Jump to content

Darryl Pinckney

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Cydebot (talk | contribs) at 22:02, 9 October 2016 (Robot - Moving category Writers from Indianapolis, Indiana to Category:Writers from Indianapolis per CFD at Wikipedia:Categories for discussion/Log/2016 September 6.). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Darryl Pinckney (born 1953 in Indianapolis, Indiana) is an American novelist, playwright, and essayist.

Early life

Pinckney grew up in a middle-class African-American family in Indianapolis, Indiana, where he attended local public schools. He was educated at Columbia University in New York City.[1]

Career

Some of his first professional works were theatre texts, plays developed in collaboration with director Robert Wilson. These included the produced works of The Forest (1988) and Orlando (1989).

His first novel is High Cotton (1992), a semi-autobiographical novel about "growing up black and bourgeois" in 1960s America. He is also a frequent contributor to the New York Review of Books, Granta, Slate, and The Nation. He frequently explores issues of racial and sexual identities, as expressed in literature.

He returned to theatre with Time Rocker (1995).

In the 21st century, Pinckney has published two collections of essays on African-American literature. He has expressed his admiration for the writing of the long-running American CBS soap opera, As the World Turns.[2]

Awards

Personal life

His partner is English poet James Fenton; the couple has been together since 1989.[6] Pinckney lives in New York City and Oxfordshire, England.[7]

Bibliography

Books

Essays

  • "England, Whose England?". Granta (16 (Science)). Summer 1985. (Subscription Required)
  • "Lonely Hearts Club". Harper's. February 2010.
  • "The Ethics of Admiration: Arendt, McCarthy, Hardwick, Sontag". The Threepenny Review. 135. Fall 2013.
  • "Some Different Ways of Looking at Selma". The New York Review of Books. 19 February 2015.

Theatre texts

References