Jump to content

Deborah Poynton

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by 14GTR (talk | contribs) at 21:57, 11 November 2020 (References: Amended category). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Deborah Poynton
Born1970 (age 53–54)
Durban, South Africa
EducationRhode Island School of Design
Known forPainting realism

Deborah Poynton (born in 1970) is a South African painter best known for her monumental, hyper-realistic, hyper-detailed, nude portraits, usually of friends and family.[1] She lives and works in Cape Town.

Early life and education

Born in Durban, South Africa in 1970, her parents founded and ran an anti-apartheid conference centre and died when she was a child.[2] Poynton grew up in South Africa, England, Swaziland and the United States, often moving to different boarding schools.[2]

Poynton knew from the start that she wanted to be an artist.[3] Before returning to South Africa to paint, she attended the Rhode Island School of Design for two years between 1987 and 1989, but did not graduate.[4][5]

Career

Poynton's paintings are more about the act of looking, of exposing the "trickery" behind traditional artistic practices, than they are windows onto a surreal world. By constructing spaces, placing slightly discordant objects amongst seemingly natural landscapes, Poynton creates a tension within her work that is intended to make the viewer uncomfortably aware of the act of perception. While most of her work can be categorized as realism, a few series depart from her usual aesthetic in a more abstract project. Her current exhibition, Scenes of a Romantic Nature, draws on her connection to Germany by referencing the landscape paintings of German artist Caspar David Friedrich.[6]

Her work often conflates tropes from traditional art history, from compositional techniques to poses of her subjects, and the indices of contemporary life to create a sense of chaotic inscrutability; in this way, Poynton creates work which is aesthetically engaging and intellectually confounding. This quality of her work is exemplified in her series Safety & Security, 2006.[7]

References

  1. ^ Anonymous. "Deborah Poynton". Artsy.net. Retrieved 8 March 2015.
  2. ^ a b "Deborah Poynton's Model for a World: A Survey of 25 Years of Painting". The New Church Museum. 2014. Retrieved 2018-02-02.
  3. ^ Ogidan, Lagun (February 11, 2015). "Deborah Poynton: Scenes of a Romantic Nature". Retrieved 8 March 2015.
  4. ^ Norman Walter, Meghan (2009-03-10). "Deborah Poynton: Everything Matters at ACA Gallery". burnaway.org. Retrieved 2018-02-02.
  5. ^ "Deborah Poynton: Scenes of a Romantic Nature". Contemporary And (in German). Institut für Auslandsbeziehungen. 2015. Retrieved 2018-02-02.
  6. ^ Thurman, Chris (March 6, 2015). "Half Art: Shoddy Presidents Far from Scene of Idyll". www.bdlive.co.za. Retrieved 8 March 2015.
  7. ^ H (June 2006). "Deborah Poynton". www.artsouthafrica.com. Retrieved 8 March 2015.