Procedural texture

procedurally generated tiling textures

In computer graphics, a procedural texture is a texture created using a mathematical description (i.e. an algorithm) rather than directly stored data. The advantage of this approach is low storage cost, unlimited texture resolution and easy texture mapping. These kinds of textures are often used to model surface or volumetric representations of natural elements such as wood, marble, granite, metal, stone, and others.

Usually, the natural look of the rendered result is achieved by the usage of fractal noise and turbulence functions. These functions are used as a numerical representation of the "randomness" found in nature.

Solid texturing

Solid texturing is a process where the texture generating function is evaluated over $\mathbb {R} ^{3}$ at each visible surface point of the model so the resulting material properties (like color, shininess or normal) depends only on their 3D position, not their parametrized 2D surface position like in traditional 2D texture mapping. Consequently, solid textures are unaffected by distortions of the surface parameter space, such as you might see near the poles of a sphere. Also, continuity between the surface parameterization of adjacent patches isn't a concern either. Solid textures will remain consistent and have features of constant size regardless of distortions in the surface coordinate systems. Initially these functions were based on simple combination of procedural noise functions like Simplex noise or Perlin noise. Currently a vast arsenal of techniques are available, ranging from structured regular texture (like a brick wall), to structured irregular textures (like a stonewall), to purely stochastic textures.

Cellular texturing

Cellular Texture

Cellular texturing differs from the majority of other procedural texture generating techniques as it does not depend on noise functions as its basis, although it is often used to complement the technique. Cellular textures are based on feature points which are scattered over a three-dimensional space. These points are then used to split up the space into small, randomly tiled regions called cells. These cells often look like "lizard scales", "pebbles", or "flagstones". Even though these regions are discrete, the cellular basis function itself is continuous and can be evaluated anywhere in space. Worley noise is a common type of cellular texture.

Genetic textures

Genetic texture generation is an experimental approach to generate textures. It is an automated process guided by a human moderator. The flow of control usually has a computer generate a set of texture candidates. From these, a user picks a selection. The computer then generates another set of textures by mutating and crossing over elements of the user selected textures. For more information on exactly how this mutation and cross over generation method is achieved, see Genetic algorithm. The process continues until a suitable texture for the user is generated. As the outcome is difficult to control, this method is typically used only for experimental or abstract textures.

Self-organizing textures

Starting from a simple white noise, self-organization processes can lead to structured patterns while preserving some randomness. Reaction–diffusion systems are one way of generating such textures. Realistic textures can be generated by simulating complex chemical reactions within fluids. These systems may show behaviors similar to real processes (Morphogenesis) found in nature, such as animal markings (shells, fish, wild cats...).

See also

• Perlin noise
• Pixel shader
• Procedural generation
• Self-organization
• Simplex noise
• Texture artist
• Texture synthesis

Programs for creating textures using procedural texturing

• Substance Designer
• Filter Forge
• TexRD (based on reaction-diffusion: self-organizing textures)
• Material Maker (based on Godot Engine)

Besides specialized programs, others, such as Blender, CorelDRAW, contain procedural texture subsystems that can be used to generate textures.

References

This article was originally taken from The Photoshop Roadmap with written authorization