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Aino Aalto

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Aino Aalto
Born
Aino Maria Mandelin

25 January 1894
Helsinki, Grand Duchy of Finland, Russian Empire
Died13 January 1949(1949-01-13) (aged 54)
Helsinki, Finland
NationalityFinnish
Other namesאלטו, איינו Aino Marsio Aalto, Aino Aalto, Aino Maria Marsio-Aalto
Alma materHelsingin Suomalainen Tyttökoulu
Helsinki University of Technology
Occupation(s)Architect, designer
Spouse(s)Alvar Aalto
(m. 1925–49; her death)
Children2
Practiceco-founder of Artek

Aino Maria Marsio-Aalto (born Aino Maria Mandelin;[1] 25 January 1894 – 13 January 1949) was a Finnish architect and a pioneer of Scandinavian design. She is known as a co-founder of the design company Artek and as a collaborator on its most well-known designs.[2] As Artek's first artistic director, her creative output spanned textiles, lamps, glassware, and buildings.[3] It has been discovered that it was Aino who completed the first work commissioned through Artek which was the Viipuri Library in 1935.[4] Her work is in the MoMA's permanent collection and the MoMA has included her work in 9 exhibitions.[5] Aino Aalto’s first exhibition was Art in Progress: 15th Anniversary Exhibitions: Design for Use at Museum of Modern Art (MoMA) in New York City, NY in 1944. Other major exhibitions were at Barbican Art Gallery in London and Chelsea space in London. Aino Aalto has been exhibited with Pablo Picasso.[6]

Biography

Aino Mandelin was born in Helsinki, Aino and her family lived in a co-operative apartment building in Helsinki where she was introduced to neighboring master carpenters and joiners whom she would later on apprentice for.[7] Aino completed her school education in 1913 at the Helsingin Suomalainen Tyttökoulu (Helsinki Finnish Girls' School). She began studies in architecture that same year at the Institute of Technology, Helsinki, and qualified as an architect in 1920. Aino graduated with a handful of other female architects including fellow successful architect Salme Setälä. She also met her future husband, Alvar Aalto, when they were both students.[8] In 1920 she went to work for architect Oiva Kallio in Helsinki. In 1923 she moved to the city of Jyväskylä to work in the office of architect Gunnar Achilles Wahlroos, but the following year switched to working in the office of architect Alvar Aalto. Mandelin married Alvar Aalto in 1925. The Aaltos spent their honeymoon in northern Italy. It was common at that time for young architects in Scandinavia to travel to Italy to study the vernacular architecture, which had a profound influence on Scandinavian architecture during the 1920s, flourishing in the so-called Nordic Classicism style.

The Aaltos moved their office to Turku in 1927, and started collaborating with architect Erik Bryggman. The office moved again in 1933 to Helsinki. The Aaltos designed and built a joint house-office (1935–36) for themselves in Munkkiniemi, a suburb of Helsinki, but later (1954–55) had a purpose-built office built in the same neighbourhood.

Aino Aalto's role in the design of the architecture attributed to Alvar Aalto has never been specifically verified. Their early built works were mostly small-scale buildings, especially summer villas, designed in the style of Nordic Classicism. Aino’s first project that was accredited entirely to her was Villa Flora (1926) the Aalto’s holiday home in western Finland which expressed the efficiency of modernism and the simplicity of rural Finnish life, Villa Flora in Alajärvi from 1926 (extended 1938).[9] Aino was not completely on board with the ideologies of modernism spreading throughout Europe. Instead she designed homes for domesticity rather than an architectural ideology. She paid attention to the comfort level of a home and used materiality and furnishings to achieve a warm and practical space that was rare in 20th century modernism.[10]

It is known that in the design work she concentrated more on the design of interiors (such as the Villa Mairea in Noormarkku of 1937-39), but also furniture (such as the Paimio Sanatorium of 1927–29). In 1935 the Aaltos, together with Maire Gullichsen (chief client for the Villa Mairea) and Nils-Gustav Hahlin, founded Artek, a firm selling lighting fixtures and furniture designed by the Aaltos. Aino was the head designer of Artek and later became the managing director of the firm.[11] Artek still produces Aalto furniture today, but now it is owned by a private company.[11] In the early years of Artek, furniture designs and standards were created and revised by Aino and of the hundreds of designs, only a few are by Alvar Aalto. She also oversaw commissions for interiors, lighting, screens, textiles and other household objects. Under Aino's leadership Artek completed more than eighty interiors.[12] Aino was a versatile designer well before the inception of Artek. Her series of pressed glass objects was awarded a prize at the Milan Triennial in 1936.[12] In the early years of their marriage and design partnership Aino Aalto and her husband would enter architectural competitions with their own separate entries. In the mid 1920s the Aaltos became the first architects in Finland to adopt the purified Functionalist style of architecture coming from central Europe. In Aino Aalto's own individual work this comes out in her entry for the Finnish pavilion for the 1939 New York World's Fair, the first prize for which, however, was won by Alvar Aalto. Aino's work was always measured against the achievements of her husband and she often stood by while Alvar got recognition for their joint projects.[12]

Glass vase designed by Aino Aalto.

