Dance with Me, Henry
|Dance with Me, Henry|
Theatrical release poster
|Directed by||Charles Barton|
|Produced by||Bob Goldstein|
|Written by||Devery Freeman|
|Music by||Paul Dunlap|
|Edited by||Robert Golden|
|Distributed by||United Artists|
Dance with Me, Henry is a 1956 film starring the comedy team of Abbott and Costello. It is the final film that they starred in together, although Costello went on to star in one more film before his death, The 30 Foot Bride of Candy Rock.
Lou Henry (Lou Costello) is the owner of Kiddyland, an amusement park, and Bud Flick (Bud Abbott) is his friend and partner. Together they share a home with two orphan children, Duffer (Rusty Hamer) and Shelly (Gigi Perreau). Welfare worker Miss Mayberry (Mary Wickes) does not think that their home is a suitable environment for the children and attempts to remove them. One of the reasons is that Bud is a gambler and owes $10,000 to Big Frank (Ted de Corsia), who offers to forget the debt if Bud agrees to help launder $200,000 that Big Frank took from a Chicago bank. Bud agrees to meet Big Frank's man, Mushie (Richard Reeves), at Kiddyland to pick up the money and a plane ticket. Lou, however, informs District Attorney Proctor (Robert Shayne) of the plan and he shows up at Kiddyland during Bud and Mushie's meeting. Mushie sees the DA and hides the money just before he murders Proctor and frames Lou for it. Miss Mayberry uses Lou's arrest as a reason to take the children from his home.
Bud informs Mushie that he knows that he really killed Proctor, and Mushie threatens to kill him. However, Big Frank and Dutch (Paul Sorensen) kill Mushie. They kidnap Bud and demand that he tell them where the money is hidden. Meanwhile, Lou is released by the police, who believe that he will lead them to Bud. Dutch then kidnaps Lou and takes him to their hideout, where Bud is also being held. Bud lies and tells Big Frank that he knows where the money is and they all head to Kiddyland, with the police following them every step of the way. Bud then tricks Big Frank into confessing to everything while they are inside the park's recording booth, then Lou grabs the recording and escapes into the park. Shelly and Duffer have also escaped from Miss Mayberry and are now inside the park playing when they see Lou being chased. They return to the orphanage to get help from the other children, and they all head back to Kiddyland. The children then wreak havoc in the park, foiling the gangsters at every turn. The police capture them, and the reward money that Bud and Lou receive is donated to the orphanage. Miss Mayberry, seeing what a good role model Lou really is, returns custody of the orphans to him.
- Bud Abbott as Bud Flick
- Lou Costello as Lou Henry
- Gigi Perreau as Shelley
- Rusty Hamer as Duffer
- Mary Wickes as Miss Mayberry
- Ted de Corsia as Big Frank
- Ron Hargrave as Ernie
- Frank Wilcox as Father Mullahy
- Sherry Alberoni as Bootsie
- Eddie Marr as Garvey
- Richard Reeves as Mushie
- Robert Shayne as Proctor
- Walter Reed as Drake
- Paul Sorensen as Dutch
- Robert Bice as Policeman
- John Cliff as Knucks
- Phil Garris as Mickey
- Jess Kirkpatrick as Policeman
- David McMahon as Savoldi
- Gilman Rankin as McKay
- Rod Williams as Janitor
Dance with Me, Henry was filmed from May 23 through June 22, 1956. It was their 36th feature film and their first after being dropped by Universal Pictures in 1955 following the completion of Abbott and Costello Meet the Mummy. Independent film producer Bob Goldstein hired the duo for this film, which was released through United Artists. It turned out to be the last film that Abbott and Costello made together as a team, as they ended their partnership in July 1957.
A bit part in the film went to the "just released from contract" Mouseketeer Sherry Allen, who was advised by Lou Costello to return to the use (professionally) of her true surname, "Alberoni". She took his advice, and has been known professionally since that time by her birth name Sherry Alberoni.
Dance With Me, Henry received mixed reviews when it was theatrically released in December 1956. A.H. Weiler, reviewing the film for The New York Times, complained "it is perfectly clear that any attempt to lend dramatic dimension to the simple and egregious fantasy expected of an Abbott and Costello venture can be fraught with the makings of a loud backfire." The New York Herald Tribune was more conciliatory, noting "this time, the team is more sedate" while praising Costello for eschewing slapstick comedy and "developing along the lines of a Chaplinesque character."
- Furmanek p 236
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- A.H. Weiler (December 24, 1956). "Screen: New Format for Hitchcock; Suspense Is Dropped in 'The Wrong Man' Fonda Plays Title Role of Paramount Film Martin and Lewis Abbott and Costello". The New York Times. Retrieved 2009-04-15.
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