Jump to content

Chameleon in the Shadow of the Night

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Ser Amantio di Nicolao (talk | contribs) at 06:54, 11 January 2021 (add authority control). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Chameleon in the Shadow of the Night
Studio album by
Released4 May 1973
RecordedFebruary and March 1973[1]
Studio
GenreProgressive rock, psychedelic rock
Length50:21
LabelCharisma
ProducerJohn Anthony
Peter Hammill chronology
Fool's Mate
(1971)
Chameleon in the Shadow of the Night
(1973)
The Silent Corner and the Empty Stage
(1974)
Professional ratings
Review scores
SourceRating
Allmusic[2]

Chameleon in the Shadow of the Night is the second solo album by British singer-songwriter Peter Hammill. It followed in the aftermath of the breakup of Hammill's band Van der Graaf Generator, and (as with many of Hammill's solo albums from this period) other ex-members of Van der Graaf Generator perform on the album.

The album was produced by John Anthony at Rockfield Studios, Wales, for the first time using pre-recorded parts done by Peter Hammill in his home studio in Worth. For final mixing the then much better equipped Trident Studios were used. The album was released in May 1973 on Charisma Records.

Some of the songs ("German Overalls" and "In the End") relate to Van der Graaf Generator's decision to split, following an exhausting, demoralising and poverty-stricken experience of being a touring rock band.[3] "German Overalls" name-checks bandmates Hugh Banton and David Jackson.

Hammill has continued to perform "Easy to Slip Away" in concert to the present day. The song relates to him losing touch with student housemates Mike and actress Susan Penhaligon (who were also namechecked in the Van der Graaf Generator song "Refugees").

The complex and atmospheric "(In the) Black Room/The Tower" was originally planned for inclusion on Van der Graaf Generator's album following Pawn Hearts, an album that because of the band's split never came to be.[4] But the song was already performed on stage by Van der Graaf Generator in 1972, and a recording of it from July 1972 rehearsals (albeit in bad audio quality) is included on the compilation Time Vaults. The album version from Chameleon in the Shadow of the Night features Van der Graaf Generator's ex-members Banton, Jackson and Evans. Later, when the band reformed in 1975 and 1976, "(In the) Black Room" was again part of their live sets, and also during their 2005 reunion.

Cover

The cover was designed by Paul Whitehead, who also was the artist for Fool's Mate as well as sleeves for Van der Graaf Generator (The Least We Can Do is Wave to Each Other and Pawn Hearts) and Charisma labelmates Genesis (Trespass, Nursery Cryme and Foxtrot). It shows Peter Hammill's astrological sign Scorpio twice, as a painting of a real scorpion and as part of a personal logo which Hammill introduced with this album and which would appear on the covers of many coming releases. The photo of Hammill on the front side was taken by Bettina Hohls in Hamburg.

Track listing

All tracks are written by Peter Hammill

Side one
No.TitleLength
1."German Overalls"7:04
2."Slender Threads"4:57
3."Rock and Rôle"6:41
4."In the End"7:21
Total length:26:03
Side two
No.TitleLength
1."What's it Worth"3:56
2."Easy to Slip Away"5:18
3."Dropping the Torch"4:11
4."(In the) Black Room/The Tower"10:53
Total length:24:18
2006 CD reissue
No.TitleNotesLength
1."Rain 3 AM"Recorded during studio sessions4:45
2."Easy to Slip Away"Live at the All Souls Unitarian Church, Kansas City, on 16 February 19784:47
3."In the End"Live at the All Souls Unitarian Church, Kansas City, on 16 February 19787:23

Personnel

Technical

Notes

  1. ^ http://www.vandergraafgenerator.co.uk/pawnhearts/cham4.jpg
  2. ^ Allmusic review
  3. ^ Gallo, Armando. ""Chameleon in the Shadow of the Night" (review)". Retrieved 18 July 2007.
  4. ^ Christopulos, J., and Smart, P.: "Van der Graaf Generator – The Book", page 174. Phil and Jim publishers, 2005. ISBN 0-9551337-0-X