Being There
Being There | |
---|---|
Directed by | Hal Ashby |
Screenplay by | Jerzy Kosiński Robert C. Jones (uncredited) |
Produced by | Andrew Braunsberg |
Starring | Peter Sellers Shirley MacLaine Melvyn Douglas Richard Dysart Jack Warden Richard Basehart |
Cinematography | Caleb Deschanel |
Edited by | Don Zimmerman |
Music by | Johnny Mandel |
Production company | |
Distributed by | United Artists |
Release date |
|
Running time | 130 minutes |
Country | United States |
Language | English |
Budget | $7 million[1] |
Box office | $30,177,511[2] |
Being There is a 1979 American comedy-drama film directed by Hal Ashby. Its screenplay was adapted by Jerzy Kosiński and the uncredited Robert C. Jones from the 1970 novel by Kosiński. The film stars Peter Sellers, Shirley MacLaine, Melvyn Douglas, Richard A. Dysart, Jack Warden, and Richard Basehart.
Douglas won the Academy Award for Best Supporting Actor and Sellers was nominated for Best Actor.[3] The screenplay won the British Academy Film Award for Best Screenplay and the Writers Guild of America Award for Best Comedy Adapted from Another Medium. It was also nominated for the Golden Globe Award for Best Screenplay.
The making of the film is portrayed in The Life and Death of Peter Sellers, a biographical film of Sellers' life. In 2015 the United States Library of Congress selected Being There for preservation in the National Film Registry, finding it "culturally, historically, or aesthetically significant".[4]
Plot
Chance (Peter Sellers) is a middle-aged man who lives in the townhouse of an old, wealthy man in Washington D.C. He is simple-minded and has lived there his whole life, tending the garden. Other than gardening, his knowledge is derived entirely from what he sees on television. When his benefactor dies, Chance naively says to the estate attorney that he has no claim against the estate, and is ordered to move out. Thus he discovers the outside world for the first time.
Chance wanders aimlessly. He passes by a TV shop and sees himself captured by a camera in the shop window. Entranced, he steps backward off the sidewalk and is struck by a chauffeured car owned by Ben Rand (Melvyn Douglas), an elderly business mogul. In the back seat of the car sits Rand's much younger wife, Eve (Shirley MacLaine).
Eve brings Chance to their home to recover. Drinking alcohol for the first time during the car ride home, Chance coughs as he tells Eve his name. Eve mishears "Chance, the gardener" as "Chauncey Gardiner". Chauncey is wearing expensive tailored clothes from the 1920s and '30s, which his benefactor had allowed him to take from the attic, and his manners are old-fashioned and courtly. When Ben Rand meets him, he assumes from these signs that Chauncey is an upper-class, highly educated businessman. Chauncey's simple words, spoken often due to confusion or to a stating of the obvious, are repeatedly misunderstood as profound; in particular, his simplistic utterances about gardens and the weather are interpreted as allegorical statements about business and the state of the economy. Rand admires him, finding him direct and insightful.
Rand is also a confidant and adviser to the President of the United States (Jack Warden), whom he introduces to "Chauncey". The President likewise interprets Chauncey's remarks about the "garden" as economic and political advice. Chance, as Chauncey Gardiner, quickly rises to national public prominence. After his appearance on a television talk show, he becomes a celebrity and soon rises to the top of Washington society. He remains very mysterious, as the Secret Service is unable to find any background information about him. Public opinion polls start to reflect just how much his "simple brand of wisdom" resonates with the jaded American public.
Rand, who is dying of aplastic anemia, encourages Eve to become close to Chauncey. She is already attracted to him and makes a sexual advance. Chauncey has no interest in or knowledge of sex, but mimics a kissing scene from the 1968 film The Thomas Crown Affair, which happens to be on the TV at the moment. When the TV scene ends, Chauncey stops suddenly and Eve is confused. She asks what he likes, meaning sexually; he replies "I like to watch", meaning television. She is momentarily taken aback, but decides she is willing to masturbate for his voyeuristic pleasure. As she becomes involved in the act, she does not notice that he has turned back to the TV and is watching it, not her.
Chauncey is present at Rand's death, after which he talks briefly with Rand's physician, Dr. Allenby. During their conversation, Allenby realizes the truth – that Chauncey is merely a simpleminded gardener who knows nothing of finance or politics – but does not appear bothered by it. At Rand's funeral, while the President delivers a speech, the pall-bearers hold a whispered discussion over potential replacements for the President in the next term of office. As Rand's coffin is about to be interred in the family mausoleum, they unanimously agree on "Chauncey Gardiner".
Oblivious to all this, Chauncey wanders through Rand's wintry estate. He straightens out a pine sapling and then walks off across the surface of a small lake. He pauses, dips his umbrella into the deep water under his feet as if testing its depth, turns, and then continues to walk on the water as the President quotes Rand: "Life is a state of mind."
