Jump to content

Christian Holder

Edit links
From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by InternetArchiveBot (talk | contribs) at 17:46, 23 November 2016 (Rescuing 4 sources and tagging 0 as dead. #IABot (v1.2.7.1)). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Christian Holder (born 18 June 1949)[1] is a British-Trinidadian artist who has worked in many fields – like his father Boscoe Holder:[2] as a dancer, choreographer, actor, teacher, costume designer, writer, painter and singer. He is most notable as "one of the most iconic dancers of the Joffrey company in the 1970s, perhaps in its history."[3]

Life and career

Arthur Christian Holder was born in Trinidad into an artistic family, the son of Boscoe Holder and his wife Sheila Clarke Holder, who were both professional dancers. (His maternal grandmother was the actress and radio personality Kathleen Davis – known as "Aunty Kay" – and his uncle was the actor Geoffrey Holder.) The Holders moved to London when their son was an infant.[4] Boscoe Holder, who later became a renowned painter, at the time ran a company called Boscoe Holder and his Caribbean Dancers, and throughout childhood Christian appeared with them, and on British television and in repertory theatre.[5] As a four-year-old Christian danced with his father's company at the coronation of Queen Elizabeth II in 1953,[4] and by the age of seven he had begun training in ballet,[5] and aged 11 attended the Corona Academy Stage School.[6] In an unfinished 1955 production of Moby Dick, directed by Orson Welles, Holder had the role of Pip the Cabin Boy.[7]

In 1963 Holder was one of a select group of young dancers to be offered scholarships by Martha Graham to study at her school in New York City, so as to return to London "to be charter members of what was to become London Contemporary Dance Theatre".[5] The following year his parents saw him off to the US.

He went on to enrol as a student at the High School of Performing Arts in New York City,[4] where he was spotted by Robert Joffrey.[5] Joining the Joffrey Ballet, Holder remained with the company from 1966 to 1979,[8] becoming one of their most acclaimed principal dancers, performing as a soloist with choreographers including Kurt Jooss (who personally trained Holder for the lead role of "Death" in a revival of his 1932 anti-war ballet, The Green Table),[9][10][11][12] Leonid Massine, Jerome Robbins, Alvin Ailey, and Agnes De Mille.[5][13] A New York Magazine review in 1971 typically commented: "...Christian Holder, lithe, tremendously powerful and totally individual, dominates the stage whenever he is given solo work to do.... Up the Joffrey! Onward, Christian Holder!"[14]

From 1979 to 1981 he appeared as guest solo dancer with San Francisco Opera, dancing in productions starring Luciano Pavarotti, and Placido Domingo, and choreographed their productions of The Merry Widow with Dame Joan Sutherland and Aida (2001).[15] In 2006, he performed in the Joffrey Ballet’s production of Sir Frederick Ashton's Cinderella, as one of the ugly stepsisters along with Gary Chryst, which roles Joffrey (who died in 1988) had always wanted them to play.[16][17]

The 2012 documentary film Joffrey: Mavericks of American Dance, written and directed by Bob Hercules, contains archive footage of Holder.[7]

During his career Holder choreographed ballets including Weren't We Fools? for American Ballet Theatre[18] and Transcendence for Atlanta Ballet,[19] appeared in repertory theatre productions and musicals, and has designed costumes for ballets including Margo Sappington's Toulouse-Lautrec (2000) for the Ballet du Capitole in Toulouse, France.[20][21] He has also designed costumes for Tina Turner, Ann Reinking and others.[13][21][22] In addition, Holder has taught ballet at Steps On Broadway in New York City, the Metropolitan Opera Ballet, Kaatsbaan International Dance Center, PeriDance, and for Cedar Lake Dance.[7] A recent project is writing the book and lyrics for a theater piece called Verse of Fortune (in collaboration with Noa Ain)[23] inspired by the life and work of French poet Baudelaire.[3][7]

In April 2015 Holder made his debut as a singer in his one-man cabaret entitled "At Home and Abroad", with music direction by Philip Foster, playing a sold-out show at The Crazy Coqs in London's Piccadilly, where he performed his own compositions as well as songs by Cole Porter, Noël Coward, Stephen Sondheim, Peter Allen and Rodgers & Hart.[24][25]

Awards

On 7 April 1991, Christian Holder, Boscoe Holder, and Geoffrey Holder jointly received, in Philadelphia, the first Drexel University Award for International Excellence.[1] Also, an award for Outstanding Contribution to the Arts was given to him by Philadanco in 1995.

