David P. Sartor
David Sartor (rhymes with "Carter") is an American composer and conductor of symphonic, chamber, and choral music. He is Adjunct Professor of Composition at Trevecca Nazarene University in Nashville, Tennessee and Music Director of the Parthenon Chamber Orchestra.
Sartor is the composer of Synergistic Parable for symphonic band, which won the American Bandmasters Association's Ostwald Award for Symphonic Band Music, and of Polygon, for brass quintet, which received the National Fine Arts Award.
Other notable works include Metamorphic Fanfare, commissioned by the Knoxville Symphony Orchestra; Thy Light Is Come for chorus, organ, brass and timpani, commissioned by Christ Episcopal Church in Nashville and showcased at the Washington National Cathedral by the Cathedral Choral Society; Black Ball Counts Double for string orchestra, which received a commendation in England's Oare International Composing Competition; Reveries, for string orchestra, winner of the Burlington (Vermont) Chamber Orchestra's 2009 Composer Competition as well as a finalist in the Fauxharmonic Orchestra's Adagio Composition Contest; and Concerto for Orchestra, a finalist in the Columbia Symphony Orchestra's American Composer Competition. He received double honors in Composition in both the 2012 and 2013 American Prizes, national awards celebrating American excellence in the arts.  He was one of five composers nationwide named as an "Honored Artist" of the American Prize, in recognition of "sustained excellence" over a number of seasons in the national competitions.
Sartor's compositions have been recognized with more than three dozen awards from ASCAP, Meet The Composer, Delta Omicron, and New Music for Young Ensembles, among others. His music has been featured at the Tanglewood and Aspen Music Festivals, the International Double Bass Festival, the Percussive Arts Society International Convention, the International Music Festival in San Jose Costa Rica, The World's Largest Organ Concert, the Sewanee Summer Music Festival, and at Carnegie Hall, with broadcast performances on National Public Radio and local affiliates.
As a guest composer, conductor, and lecturer, he has appeared at the Washington National Cathedral, Illinois State University, Middle Tennessee State University, the Nexus Chamber Orchestra, and California State University, sponsored by New York City’s Meet The Composer Foundation. In addition to his concert music activities Sartor is an alumnus of the Steven Scott Smalley Film Scoring Workshop as well as a recent workshop with Richard Glasser & Aaron Zigman, and has scored more than two dozen video documentaries and features.
In June 2007, Sartor was awarded the Thor Johnson Memorial Commission by the Delta Omicron Foundation. The Johnson Commission, awarded every three years to a distinguished concert music composer, funds the creation of a new work to be featured at the organization’s Triennial Conference. Sartor's work for string quartet, Passages, was premiered on July 17, 2009, at the 2009 Triennial Conference by the Atlantis String Quartet; the performance also coincided with and celebrated the 100th anniversary of Delta Omicron. Following the premiere, Sartor was inducted as a National Patron of Delta Omicron in recognition of his accomplishments as a composer and conductor.
Sartor's works are recorded on the ERM Media label and are published by E.C. Schirmer, Shawnee Press, and Metamorphic Music. He currently resides in Tennessee with his wife, author Nancy Sartor.
Early life and education
Sartor was born May 25, 1956, in Nashville. The son of high school principal Grayl Bruce Sartor and elementary school teacher Kathleen Lipscomb Sartor, he began piano studies at age 5 with his grandmother, Sallie Lipscomb, a local piano instructor. In elementary school Sartor continued piano lessons and also began trumpet lessons, performing with his elementary school band.
Sartor attended McGavock High School in Nashville, where he was a charter member of the school's award-winning Wind Ensemble and marching band under the direction of Kenton J. Hull Jr. Both Hull and Mrs. Bobby Jean Frost, the school's piano and music theory teacher, encouraged Sartor's development as a composer, performer and conductor. While a student at McGavock he was Principal Trumpet in the Nashville Youth Symphony, the Middle Tennessee Honor Band and the Tennessee All-State Orchestra, and frequently organized ensembles which he conducted in performances of his own compositions.
