Antonio Videgain Reparaz

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Antonio Videgain
Born
Antonio Videgain Reparaz

(1892-01-11)January 11, 1892
Madrid, Spain.
DiedJune 1, 1945(1945-06-01) (aged 53)
Panama city, Pánama.
NationalitySpanish
EducationMilitar High School
Occupationbaritone, Actor, singer
Years active1920–1945
Political partyRepublican
Spouse(s)3
Children6

Antonio Videgain Reparaz (November 1, 1892, Madrid Spain – June 1, 1945, Panama city) was a Spanish baritone and actor, who dedicated his career to zarzuelas.

Biography[edit]

Early life[edit]

Videgain was born in Madrid son of Antonio Videgain García, (Jerez de la Frontera), and Virgilia Reparaz (Madrileñian) and spent his childhood and adolescence in Madrid. Grew in the Royal Palace of Spain where his mother was a governess of the Borbon Family (King Alfonse XIII) and under the strict supervision of his Uncle and Tutor Ricardo Burguete, General in Chief of the Supreme Council of War of the Spanish Armed Forces, who was married to the sister of his mother. He began music lessons with his father, Antonio Videgain García (Piano teacher), and continued his education with other composers. By the age of 18, he was enrolled in the Spanish Army, where he completed studies as a Surveyor. He founded a singing operette (musical) and zarzuela company, making his debut in Andalucía with a production of Rafael Calleja. The Music was in his veins, inherited from his Father and his uncle, the famous Salvador Videgain Garcia. After military graduation, he traveled to Argentina and Chile and then returned to Spain in different occasions with works of different zarzuelas with which he had great success in his tours through South America, Argentina, Uruguay and Chile. He returned to Chile where he married and had six children in total, of which five survived, of a second relation with his beautiful artistic singing partner he had two more, and of a second marriage in Panama, he left one more son. According to "those who have seem him conduct and have transmitted to us the memory of his performances of great strength and great enthusiasm. he obtained with imperceptible gestures what he wanted from the orchestra." fitz of his sense of rhythm and easy melodies.

Works[edit]

In 1925, he sang in the famous Teatro Colon of Buenos Aires. Following the success of his pieces, he set to music another sainete with the same characters, which became one of his most famous works: Molinos de viento (Zarzuela), or La Viuda Alegre. This work are around the world and visited cities of Argentina as Cordoba, Buenos Aires, La Pampa, Misiones... He traveled Uruguay in 1920s with zarzuelas, returned to Chile, But he divorced his first Chilean wife. In the early 1930s, he began a tour with his artistic partner Lucy Gomez visiting Buenos Aires, Montevideo, Caracas, Bogota. (He was never in New York and México as someone wrote but travel a Puerto Rico (USA) in 1932). And in 1934, he arrived to Pánama where he settled and founded in 1936 the first Songs Book of Latin América that he named "Cancionero Panamericano", that was edited until 1979, after his death. He married in 1943 for the second time at 50 years.

The most famous titles he sang were "Marina", "La Revoltosa, La alegría del batallón, La manta zamorana, La reja de la Dolores, El arca de Noé, El trust de los tenorios, La verbena de la Paloma, El niño judío, El Pollo Tejada and many more zarzuelas...

Later life[edit]

He visited his famous family in Spain, his grandmother Antonia García de Videgain, and his uncle Salvador Videgain are more important for him in the 1920s. He abandoned Spain, never to return again, in 1936 because of the civil war of Spain. Towards the end of his life, Videgain lived in a good economic situation. He died in September 19, 1945, in Panama city, Panama. His family live around all América.

Notes and references[edit]

  • La auténtica vida e historia del teatro (2005) Juan José Videgain, Ediciones Vulcan, book biography of family Videgain.
  • El arte lírico en Buenos Aires 1920s press.
  • Cancionero panamericano (1940s until 1979), Panamanian press.
  • Teatralerias, tres siglos de escena", P & V (2018) book of artistic sagas.