Theatrical release poster
|Directed by||Rob Cohen|
|Produced by||Raffaella De Laurentiis|
|Screenplay by||Charles Edward Pogue|
Charles Edward Pogue|
Patrick Read Johnson
|Music by||Randy Edelman|
|Edited by||Peter Amundson|
|Distributed by||Universal Pictures|
DragonHeart is a 1996 British-American fantasy action-adventure film directed by Rob Cohen. It stars Dennis Quaid, David Thewlis, Pete Postlethwaite, Dina Meyer, and the voice of Sean Connery. It was nominated for the Academy Award for Best Visual Effects and various other awards in 1996 and 1997.
- 1 Plot
- 2 Cast
- 3 Production
- 4 Release
- 5 Reception
- 6 Video games
- 7 References
- 8 External links
An English knight, Bowen (Dennis Quaid), mentors a Saxon prince, Einon (David Thewlis), in the ideals of chivalry, in the hope that he will become a better king than his tyrannical father Freyne (Peter Hric). When the king is killed while suppressing a peasant rebellion, Einon is mortally, though accidentally, wounded by the peasant girl Kara (Sandra Kovacikova). Einon's mother, Queen Aislinn (Julie Christie), has him taken before a dragon whom she implores to save the boy's life. The dragon replaces Einon's wounded heart with half of its own on the promise that Einon will rule with justice and virtue. However, Einon soon becomes more tyrannical than his father, enslaving the former rebels and forcing them to rebuild a Roman castle. Bowen believes that the dragon's heart has twisted Einon, and swears vengeance on all dragons.
Twelve years later, an adult Einon (David Thewlis) has his castle rebuilt. Kara (Dina Meyer) asks the king to pardon her father after years of slavery, but Einon instead kills him in order to "free" him. As for Bowen, he has become a very skilled dragonslayer. Brother Gilbert (Pete Postlethwaite), a monk and aspiring poet, observes Bowen slaying a dragon and follows him to record his exploits. Bowen stalks another dragon (voiced by Sean Connery) to its cave, but the confrontation ends in a stalemate. The dragon states that he is the last of his kind, and thus if Bowen kills him, he will be out of a job. The two form a partnership to defraud local villagers with staged dragonslayings. Bowen calls the dragon Draco, after the constellation. Unknown to Bowen, Draco is the dragon who shared his heart with Einon, and through this connection, any pain inflicted upon one is also felt by the other.
Meanwhile, Kara, seeking revenge on Einon for murdering her father, is imprisoned after a failed assassination attempt. Einon recognizes her as the one responsible for his near-death and attempts to seduce her and make her his queen. Disgusted by what her son has become, Aislinn helps Kara escape. Kara returns to her village and tries to rally the villagers there against Einon, but they instead offer her as a sacrifice to Draco, who takes her to his lair. Einon arrives to recapture her and fights Bowen, declaring that he never believed in Bowen's ideals, and only told Bowen what he wanted to hear so he would teach him how to fight. He eventually gains the upper hand and nearly kills Bowen, but Draco intervenes, reveals his half-heart to Einon, and the king flees. Kara asks Bowen to help overthrow Einon, but the disillusioned knight refuses.
After meeting Gilbert by chance at another village, Bowen and Draco's next staged dragonslaying goes poorly, and their con is exposed (after Kara, disgusted by their actions, unsuccessfully attempts to expose the con herself). While Draco is playing dead, the villagers see him as potential meat and attempt to carve him up, but hearing their intentions makes him flee, subsequently alerting the villagers to the con. Angered, they surround Bowen, Kara, and Gilbert, now deciding to make them their meat instead. Draco, however, rescues the three and takes them to Avalon, where they take shelter among the tombs of the Knights of the Round Table. Draco reveals the connection between himself and Einon, stating that he hoped giving the prince a piece of his heart would change Einon's nature and reunite the races of Man and Dragon. Through this action Draco hoped to earn a place in the stars, where dragons who prove their worth go after they die. He fears that his failure will cost him his soul, and agrees to help Kara and Gilbert against Einon. After experiencing a vision of King Arthur (voiced by John Gielgud) that reminds him of his knightly code, Bowen agrees to help, as well.
With Bowen and Draco on their side, the villagers are organized into a formidable fighting force. Aislinn presents Einon with a group of dragonslayers, secretly knowing that killing Draco will cause Einon to die as well. The villagers are on the verge of victory against Einon's cavalry when Gilbert strikes Einon in the heart with an arrow. Draco falls from the sky and is captured. Einon realizes that he is effectively immortal as long as Draco remains alive, and determines to keep the dragon imprisoned. Aislinn attempts to kill Draco during the night, but Einon stops and kills her instead.
The rebels invade Einon's castle to rescue Draco as Bowen battles Einon. Draco begs Bowen to kill him as it is the only way to end Einon's reign, but Bowen can't bring himself to kill his friend. Einon charges at Bowen with a dagger, but Bowen reluctantly throws an axe into Draco's exposed half-heart. Einon and Draco both die, and Draco's body dissipates as his soul becomes a new star in the constellation. Bowen and Kara go on to lead the kingdom into an era of justice and brotherhood.
