An Act of Murder

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An Act of Murder
An Act of Murder FilmPoster.jpeg
Film poster
Directed by Michael Gordon
Produced by Jerry Bresler
Written by Ernst Lothar (novel)
Michael Blankfort
Robert Thoeren
Starring Fredric March
Edmond O'Brien
Florence Eldridge
Geraldine Brooks
Music by Daniele Amfitheatrof
Cinematography Hal Mohr
Edited by Ralph Dawson
Production
company
Universal Pictures
Distributed by Universal Pictures
Release date
  • December 5, 1948 (1948-12-05) (New York City)
Running time
91 minutes
Country United States
Language English

An Act of Murder (also known as Live Today for Tomorrow and I Stand Accused)[1] is a 1948 American film noir directed by Michael Gordon starring Fredric March, Edmond O'Brien, Florence Eldridge and Geraldine Brooks. It was entered into the 1949 Cannes Film Festival.[2]

Plot[edit]

Calvin Cooke, a principled but stubborn judge, presides over a murder case in which lawyer David Douglas is unsuccessful in proving that his client's state of mind was a mitigating factor. (Later, though, Cooke grants Douglas's motion for a mistrial on the grounds that he may have unconsciously shown prejudice.)

Cooke's daughter Ellie complains to her mother Cathy about how unyielding her father can be; Cathy insists that he is a loving husband. Anyway, it is their 20th wedding anniversary and she is planning to celebrate with friends at their house. Cooke does not know that Ellie (herself a law student) and Douglas are romantically involved until Douglas arrives during the party to take her on a date. Cooke and Douglas exchange sharp words of disagreement about their philosophies of the law.

At the party, Cathy talks to Dr. Morrison, an expert neurologist and friend of the family, about her intermittent symptoms of weakness and headaches. At his office, Morrison performs a series of tests and then consults other experts. Rather than tell her the truth, Morrison contacts her husband. Cathy has an inoperable brain tumor and will suffer increasingly until it kills her. Cooke agrees, rather than spoiling her remaining days, to keep the information secret. The doctor gives him a bottle of pills called Demarine for pain relief, strongly warning him about the maximum dosage, and a prescription for more.

Cooke, who previously said he was too busy with cases to take Cathy on a second honeymoon as she wished, now agrees to go at once. But her condition worsens rapidly, including excruciatingly painful headaches. Cooke gives her a dose of Demarine, pretending it is aspirin. While he is calling the doctor from a pay phone so Cathy will not hear, a dog is run over in the street, and a police officer ends its suffering with a gunshot. Cooke, evidently feeling disgust at similar thoughts of his own, discards the remaining pills.

Cathy, looking through their luggage for toiletries, accidentally discovers the doctor's written diagnosis and prescription. When Cooke returns to the room, she says she is feeling better but would like to return home. In the car, her symptoms return. They stop at a gas station to have a car problem repaired and Cooke asks urgently about the nearest drugstore. Back on the road, Cathy collapses in the car. Cooke can stand it no more. He deliberately drives off an embankment, not caring if he is also killed. He survives, confesses that he crashed on purpose, and in keeping with his philosophy, demands to be prosecuted for murder.

At Ellie's request, Douglas agrees to defend Cooke. He requests an autopsy in case Cathy had actually died from her illness before the crash. The finding is a surprise: she did die before the crash, but from a Demarine overdose. Douglas shows that she had had the prescription filled before the drive home, and taken the drug while at the gas station.

The trial judge then dismisses the murder charge, but declares that Cooke knew very well that what he tried to do was wrong, and should consider himself morally guilty. Cooke agrees, and announces that in expiation, if allowed to remain a judge, he will now rule on the basis that similarly a person can be legally guilty but morally innocent—just what Douglas and Ellie have been asking for.

Cast[edit]

References[edit]

  1. ^ Higham, Charles; Greenberg, Joel (1968). Hollywood in the Forties. London: A. Zwemmer Limited. p. 85. ISBN 978-0-498-06928-4. 
  2. ^ "Festival de Cannes: An Act of Murder". festival-cannes.com. Retrieved January 7, 2009. 

External links[edit]