Beast (2017 film)
|Beast (Prince Boyet)|
Theatrical release poster
|Directed by||Michael Pearce|
|Produced by||Kristian Brodie|
|Written by||Michael Pearce|
|Edited by||Maya Maffioli|
Stray Bear Productions
|Distributed by||30 West|
27-year-old Moll works as a tour guide while living with her wealthy parents to help care for her father with dementia. The community is on-edge following a string of unsolved rapes and murders of young women in the area.
During Moll’s birthday party, her sister hijacks the reception to announce that she is pregnant with twins. Irritated at being upstaged, Moll leaves the party and goes to a nightclub, where she dances with a young man she meets there. The man aggressively pursues her as they leave the club and forces himself upon her near the beach, but Moll is rescued by poacher Pascal, who fends off her pursuer with a hunting rifle. They strike up a romantic fling, much to her family’s discomfort, due to his outsider status and suspicions surrounding the ongoing murder case. As their relationship blossoms, Moll reveals some of her troubled past to Pascal: as a teenager she stabbed one of her classmates, though she claims it was in self-defense.
A fourth murder victim is discovered, a girl who disappeared on the night of Moll’s birthday party. Moll begins to wonder if Pascal might be involved. However, when she is questioned by police, she lies about her first encounter with Pascal, claiming she met him at the nightclub and they danced there all night. The police inform her of Pascal’s criminal past, which includes an assault charge for choking a girl as a teenager. She confronts him about it and he reacts angrily, saying he has made mistakes in the past but regrets it to this day. They profess their love for each other and drop the argument.
At a family function at the local country club, Moll’s sister calls for the staff when she notices that Pascal is wearing jeans against the club dress code. An indignant Moll causes a scene and is kicked out, disowning her family and defiling the golf course with a club. She moves in with Pascal, but is soon taken into custody on official police suspicion of his involvement in the murders. She repeats her prior claim about meeting him in the club, despite new video evidence that she is lying. The lead detective accuses Moll of protecting a possible murderer and wonders aloud if she is seeking retribution against the community, to which Moll storms out.
Wracked with guilt over the latest murdered girl, Moll abandons her job and goes to a department store, where she finds the girl she stabbed as a teenager working there. She apologizes and claims it was in self-defense; the employee reacts angrily and tells her to leave. Moll then goes to the deceased girl’s memorial and comforts the girl’s mother, but she is regarded as an outcast and told to leave.
The police detective visits Moll at her home and informs her that they caught the murderer: an immigrant farmer. He also apologizes for treating her with suspicion, but insists that Pascal is still bad news. Relieved, Moll celebrates by going out drinking with Pascal; during a drunken argument he choke-slams her against a wall in anger. Moll returns to the detective and admits to lying about Pascal’s whereabouts on the night of the murder; he chastises her harshly and tells her to get out.
During a dinner date, Moll invites Pascal to admit his involvement in the murders, now convinced it was him. She coaxes him by admitting her own secret: that she stabbed the girl not in self-defense, but in revenge, trying to kill her. Pascal admits he is the murderer, saying that it’s over and they meant nothing to him. She accepts his answer and they leave, but during the drive home, Moll unbuckles Pascal’s seatbelt and intentionally crashes the car. Badly injured, he begs for forgiveness and claims that they are the same, but Moll ignores him and suffocates him to death before walking away.
The film has received a positive critical response. On review aggregator website Rotten Tomatoes, the film has an approval rating of 94% based on 108 reviews, and an average rating of 7.4/10. The website's critical consensus reads, "Beast plays like bleak poetry, unfurling its psychological thrills while guided by its captivating leads and mesmerizing, visceral visuals." On Metacritic, the film has a weighted average score of 74 out of 100, based on 19 critics, indicating "generally favorable reviews".
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- "Visionary Works From Internationally Acclaimed Directors Headline TIFF'S Platform Programme" (PDF) (Press release). Toronto International Film Festival. 3 August 2017. Retrieved 2 January 2018.
- Fleming, Mike Jr. (13 September 2017). "'Beast' Acquired For North America By 30WEST In Upstart's Third Major Toronto Deal". Deadline Hollywood. Penske Business Media. Retrieved 2 January 2018.
- McNary, Dave (1 December 2017). "Jessie Buckley's Thriller 'Beast' Scheduled for Spring Release". Variety. Penske Business Media. Retrieved 2 January 2018.
- Wiseman, Andreas (22 September 2017). "Toronto hit 'Beast' scores UK distribution deal with Altitude (exclusive)". Screen Daily. Screen International. Retrieved 2 January 2018.
- Thompson, James (3 November 2017). "UK Release Date Confirmed For Beast". Filmoria. JGJ. Retrieved 2 January 2018.
- "Beast (2018)". Rotten Tomatoes. Fandango Media. Retrieved 27 August 2018.
- "Beast Reviews". Metacritic. CBS Interactive. Retrieved 14 May 2018.