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Clavioline

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The clavioline is an electronic keyboard instrument, a forerunner to the analog synthesizer.

It was invented by Constant Martin in 1947 in Versailles.[1] It consists of a keyboard and a separate amplifier and speaker unit. The keyboard usually covered three octaves, and had a number of switches to alter the tone of the sound produced, add vibrato, and provide other effects. The Clavioline used a vacuum tube oscillator to produce a buzzy waveform, almost a square wave, which could then be altered using high-pass and low-pass filtering, as well as the vibrato. The amplifier also deliberately provided a large amount of distortion.[2]

Several models were produced by different companies; among the more important were the Standard, Reverb, and Concert models by Gibson and Selmer in the 1950s. The 6-octave model developed by Harald Bode employed octave transposition. In England the Jennings Organ Company's first successful product was the Univox, an early self-powered electronic keyboard based on the Selmer Clavioline.[3] Also in Japan, Ace Tone's first prototype, Canary S-2 (1962) was designed based on Clavioline.[4]

Recordings

The clavioline has been utilized on a number of recordings in popular music as well as in film. A selection follows.

See also

References

  1. ^ a b http://www.soundonsound.com/sos/mar07/articles/clavioline.htm
  2. ^ Reid, Gordon. “The Story of the Clavioline.” Sound on Sound (March 2007)
  3. ^ Music Soul, Vox Electronic Organs.
  4. ^ All About Electronic & Electric Musical Instruments. Seibundo ShinkoSha. 1966. p. 32. ASIN B000JAAXH6, 電子楽器と電気楽器のすべて.
  5. ^ Interview with Charles Chilton on “Round Midnight”, BBC Radio 2, 1989.
  6. ^ Carlo Nardi (July 2011). "The Cultural Economy of Sound: Reinventing Technology in Indian Popular Cinema". Journal on the Art of Record Production, Issue 5. ISSN 1754-9892