Count Anton Alexander von Auersperg
He was born in Laibach (Ljubljana), and was head of the Thurn am Hart/Krain branch of the Carniolan cadet line of the house of Auersperg. He received his education first at the University of Graz and then at Vienna, where he studied jurisprudence. In Vienna, he met with fellow Carniolan countryman France Prešeren, who would later become the national poet of the Slovenes. The two established a close friendship which lasted till Prešeren's death in 1849. Prešeren also dedicated an ironic short poem to Auersperg, called Tri želje Anastazija Zelenca ("Three Wishes of the Green Anastasius"), in which he made fun of the friend's bohemian lifestyle.
In 1830, Auersperg succeeded to his ancestral property, and in 1832 appeared as a member at the Estates of Carniola in the Lords' Bench of the diet in Laibach. Here he distinguished himself by his outspoken criticism of the Austrian government, leading the opposition of the duchy to the exactions of the central power. In 1832 the title of Imperial Chamberlain was conferred upon him, and in 1839 he married Maria, daughter of Count Attems.
After the Revolution of 1848 in Vienna he represented the district of Laibach in the German Frankfurt Parliament, to which he tried in vain to persuade his Slovene compatriots to send representatives. After a few months, however, disgusted with the violent development of the revolution, he resigned his seat, and again retired into private life. In 1860 he was summoned to the remodelled Reichsrat by the emperor, and next year nominated him a life member of the Austrian upper house (Herrenhaus), where, while remaining a keen upholder of the German centralized empire, as against the federalism the Slavs and Magyars, he greatly distinguished himself as one of the most intrepid and influential supporters of the cause of Realism, in both political and religious matters. He also served in the Diet of Carniola, where he was among the leaders of the Austrian Constitutionalists in Carniola, together with Karl Deschmann.
In Count Auersperg's first publication, a collection of lyrics, Blätter der Liebe (1830), showed little originality; but his second production, Der letzte Ritter (1830), brought his genius to light. It celebrates the deeds and adventures of the emperor Maximillian I (1499-1519) in a cycle of poems written in the strophic rhyme of the Nibelungenlied. But Auersperg's fame rests almost exclusively on his political poetry; two collections entitled Spaziergänge eines Wiener Poeten (1831), an attack upon the Metternich regime, and Schutt (1835) created a sensation in Germany by their originality and bold Realism. These two books, which are remarkable not merely for their outspoken opinions, but also for their easy versification and powerful imagery, were the forerunners of the German political poetry of 1840–1848.
His Gedichte (1837), if anything, increased his reputation; his epics, Nibelungen im Frack (1843) and Pfaff vom Kahlenberg (1850), are characterized by a fine ironic humour. He also produced masterly translations of the popular Slovene songs from Carniola (Volkslieder aus Krain, 1850), and of the English poems relating to Robin Hood (1864). He also translated several poems by France Prešeren into German.
Anastasius Grün's Sämtliche Werke (Collected works) were published by L. A. Frankl in 5 vols. (Berlin, 1877); the Briefwechsel zwischen A. G. und Ludwig Frankl (Correspondence between A. G. and Ludwig Frankl) was published in Berlin in 1897. A selection of his Politische Reden und Schriften was published by S. Hock (Vienna, 1906).
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- This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Auersperg, Anton Alexander". Encyclopædia Britannica. 2 (11th ed.). Cambridge University Press. p. 900.
- Gilman, D. C.; Peck, H. T.; Colby, F. M., eds. (1905). "Auersperg, Anton Alexander". New International Encyclopedia (1st ed.). New York: Dodd, Mead.
- Schatzmayer, Anton, Graf von Auersperg (second edition, Frankfort, 1872)
- Radics, Anastasius Grün und seine Heimat (Stuttgart, 1876)
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