Jump to content

John Samuel Agar

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by I dream of horses (talk | contribs) at 01:16, 30 August 2020 (top: AWB cleanup patrol, typo(s) fixed: 1807-9 → 1807–9). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Self-portrait, ca. 1835, Pencil. Now at the National Portrait Gallery

John Samuel Agar (1773–1858), was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806[1] and at the British Institution until 1811. He did not exhibit again until 1836.[2] He had been declared bankrupt in February of the previous year.[3]

He was at one time president of the Society of Engravers. His engravings were chiefly in stipple.[1] They include works after Richard and Maria Cosway, and a series of allegories of the months after Edward Francis Burney, published by Rudolf Ackermann in 1807–9.[2] His illustrations for Richard Payne Knight's Specimens of Ancient Sculpture, Aegyptian, Etruscan, Greek and Roman: Selected from different collections in Great Britain (1809), have been described by Nicholas Penny as "the finest ever made of sculpture".[2]

Notes

  1. ^ a b Bryan
  2. ^ a b c "Drawing (Self-portrait of John Samuel Agar)". British Museum. Retrieved 15 October 2012.
  3. ^ "Bankruptcies" (PDF). London Gazette. Retrieved 15 October 2012.

References

  • Public Domain This article incorporates text from a publication now in the public domainBryan, Michael (1886). "Agar, John Samuel". In Graves, Robert Edmund (ed.). Bryan's Dictionary of Painters and Engravers (A–K). Vol. I (3rd ed.). London: George Bell & Sons.