Clayton Colvin

Clayton Colvin (born 1976) is an American abstract painter, multimedia artist, collagist, curator of contemporary art, and writer who lives and works in Birmingham, Alabama.

Education

Colvin received a BA in Art History from New York University in 1999 and an MA Ed. in Art Education from the University of Alabama at Birmingham in 2003. He received his Master of Fine Arts (MFA) degree in painting from the University of Alabama in Tuscaloosa, AL in 2005.^[1]

Colvin interned for Agnes, a photography art gallery in Birmingham, AL for several summers while attending University. As an undergraduate he interned for the Jack Tilton Gallery in New York City, NY.^[2]

Art

Colvin is represented by Guido Maus, beta pictoris gallery / Maus Contemporary in Birmingham, AL. His 2013 exhibit at the gallery was reviewed in Art in America by Cinque Hicks.^[3] Colvin has exhibited at the launch F18 gallery in New York City, NY ^[4] and the Mobile Museum of Art^[5] in 2014. Colvin was included in "Politics, Politics: Nice Artists Explore the Political Landscape" curated by Anne Arrasmith and Peter Prinz of Space One Eleven in Birmingham. Colvin's work was part of "Contour: The Definitive Line" curated by Jon Coffelt.^[6] Colvin's work is included in the permanent collection of the Birmingham Museum of Art,^[7]^[8] the Mobile Museum of Art, and the High Museum of Art

Quotes about Colvin

"Clayton Colvin's work is an attempt to come to terms with the multitude of experiences we deal with day to day; a way of gaining insight, a way of understanding the present. His work is an effort to order, (re)present and mark his existence". - Brian Bishop (University of Alabama)^[9]
"Clayton Colvin's mixed media canvases and sketches are heavily coated with a clear vinyl that has the look of solidified gel. Isolated words are scribbled, sketchy lines and restless black arrows meander across a surface that suggests objects but have no real identity. On occasion, Colvin labels his works as "Untitled" and then gives them titles in parentheses, such as "Metamorphosis," "Space Cadet" and "Ambassador," hinting at content but suggesting is content incidental to intent". - James R. Nelson, critic for The Birmingham News, 2006.^[10]
" Fragility and ephemerality are guiding principles in Clayton Colvin's art. Playing with pattern and perception to address these concepts, Colvin creates loose, geometric imagery that combines drawing, painting, and textiles. In fact, Colvin does not distinguish between drawing and painting and purposefully shifts from one to the other in abstract works that fluctuate from formal to expressive. With subtle and playful sense of humor, the artist puts humanity at the center of his work. He explains, "I am interested in feelings, flawed and visceral. I am fragile. I am amazed. I am thankful. It is dirty stuff. It is human. It plays sometimes at control and pixel perfection, and its failure reveals the exact element I want to express.

Merging painted brushstrokes with drawn marks while adding and erasing layers, Colvin finds inspiration in how we consume images, often now mediated through cell phone cameras (...) he deconstructs everyday patterns and digitization found in technology to its base shapes and colors to focus on movement and energy in works that become transcendent. " - Jennifer Jankauskas, Curator of Art, Montgomery Museum of Fine Arts, 2018.

Notes

^ "Clayton Colvin at beta pictoris/Maus contemporary". Archived from the original on 2016-03-04. Retrieved 2014-02-17.
^ New abstract paintings by Birmingham artist Clayton Colvin reviewed in Birmingham's Active Culture Info Archived 2014-02-22 at the Wayback Machine
^ Review of Clayton Colvin in Art of America
^ "Clayton Colvin's Slow your Instruments Exhibit at Launch F18 in New York City". Archived from the original on 2016-03-04. Retrieved 2014-02-17.
^ 2014 Clayton Colvin's Exhibit at the Mobile Museum of Art
^ "Schedler Minchin Fine Art - "Contour: The Definitive Line"". Archived from the original on 2007-03-11. Retrieved 2006-11-17.
^ "Annual Report 2009- 2010". Birmingham Museum of Art. Archived from the original on 16 May 2013. Retrieved 10 January 2014.
^ Artist Clayton Colvin returns to Mobile with exhibit titled 'Fiction' at the Eichold Gallery by Thomas B. Harrison, Press-Register
^ Brian Bishop, Foreword for Emerging Artist 2006 Archived 2006-10-23 at the Wayback Machine (Magic City Art Connection)
^ Artist's views presented in clear, rational framework, Review of Politics, Politics by James R. Nelson, The Birmingham News, May 7th, 2006

External links

[1] "Clayton Colvin at beta pictoris/Maus contemporary". Archived from the original on 2016-03-04. Retrieved 2014-02-17.

[2] New abstract paintings by Birmingham artist Clayton Colvin reviewed in Birmingham's Active Culture Info Archived 2014-02-22 at the Wayback Machine

[3] Review of Clayton Colvin in Art of America

[4] "Clayton Colvin's Slow your Instruments Exhibit at Launch F18 in New York City". Archived from the original on 2016-03-04. Retrieved 2014-02-17.

[5] 2014 Clayton Colvin's Exhibit at the Mobile Museum of Art

[6] "Schedler Minchin Fine Art - "Contour: The Definitive Line"". Archived from the original on 2007-03-11. Retrieved 2006-11-17.

[7] "Annual Report 2009- 2010". Birmingham Museum of Art. Archived from the original on 16 May 2013. Retrieved 10 January 2014.

[8] Artist Clayton Colvin returns to Mobile with exhibit titled 'Fiction' at the Eichold Gallery by Thomas B. Harrison, Press-Register

[9] Brian Bishop, Foreword for Emerging Artist 2006 Archived 2006-10-23 at the Wayback Machine (Magic City Art Connection)

[10] Artist's views presented in clear, rational framework, Review of Politics, Politics by James R. Nelson, The Birmingham News, May 7th, 2006

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