Cast
- Peter Sellers as Chance the gardener, a.k.a. Chauncey Gardiner
- Shirley MacLaine as Eve Rand
- Melvyn Douglas as Ben Rand
- Richard A. Dysart as Dr. Robert Allenby
- Jack Warden as The President
- Richard Basehart as Vladimir Skrapinov, Soviet Ambassador to the United States
- Than Wyenn as Ambassador Gaufridi
- David Clennon as Thomas Franklin
- Fran Brill as Sally Hayes
- Ruth Attaway as Louise
- Denise DuBarry as Johanna
- Sam Weisman as Colson
- Alice Hirson as The First Lady
- Arthur Rosenberg as Morton Hull
- Jerome Hellman as Gary Burns
- James Noble as Kaufman
- John Harkins as Courtney
- Elya Baskin as Karpatov
- Oteil Burbridge as Lolo (Boy on Corner)
- Hoyt Clark Harris, Jr. as Riff, Secret Service agent
Filming
Principal filming occurred at the Biltmore Estate, the largest private home in America, located in Asheville, North Carolina.[5]
Melvyn Douglas's granddaughter, Illeana, had a chance to visit the set and got to meet Peter Sellers, whom she considers to be her favorite actor. She has since credited the film for inspiring her to pursue a career in acting. According to Illeana, Sellers and Douglas had known each other since the 1940s when they first met in Burma during World War II. They often reminisced about the war days while on the set.[6]
The masturbation scene was the reason Laurence Olivier turned down the role of Ben Rand.[7][8]
According to MacLaine, "(Peter) believed he was Chauncey. He never had lunch with me... He was Chauncey Gardiner the whole shoot, but believing he was having a love affair with me."[9]
Music
Incidental music is used very sparingly. What little original music is used was composed by Johnny Mandel, and primarily features two recurrent piano themes based on "Gnossiennes" No. 4 and No. 6 by Erik Satie. The other major piece of music used is the Eumir Deodato jazz/funk arrangement of the opening fanfare from Also Sprach Zarathustra by Richard Strauss.[10]
Mandel was also assisted by his late cousin and fellow composer Miles Goodman with the orchestration of the film.[11][12][13][14][15]
Reception
The film opened to positive reviews and helped revitalize Sellers' comic career; many of his recent films had flopped except for the Pink Panther movies. Film critic Roger Ebert mentions the final scene in his 2005 book The Great Movies II (p. 52),[16] stating that his film students once suggested that Chance may be walking on a submerged pier. Ebert writes, "The movie presents us with an image, and while you may discuss the meaning of the image, it is not permitted to devise explanations for it. Since Ashby does not show a pier, there is no pier — a movie is exactly what it shows us, and nothing more."[17]
Sellers won the Golden Globe Award for Best Actor in a Motion Picture – Musical or Comedy for his performance in Being There. He was nominated for the Academy Award for Best Actor as well at the 52nd Academy Awards, but he lost to Dustin Hoffman for Kramer vs. Kramer.
Melvyn Douglas won his second Academy Award for Best Supporting Actor and Golden Globe Award for Best Supporting Actor – Motion Picture.[18][19]
The credits at the film's end roll over an outtake, known as the "Rafael outtake". Sellers was later displeased that the outtake ran because he believed it took away from Chauncey's mystique.[20] He also believed the outtake was what prevented him from winning the Oscar.[6][21]
The film is recognized by American Film Institute in these lists:
- 2000: AFI's 100 Years...100 Laughs – #26[22]
- 2005: AFI's 100 Years...100 Movie Quotes:
- Chance: "I like to watch." – Nominated[23]
Home media
A 30th anniversary edition was released on DVD and Blu-ray on February 2009.[6]
In popular culture
The Wolfgang Press sampled the final line of the film on the original release version of their song "Mother Valentine" from their 1991 album Queer.
The 1996 album Being There by the American alternative rock band Wilco was named after the film.[24]
See also
References
- ^ "The Films of Hal Ashby". Beach, Christopher (2009). Detroit, Michigan: Wayne State University Press, p. 177, ISBN 978-0-8143-3415-7.
- ^ "Being There, Box Office Information". Box Office Mojo. Retrieved June 6, 2013.
- ^ "The 52nd Academy Awards (1980) Nominees and Winners". SAMPAS.
- ^ Mike Barnes (December 16, 2015). "'Ghostbusters,' 'Top Gun,' 'Shawshank' Enter National Film Registry". The Hollywood Reporter. Retrieved December 16, 2015.
- ^ Henion, Leigh Ann (March 2011). "A Behind-the-Scenes Visit to Biltmore". Our State. Retrieved 12 May 2015.
{{cite web}}
: Italic or bold markup not allowed in:|publisher=
(help) - ^ a b c Vigil, Delfin (15 February 2009). "Illeana Douglas inspired by Melvyn's 'Being There'". San Francisco Gate. Retrieved 6 September 2015.