Sartor studied at the University of Cincinnati College-Conservatory of Music and the University of Tennessee (Bachelor of Music), studying composition with John Anthony Lennon and David Van Vactor and conducting with Donald Neuen, and at Middle Tennessee State University (Master of Music), studying composition with Paul Osterfield and conducting with Carol Nies. His conducting study includes private instruction with Karen Lynne Deal and workshops with Kenneth Schermerhorn, John Morris Russell, and Diane Wittry.
"Composition is an act of faith. While most composers strive for artistic excellence in their work, music also serves to communicate. Without willing players and attentive audiences, any composition is merely a complex set of instructions. Every piece of music, whether new or historical, is a testament to its composer's faith in the partnership among composer, performers, and audience."
(From Mr. Sartor's web site. Used by permission.)
Medieval Manifesto, for solo contrabass
Variants, for solo trombone
Sixes and Sevens, for solo cello
Prelude on William Billings's "When Jesus Wept," for organ
Postlude on William Billings's "Paris," for organ
Open Door, for organ
Simple Blessing, for organ
Affectations, for brass quintet
Polygon, for brass quintet
Thrice-Told Tales of the Pomegranate Forest, for trumpet, violin, and bass clarinet
Illusions, for percussion ensemble
Black Ball Counts Double, for string quartet (or string orchestra)
Diplomatic Summit, for contrabass quartet
Diplomatic Immunity, for two violas and two cellos
Diplomatic Solution, for cello quartet
Fanfare à 4, for two Bb trumpets and two trombones
Cat's Eye, for brass ensemble
Ascension, for brass and timpani
Parabola, for brass and timpani
Dies Irae, for brass and timpani
Crimson, for brass and percussion (and optional organ)
Passages, for string quartet
Aspirations, for wind quintet
Remembrance, for flute and piano
Meditation, for cello and piano
Celebration, for trumpet and organ
Sonata for Trumpet and Piano
Prologue, fanfare for three trumpets
Scarab, for flute, bassoon, and harp
Thy Light Is Come, for mixed choir, SATB, and organ, with optional brass and timpani
We Will Be Glad, for mixed choir, SATB, organ, brass, and timpani
Psalm 67, for mixed choir, SATB, organ, and trumpet
Welcome, Christmas Day! for mixed choir, SATB, and percussion (or piano)
Crown Him! for mixed choir, SATB, and orchestra (with optional organ)
Search Your Heart for Christmas, for mixed choir, SATB, and cello
Amid the Cruel Winter's Snow, for mixed choir, SATB, and harp
Veni Emmanuel: Fantasy of Abstractions, for symphonic band
Synergistic Parable, for symphonic band
Governor's Cup March, for concert band
O Worship the King, for orchestra
Metamorphic Fanfare, for orchestra
Portent and Apotheosis, Concerto for Orchestra
Reveries, for string orchestra
Awards received by Sartor include the American Bandmasters Association's Ostwald Prize for Symphonic Wind Ensemble Music, the National Fine Arts Award, a New Music for Young Ensembles composition prize, a “highly commended” award in England’s Oare String Orchestra's Third Annual International Music for Strings Composition Contest, and twenty-six consecutive ASCAP awards for compositions which hold a unique prestige value. He was a finalist in both the Columbia Symphony Orchestra’s American Composer Competition and the Fauxharmonic Orchestra's Adagio Composition Contest, and the First Prize winner in the Burlington (VT) Chamber Orchestra’s Composer Competition. He received Third Place in the Choral Composition Division and Finalist status in the Orchestral Composition Division of the 2012 American Prizes, and Third Place in the Chamber Music Composition Division and Finalist status in the Band/Wind Ensemble Composition Division of the 2013 American Prizes. In 2014 he was one of only five composers nationwide named as an "Honored Artist" of the American Prize, in recognition of "sustained excellence" over a number of seasons in the national competitions. He was a national semi-finalist for the 2017 American Prize in Orchestral Conducting.
- David P. Sartor web site
- The American Music Center profile
- ABA Ostwald Award
- American Composers Forum profile
- Parthenon Chamber Orchestra
- Nashville-area composer David P. Sartor honored for his music
- Composer David Sartor wins top awards
- David Sartor—One of five American composers honored
- American Music Center
- Nashville-area composer David P. Sartor honored for his music
- Sartor News
- Delta Omicron Archived January 27, 2010, at the Wayback Machine.