning the Floating World) is also an ironic allusion to the homophone ukiyo (憂き世, "Sorrowful World"), the earthly plane of death and rebirth from which Buddhists sought release.[2]

In its modern usage, the term ukiyo "The Floating World" refers more to a state of being: living in the moment, being detached from the bothers of life.

See also

References

  1. ^ The Compact Nelson, Japanese-English Character Dictionary, Charles E. Tuttle Company, Tokyo 1999, ISBN 4-8053-0574-6
  2. ^ http://kobun.weblio.jp/content/憂き世