Aino Aalto also designed several glassware objects for the Finnish company Iittala, who made household objects. Her most famous glass design is still on sale, and slightly different copies made by companies such as IKEA are widespread. Aalto's "Bölgeblick" design serves as inspiration for a line of dinnerware produced by the Finnish decor company Iittala. [13] She also collaborated with her husband on the design of the celebrated Savoy Vase in 1936.

Aalto actively worked in the Artek office until 1949, when she died of cancer. Aino set the tone for the Artek's creative and commercial approach which is still intact today.[14]

In 2004 an exhibition and book (edited by Ulla Kinnunen) was arranged at the Alvar Aalto Museum, Jyväskylä, Finland, featuring the life's work of Aino Aalto.

Exhibitions

2021 Design for Modern Life MoMA, NY, USA

2018 Modern Couples - Art, Intimacy and the Avant-garde Barbican Art Gallery London, United Kingdom

2017 Aino Aalto stars in the Children’s Scale exhibition Alvar Aalto Museum, Jyväskylä, Finland

2016/2017 How Should We Live? Propositions for the Modern InteriorMoMA, NY, USA

2014 Nordic Art and Vintage Design Galerie Christian Roellin, St. Gallen, Switzerland

2013-2014 Designing Modern Women 1890–1990MoMA, NY, USA

2009 INTO THE WOODS: An Exploration of itala Chelsea space London,United Kingdom

2006 Art & Technology. Moments in Artek history Alvar Aalto Museum Jyväskylä, Finland

2006 Artist’s Choice: Herzog & de Meuron, Perception Restrained MoMA, NY, USA

2004 Humble Masterpieces MoMA, NY, USA

2004 Solo Exhibition at Alvar Aalto Museum Jyväskylä, Finland [15][16]

Notes and Citations

  1. ^ From 1906 onwards the family was known as Marsio
  2. ^ Jari Jetsonen; Jetsonen Sirkkaliisa (20 March 2008). Finnish Summer Houses. Princeton Architectural Press. pp. 48–. ISBN 978-1-56898-752-1.
  3. ^ Lucy Ryder, Richardson (8 December 2016). 102 Midcentury Chairs: and their stories. Pavilion Books. pp. 91–. ISBN 978-1-911216-80-3.
  4. ^ "Artek and the Aaltos". Bard Graduate Center. Bard Graduate Center. Retrieved 5 May 2021.
  5. ^ https://www.moma.org/artists/35?locale=en
  6. ^ https://artfacts.net/artist/aino-aalto/92142
  7. ^ Sellers, Libby. Women Design. Francis Lincoln. pp. 69–70. ISBN 978-0-7112-3923-4.
  8. ^ Sellers, Libby. Women Design. Francis Lincoln. pp. 69–70. ISBN 978-0-7112-3923-4.
  9. ^ Sellers, Libby. Women Design. Francis Lincoln. pp. 69–70. ISBN 978-0-7112-3923-4.
  10. ^ Sellers, Libby. Women Design. Francis Lincoln. pp. 69–70. ISBN 978-0-7112-3923-4.
  11. ^ a b Lee, Vinny (2012-09-01). "The house that Alvar Aalto built". The Times. ISSN 0140-0460. Retrieved 2018-03-22.
  12. ^ a b c Kokkonen, Renja. The Fringe of a Profession. pp. 79–80.
  13. ^ http://www.getty.edu/vow/ULANFullDisplay?find=&role=&nation=&prev_page=1&subjectid=500024110
  14. ^ Sellers, Libby. Women Design. Francis Lincoln. pp. 69–70. ISBN 978-0-7112-3923-4.
  15. ^ https://artfacts.net/artist/aino-aalto/92142/biography
  16. ^ https://www.moma.org/artists/35?locale=en

References

  • Helamaa, Erkki & Jetsonen, Jari: Alvar Aalto Summer Houses. Rakennustieto, Helsinki, 2007.
  • Kinnunen, Ulla (ed.): Aino Aalto. Alvar Aalto Museum, Jyväskylä, 2004.
  • Suominen-Kokkonen, Renja: Aino and Alvar Aalto. A shared journey: Interpretations of an everyday modernism. Jyväskylä, Alvar Aalto Museum, 2007.
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