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BibleLand

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Bibleland
Studio album by
Released1994
RecordedThe Green Room
(Huntington Beach, California)
GenreAlternative rock, noise pop
LabelBAI
ProducerTerry Scott Taylor
Daniel Amos chronology
MotorCycle
(1993)
Bibleland
(1994)
Songs of the Heart
(1995)
Professional ratings
Review scores
SourceRating
AllMusic[1]

Bibleland is the eleventh album by Christian alternative rock band Daniel Amos, released in 1994 by BAI Records. The album is unusual for its loud, distorted noise pop sound, atypical of the band's other recordings.

The title song mocks cheap religious merchandise in the form of a fictional Amusement Park (although based on several real parks) called "Bibleland." The album's artwork includes a "Circus" style gatefold illustration by Douglas TenNapel.

Track listing

  1. "Broken Ladders to Glory" (words and music by Taylor)
  2. "Bibleland" (words and music by Taylor)
  3. "Theo's Logic" (words and music by Taylor)
  4. "Low Crawls and High Times" (words and music by Taylor)
  5. "Bakersfield" (words and music by Taylor)
  6. "Out in the Cold" (words and music by Taylor)
  7. "The Bubble Bursts" (words and music by Taylor)
  8. "Pete and Repeat" (words and music by Taylor)
  9. "Constance of the Universe" (words and music by Taylor)
  10. "I'll Get Over It" (words and music by Taylor)
  11. "She's Working Here" (words and music by Taylor)
  12. "Stone Away" (words by Taylor, music by Taylor/Chandler/McTaggart)

Credits

Additional musicians

  • Gene Eugene — piano on "I'll Get Over It", executive producer, engineer, mixing

Production notes

  • Ojo Taylor – executive producer
  • The Green Room, Huntington Beach, California – recording location
  • Mixing Lab A – mixing location
  • The Green Room – mixing location
  • Doug Doyle – mastering
  • Digital Brothers – mastering location
  • Tom Gulotta – art direction, design, photography, digital editing
  • Court Patton – art direction, design, photography, digital editing
  • Patton Brothers Design, San Diego, California – art direction, design, photography, digital editing
  • Ed McTaggart at the Color Edge, Costa Mesa, California – scanning, color proofing, film output
  • Trisha Kluck – band photo
  • Doug TenNapel – illustrations

References