Violin Concerto (Elfman)
| Violin Concerto "Eleven Eleven" | |
|---|---|
| by Danny Elfman | |
| Genre | Classical |
| Form | Violin Concerto |
| Commissioned by | Czech National Symphony Orchestra, Stanford Live at Stanford University and the Royal Scottish National Orchestra[1] |
| Composed | 2016 – 2017: Los Angeles, CA |
| Performed | June 21, 2017: Smetana Hall, Prague |
| Published | 2017, Faber Music |
| Movements | Four |
The Concerto for Violin and Orchestra "Eleven Eleven" is the first violin concerto written by American composer Danny Elfman. Co-commissioned by the Czech National Symphony Orchestra, Stanford Live at Stanford University, and the Royal Scottish National Orchestra, the piece premiered at Smetana Hall in Prague, on June 21, 2017, with Sandy Cameron on violin and John Mauceri conducting the Czech National Symphony Orchestra.[1] In 2019, the premiere recording of the concerto featured Cameron with Mauceri conducting the Royal Scottish National Orchestra.[2]
The title "Eleven Eleven" comes from the fact that the piece has 1,111 bars of music.[3]
Structure
The work is in four movements:
- Grave. Animato
- Spietato
- Fantasma
- Giacoso. Lacrimae
In the CD liner notes, Elfman writes that the first and fourth movements share thematic material, and the second and third movements move in distinctly different directions for added contrast.[2]
Instrumentation
The work calls for solo violin and orchestra of 3 flutes (3rd doubling piccolo), 2 oboes, cor anglais, 2 clarinets, 2 bass clarinets, 3 bassoons (3rd doubling contrabassoon), 4 horns, 3 trumpets, 2 tenor trombones, bass trombone, tuba (doubling cimbasso), harp, celesta, strings (with violins I and II played antiphonally), and percussion including bass drum (with cymbal attachment), chimes, claves, cymbals, glockenspiel (printed c3-C6 range), suspended cymbals (large, medium and small), tam-tam, tambourine (mounted, no head), timpani, tom-toms (8 inch, 10 inch, 12 and 14 inch), triangle, vibraphone, woodblocks (piccolo, high, medium, low), and xylophone.[4]
Reception
Discussing influences on Elfman's violin concerto in their review of the recording, Gramophone points to the "spiky, mordant humour" of Prokofiev in the first movement and the "darkly lyric minimalism of Shostakovich" in the third movement, noting "the exhilarating climax of the finale shows his prowess and relish for the big gesture but also a deeper instinct by resisting the big finish and returning to the lachrymose beginnings of the piece."[5]
In their review of a performance by the Buffalo Philharmonic Orchestra in October 2019, Buffalo News described the concerto as "a massive four-movement work, drawing musical influences from Shostakovich, Tchaikovsky, Ravel and others," but noted that the piece also encompasses hallmarks of Elfman's film music "like quirky melodies, hauntingly beautiful harmonies, menacing low brass blasts, bone-rattling cackles from mallet percussion and plucked strings."[6]
The Seattle Post-Intelligencer wrote that though Elfman's roots in composing for the cinema are evident, the piece "paints pictures with pure sound" noting "Bernstein-esque jazziness, and artful integration of bells and other percussion."[7]
Reviewing a performance by the Virginia Symphony Orchestra in September 2018, the Virginia Gazette called the piece "dramatic, lyrical, highly rhythmic, percussive (especially given its unusual cadenza-like back and forth between the violin and percussion), thoughtful and playful."[8]
References
- ^ a b "Concerto for Violin and Orchestra "Eleven Eleven" composed by Danny Elfman Composer". Columbia-Artists.com. Columbia Artists Management Inc. n.d. Retrieved October 7, 2019.
- ^ a b Violin Concerto Eleven Eleven Piano Quartet (CD). Danny Elfman. Gütersloh, Germany: Sony Classical. 2019. 190758697529.
{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link) - ^ Amacher, Julie (September 25, 2019). "New Classical Tracks: Film composer Danny Elfman's 'wild ride' continues with classical album". ClassicalMPR.org. Minnesota Public Radio. Retrieved October 8, 2019.
[Elfman recounts that violinist Sandy Cameron said:] 'Let's count the bars so she started counting two of the movements, and I started counting two of the movements, and we totalled it up. It was like, 'I don't believe this. It's 1,111 measures, exactly.'
- ^ "Concerto for Violin & Orchestra - "Eleven Eleven" by Danny Elfman". FaberMusic.com. Faber Music, Ltd. January 15, 2018. Retrieved October 7, 2019.
- ^ Edward, Seckerson (August 27, 2019). "ELFMAN Violin Concerto. Piano Quartet (Sandy Cameron)". Gramophone. Mark Allen Group. Retrieved October 7, 2019.
There is a distinctly Shostakovian sensibility in the inky lyricism of the opening bars... And then we're off into the Animato hand-in-hand with Prokofiev...
- ^ Lagrimas, Leonidas (October 18, 2019). "BPO, Sandy Cameron electrify in Danny Elfman's Violin Concerto". The Buffalo News. Retrieved February 27, 2020.
{{cite web}}: CS1 maint: url-status (link) - ^ Sobel, Jon (March 26, 2019). "Music Review: Danny Elfman - "Violin Concerto 'Eleven Eleven,' Piano Quartet"". Seattle Post-Intelligencer. Retrieved October 7, 2019.
- ^ Shulson, John (September 26, 2018). "Cameron led the way in VSO's 'wow' opening performance". The Virginia Gazette. Norfolk, VA. Retrieved October 7, 2018.
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