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Dinah Kaye

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Dinah Kaye (born Kaye Cumming; 2 February 1924 – 12 September 2011) was a Scottish jazz singer. Born in Burma to Scottish parents, she spent her childhood entering singing competitions in Edinburgh and later moved to London to further her career. Kaye gained interest after performing the song Jealous Eyes and toured the Americas in the 1950s before returning to London to relaunch her career. She represented the United Kingdom at the 1962 Sopot Jazz Festival as well as touring the globe.

Biography

Kaye was born under the name Kaye Cumming in Burma to Scottish parents on 2 February 1924.[1] She had one brother, John.[2] Her family moved back to Scotland when Kaye was five years old and settled in Edinburgh.[3] Her childhood was spent entering singing competitions and was regularly seen in Edinburgh's jazz clubs,[1] with local bands.[2] Kaye moved to London in 1943 and became the resident singer for Harry Parry and his orchestra. She toured with him for a few years before leaving the band to become a freelance artist and spent the next two years in the Netherlands.[3] After returning to London, Kaye resided at Fischer's jazz club,[1] and regularly performed at the Savoy Club, the Café de Paris. and Coconut Group. She was highly requested and sang with famous bands of the era, including Nat Allen, Cyril Stapleton, Tommy Sampson and Terry Lightfoot.[3]

Vocalist Edmundo Ros selected Kaye to record with him for Decca Records and performed the song Jealous Eyes. The song caused much interest and Kaye signed with Decca as a solo artist. She recorded her first album for the label entitled Just Another Polka.[2] Singer Billy Daniels became interested in Kaye after listening to her album, signing her and announced plans to prepare the vocalist for her first appearance in the United States in New York City.[4] Kaye spent the next four years in the United States, appearing alongside singer Louis Armstrong which whom she established a friendship. She acted as supporting singer to Tony Bennett, Lena Horne and Kay Starr and travelled extensively across the country and Canada which saw her become established in the American show business scene.[1][3]

After her four-year tour, Kaye returned to the United Kingdom and relaunched her career in London.[2] She performed in restaurants and night clubs,[3] although she had problems when she was due to sing Do It Again in 1960 but the performance was later authorised by the BBC.[5] Clarinettist Acker Bilk organised a party for Kaye in July 1962 before she travelled to Poland to represent the United Kingdom at the Sopot Jazz Festival where she sang new lyrics to the song Stranger on the Shore and was awarded a silver medal. She toured across the globe in the 1950s and 1960s and received a positive reception wherever she performed. Her popularity meant Kaye was ranked second behind Cleo Laine in a 1965 Melody Maker Jazz Poll. She frequently broadcast on the BBC and in the countries she visited.[3] Kaye died in Edinburgh on 12 September 2011 at the age of 87.[1]

Discography

  • The Roaring 20's (1963)

References

  1. ^ a b c d e Quinn, Michael (31 October 2011). "Dinah Kaye". The Stage. Archived from the original on 20 April 2017. Retrieved 19 April 2017. {{cite news}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  2. ^ a b c d MacKinnon, Pam (4 October 2011). "Dinah Kaye". The Herald. p. 18. Retrieved 19 April 2017 – via Infotrac Newsstand. {{cite news}}: Unknown parameter |subscription= ignored (|url-access= suggested) (help)
  3. ^ a b c d e f MacKinnon, Pam (19 October 2011). "Dinah Kaye: Jazz singer who worked with Louis Armstrong". The Independent. Archived from the original on 25 February 2017. Retrieved 19 April 2017. {{cite news}}: Unknown parameter |deadurl= ignored (|url-status= suggested) (help)
  4. ^ "Daniels Inks British Singer, Plans N. Y. Date". Jet. 4 (15): 62. 20 August 1953. ISSN 0021-5996. Retrieved 19 April 2017.
  5. ^ Pollack, Howard (2007). George Gershwin: His Life and Work. Oakland, California: University of California Press. pp. 264–265. ISBN 978-0-520-93314-9.
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