Beautiful People (film)

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Beautiful People
Beautiful people film.jpg
Theatrical release poster
Directed by Jasmin Dizdar
Produced by Ben Gibson
Roger Shannon
Ben Woolford
Written by Jasmin Dizdar
Starring Rosalind Ayres
Julian Firth
Charles Kay
Music by Garry Bell
Ghostland
Jasmin Dizdar
Cinematography Barry Ackroyd
Edited by Justin Krish
Distributed by BFI
Trimark Pictures
Channel Four Films
Release date
  • 18 May 1999 (1999-05-18) (Cannes)
  • 3 March 2000 (2000-03-03) (USA, limited[1])
Running time
107 minutes
Country United Kingdom
Language English

Beautiful People is a 1999 satirical comedy written and directed by Jasmin Dizdar. The film won an award for the best film in Un Certain Regard category at the Cannes Film Festival and is listed in The New York Times Guide to The Best 1,000 Movies Ever Made.[2] Beautiful People is set in London during the time of the Bosnian War.

Plot[edit]

In London, during October 1993, England are playing the Netherlands in the World Cup qualifiers. The Bosnian War is at its height, and refugees from former Yugoslavia are arriving. Football rivals and political adversaries from the Balkans all precipitate conflict and amusing situations. Meanwhile, the lives of four English families are affected in different ways by an encounter with the refugees; one of the families improbably becomes involved with a Balkan refugee through the England vs Netherlands match.

Cast[edit]

  • Rosalind Ayres as Nora Thornton
  • Julian Firth as Edward Thornton
  • Charles Kay as George Thornton
  • Charlotte Coleman as Portia Thornton
  • Edward Jewesbury as Joseph Thornton
  • Danny Nussbaum as Griffin Midge
  • Heather Tobias as Felicity Midge
  • Roger Sloman as Roger Midge
  • Walentine Giorgiewa as Dzemila
  • Kenan Hudaverdi as railway worker
  • Faruk Pruti as Croat
  • Dado Jehan as Serb
  • Linda Basset as a nurse
  • Nicholas Farrel as Dr Mouldy
  • Thomas Goodridge as Youth on Mobile Phone

Reception[edit]

The film was selected as an Un Certain Regard entry at the 1999 Cannes Film Festival.[3]

Roger Ebert gave the film 3/4 stars (three stars out of four), and made several comparisons: Beautiful People "loops and doubles back among several stories and characters, like Robert Altman's Short Cuts and Paul Thomas Anderson's Magnolia"; "it is fairly lighthearted, under the circumstances; like Catch-22, it enjoys the paradoxes that occur when you try to apply logic to war."[4] James Berardinelli gave it the same rating and made most of the same comparisons; according to Berardinelli, "Dizdar has accomplished what few filmmakers are capable of—taking a serious subject and crafting an effective comedy from it that is defined by rich characters, genuine laughs, and an unpredictable plot." He concluded:[1]

"After appearing as an 'Un Certain Regard entry in the 1999 Cannes Film Festival, Beautiful People received international acclaim through film festival screenings and during its regular U.K. release (the screenplay was nominated for a British Independent Film Award). However, the most impressive thing about this film is not the recognition it has received, but the accessibility of the humor. While Beautiful People is best described as a black comedy,... it is funny, not merely grimly amusing. This makes Beautiful People one of the most intriguing and thought-provoking comedies to reach U.S. theaters in early 2000."

Unlike those made by Ebert and Berardinelli, the comparisons made by the Boston Phoenix are more precise: the film "combines British social realism with the bitter, jagged humor of Balkan directors like Emir Kusturica (Underground) and Srdjan Dragojevic (Pretty Village, Pretty Flame)."[5]

According to Scott Tobias of the A.V. Club, "Though its title seems ironic at first, Beautiful People is boundless in its optimism, growing increasingly contrived as it progresses, steering the messy lives of about 25 interconnected characters in the same hopeful direction....[Dizdar] displays a gift for light absurdist comedy... but as lively and skillfully orchestrated as it is on the whole, Beautiful People adds up to curiously little, limited in large part by Dizdar's narrow view of humanity. In his enthusiasm to resolve the cultural differences between his former and present home, his disparate characters are all tossed into the same flavorless, homogenous soup."[6]

References[edit]

  1. ^ a b Berardinelli, James. "Beautiful People". ReelViews.net. Retrieved 2013-01-31. 
  2. ^ http://www.imdb.com/list/ls058705802/
  3. ^ "Festival de Cannes: Beautiful People". festival-cannes.com. Retrieved 2009-10-09. 
  4. ^ Ebert, Roger (3 March 2000). "Beautiful People". Chicago Sun-Times. Retrieved 2013-01-31. 
  5. ^ Heller, Scott (6 March 2000). "Beautiful People". Boston Phoenix. filmvault.com. Retrieved 2013-01-31. 
  6. ^ Tobias, Scott (3 March 2000). "Beautiful People". A.V. Club. Retrieved 2013-01-31. 

External links[edit]