{{cite web}}
: Italic or bold markup not allowed in:|publisher=
(help) - ^ Mell, Eila (2005). Casting Might-Have-Beens: A Film by Film Directory of Actors Considered for Roles Given to Others. McFarland. ISBN 9781476609768.
- ^ Dawson, Nick (2009). Being Hal Ashby: Life of a Hollywood Rebel. University Press of Kentucky. ISBN 9780813139197.
- ^ Shirley MacLaine On What Peter Sellers Was Really Like on YouTube
- ^ Stoehr, Ingo Roland (2001). German Literature of the Twentieth Century: From Aestheticism to Postmodernism. Boydell & Brewer. ISBN 9781571131577.
- ^ "Miles Goodman, 47, Composer for Films". The New York Times. 20 August 1996. Retrieved 25 March 2015.
- ^ Jablon, Robert (18 August 1996). "MILES GOODMAN, FILM COMPOSER AND JAZZ RECORD PRODUCER, DIES". Associated Press. Retrieved 25 March 2015.
- ^ Oliver, Myrna (20 August 1996). "Miles Goodman; Record Producer, Film Composer". Los Angeles Times. Retrieved 25 March 2015.
{{cite web}}
: Italic or bold markup not allowed in:|publisher=
(help) - ^ "Miles Goodman: Composer". Sarasota Herald-Tribune. 22 August 1996. Retrieved 25 March 2015.
- ^ "Record producer, composer Miles Goodman dies at 47". The Daily Gazette. 21 August 1996. Retrieved 25 March 2015.
{{cite web}}
: Italic or bold markup not allowed in:|publisher=
(help) - ^ Ebert, Roger (2006), The Great Movies II, Random House, Inc., p. 52, ISBN 978-0-7679-1986-9
- ^ Ebert, Roger (May 25, 1997). "Being There review". Chicago Sun-Times. Archived from the original on December 12, 2010. Retrieved December 12, 2010.
{{cite news}}
: Unknown parameter|deadurl=
ignored (|url-status=
suggested) (help) - ^ Flint, Peter B. (5 August 1981). "MELVYN DOUGLAS DEAD; ACTOR, 80, WON 2 OSCARS". The New York Times. Retrieved 12 May 2015.
{{cite web}}
: Italic or bold markup not allowed in:|publisher=
(help) - ^ Reid, Joe (24 February 2014). "The Oscar Ballot Explained: Best Supporting Actor/Actress". Retrieved 12 May 2015.
- ^ Kim, Wook (26 November 2012). "After 'The End': 10 Memorable End-Credit Scenes". Time. Retrieved 12 May 2015.
{{cite web}}
: Italic or bold markup not allowed in:|publisher=
(help) - ^ Dawson, Nick (2009). Being Hal Ashby: Life of a Hollywood Rebel. University Press of Kentucky. ISBN 9780813173344.
- ^ "AFI's 100 Years...100 Laughs" (PDF). American Film Institute. Retrieved 2016-07-17.
- ^ "AFI's 100 Years...100 Movie Quotes Nominees" (PDF). Retrieved 2016-07-17.
- ^ "Being There Album Review". RollingStone.com. 1996-10-04. Retrieved 2016-04-12.
- Bibliography
- Finkelstein, Joanne (2007). The Art of Self Invention: Image and Identity in Popular Visual Culture. I.B. Tauris. pp. 9, 98–99. ISBN 1-84511-395-0.
- Beech, Christopher (2009). The Films of Hal Ashby. Detroit: Wayne State University Press. ISBN 978-0-8143-3415-7.
- Nichols, Peter M.; A. O. Scott; Vincent Canby (2004). The New York Times Guide to the Best 1,000 Movies Ever Made. Macmillan. pp. 93–94. ISBN 0-312-32611-4.
- Sikov, Ed (2002). Mr. Strangelove: A Biography of Peter Sellers. Hyperion. ISBN 0-7868-8581-5.
- Tichi, Cecelia (1991). Electronic Hearth: Creating an American Television Culture. Oxford University Press. ISBN 0-19-507914-0.
External links
- 1979 films
- 1970s comedy-drama films
- American black comedy films
- American comedy-drama films
- American films
- American independent films
- American political satire films
- English-language films
- Film scores by Johnny Mandel
- Films about fictional Presidents of the United States
- Films about television
- Films based on American novels
- Films directed by Hal Ashby
- Films featuring a Best Supporting Actor Academy Award-winning performance
- Films featuring a Best Supporting Actor Golden Globe winning performance
- Films featuring a Best Musical or Comedy Actor Golden Globe winning performance
- Films set in North Carolina
- Films set in Washington, D.C.
- Films shot in North Carolina
- Films set in country houses
- United Artists films
- Films whose writer won the Best Screenplay BAFTA Award
- United States National Film Registry films