The album received positive reviews. Writing for AllMusic, Alex Henderson enjoyed the "unpredictability" of the album. He went on to wax eloquent upon the didgeridoo, whose sounds he compared to the Gregorian chants.[2] The instrument was also a topic of Josef Woodard's JazzTimes review, where he called it fodder for "latter-day mixologists in search of easy exotica". Its use in "the real thing" on this album, according to Woodard, was thus "fascinating", "important", and a potentially "spiritually transforming experience".[6]