References

  1. ^ a b "Boscoe Holder - The Life of the Late", Trinidad Express Newspapers, 31 July 2011.
  2. ^ "Art and Existence: Boscoe Holder" Archived 2015-06-12 at the Wayback Machine, V&A.
  3. ^ a b Sheri Candler, "Christian Holder reflects on his years in the Joffrey" Archived 2015-06-02 at the Wayback Machine, Joffrey: Mavericks of American Dance.
  4. ^ a b c Sid Smith, "Recalling the glamor, activist days of the Joffrey", Chicago Tribune, 27 August 2006.
  5. ^ a b c d e Christian Holder, "Remembering Joffrey" Archived 2015-06-02 at the Wayback Machine, Dance Magazine, October 2006. Retrieved 1 June 2015.
  6. ^ "Christian Holder headlines at Crazy Coqs – 'At Home and Abroad'", The Philip Foster Company, 29 March 2015.
  7. ^ a b c d Christian Holder biography Archived 2015-06-20 at the Wayback Machine, official website.
  8. ^ "Joffrey Mavericks of American Dance: Exclusive Interviews From The Film Premiere In NYC", video interview with Christian Holder. YouTube.
  9. ^ Christian Holder, "Rant & Rave: When Reviving Becomes Revising", Dance Magazine, December 2013.
  10. ^ Levin Houston, "Joffrey Ballet strengthens impression at Wolf Trap", The Free Lance-Star, 8 July 1972: "(...) again the magnificent negro dancer, Christian Holder, gives his chilling performance as Death...."
  11. ^ Rachel Straus, "Kurt Jooss: The founding father of Tanztheater", Dance Teacher, 29 August 2011.
  12. ^ Holder, Christian. "Dancing for Jooss: Recreating the role of Death in 'The Green Table'", Choreography and Dance, an International Journal, 1993, 2-4: 79-91.
  13. ^ a b Suzanne K. Walther, "Notes on contributors", The Dance Theatre of Kurt Jooss, p. 97. Choreography and Dance, Vol. 3, Part 2 (1993).
  14. ^ Alan Rich, "The Lively Arts: Portents of Non-Events", New York Magazine, 8 November 1971, p. 76.
  15. ^ "The Dancers...Christian Holder 1966-1979", Joffrey: Mavericks of American Dance.
  16. ^ Vivien Schweitzer, "Joffrey Ballet First US Company to Perform Frederick Ashton's Cinderella", Playbill Arts, 29 September 2006.
  17. ^ "Joffrey to be first American company to perform Ashton's 'Cinderella'", The Star Online, 2 October 2006.
  18. ^ Valerie Gladstone, "DANCE; Of Love Lost And Found (Also Music)", The New York Times, 22 October 2000.
  19. ^ Colleen Payton, "Moved by the Spirit", Atlanta Magazine, April 2003.
  20. ^ Margo Sappington page, Milwaukee Ballet.
  21. ^ a b "Recalling the glamor, activist days of the Joffrey", Chicago Tribune, 27 August 2006.
  22. ^ Christian Holder biography, The Crazy Coqs, June 2015.
  23. ^ "Current Projects", Noa Ain.
  24. ^ "Christian Holder – Back by Popular Demand", The Philip Foster Company, 24 May 2015.
  25. ^ "Headline Act: FRI 5TH AND SAT 6TH JUNE, 8PM Christian Holder", The Crazy Coqs, June 2015.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Christian_Holder&oldid=751146686"