- Dennis Quaid as Bowen
- A knight who becomes a dragon-slayer and then allies with Draco. Director Rob Cohen was impressed with Quaid, telling producer Raffaella De Laurentiis "[Quaid] is a knight of the old code." Cohen called Quaid "obviously intelligent and fun to work with", and said that he "really [thought] he [was] Bowen." Quaid underwent rigorous training for the role, mostly practicing sword fighting. Quaid and Cohen both wanted Bowen's sword technique to have an "Eastern flavor", so Quaid trained with Japanese sword master Kiyoshi Yamasaki.
- Sean Connery as the voice of Draco
- The last remaining dragon. Cohen felt it was "very important that [the dragon's] personality be derived from the actor who was going to play the voice", and said that Connery was the only actor he had in mind for the role. He described Connery's voice as "unique" and "instantly recognizable", but said that it was "what [Connery] stood for in life as an actor and as a man that most related to what I wanted for Draco." Voice recording for Draco was done in three sessions. To help animate Draco's facial expressions, Cohen and the ILM animators took close-up shots of Connery from his previous films, categorized the clips according to what emotion was being expressed, and put them in separate tapes for easy reference.
- David Thewlis as Einon
- The tyrannical king who shares part of Draco's heart. Cohen cast Thewlis based on his performance in Naked, stating "what makes a villain scary is the brain, not the brawn." The young Einon in the film's opening scenes was played by Lee Oakes.
- Pete Postlethwaite as Gilbert of Glockenspur
- A monk and aspiring poet who joins Bowen and Draco in the revolt against Einon. Cohen wanted Postlethwaite for the role based on his performance in In the Name of the Father, feeling that "anyone who was assured in a dramatic role could take Brother Gilbert and make it real and charmingly funny."
- Jason Isaacs as Lord Felton
- Einon's second in command. He hires Bowen to slay a dragon running rampant around his village, but refuses to pay after learning more of Bowen.
- Julie Christie as Queen Aislinn
- Einon's mother. Cohen found Christie through David Thewlis' casting agent.
- Dina Meyer as Kara
- A peasant girl who seeks revenge on Einon for killing her father. Meyer was the second actress Cohen interviewed for the role. Cohen stated that he needed an actress who was "strong and someone who could, in the end, handle herself with these double viking axes and look believable.". Sandra Kovacikova plays Kara as a child.
- Peter Hric as King Freyne
- Einon's father and Aislinn's husband, a tyrannical ruler.
- Brian Thompson as Brok
- Einon's knight who served alongside Einon's father when he was king.
- Terry O'Neill as Redbeard
- Kara's father.
Patrick Read Johnson, who wrote the story for Dragonheart, first proposed the idea for the film to producer Raffaella de Laurentiis. Johnson describes it as "The Skin Game with a dragon in it...or Butch Cassidy and the Sundance Dragon", and that he wanted "the idea of a dragon and a knight conning villages for money" because he thought that the concept was "not only funny, but kind of sweet". Johnson went on to pitch the idea to screenplay writer Charles Edward Pogue, and he agreed to work on the film. De Laurentiis originally intended for John Badham, Rob Cohen's then-partner, to work on Dragonheart. According to Cohen, Badham "didn't respond" to the material, so Johnson was then asked to direct the film.
To be able to stay within the budget that Universal Studios was willing to shell out with Johnson directing, the developers approached Jim Henson's Creature Shop to create the dragon through traditional means. The dragon model was done within eight weeks time, and the crew then went to Shepperton Studios in England to begin shooting the film, starting with the campfire scene. The crew faced difficulties in keeping within the budget.
After working with de Laurentiis on Dragon: The Bruce Lee Story in 1993, Rob Cohen agreed to take over as director for the film. He approached Universal Studios with his new ideas, including the addition of computer-generated imagery (CGI) to animate the dragons similar to how the dinosaurs were created for Jurassic Park.
Dragon design and animation
Phil Tippett, a visual effects producer specializing in creature design and character animation, and Industrial Light & Magic (ILM) were hired to work on animating Draco for Dragonheart. Tippett states that the responsibilities that his studio had for Dragonheart differed from what they did for Jurassic Park in that they were mostly responsible for the actual look and design of the dragon as well as the storyboards, blocking, and the timing of action sequences.
Tippett worked closely with sculptor Pete Konig in designing Draco. Konig crafted several maquettes that they showed to Cohen, and they worked on improving the ones that Cohen said "[felt] right". Cohen's ideas for Draco's design stemmed from the traditional Chinese guardian lion, which Cohen describes as having "a lion-like elegance, a fierceness", and that it is "ultimately a proud...visually powerful creature". He also drew ideas from nature, such as the boa constrictor's jaw structure and the musculature of horses. Tippett also took into consideration how the scenes with Draco in it would be framed, the size difference between Draco and the human actors, and what he would actually be doing throughout the film. Draco's hide and wings were originally going to have an iridescent quality and his eyes were to be more detailed such as being able to dilate, but those design elements were dropped due to software issues and running out of time.
Tippett and his crew created a five-foot model of Draco for lighting reference, and an articulated model that could be used for as a reference for Draco's poses. Because Draco would have more screen time than the CGI dinosaurs in Jurassic Park (23 minutes for Draco, as opposed to six and a half for the dinosaurs), visual effects producer Julie Weaver and her team did a screen test for Dragonheart six to eight months before actual storyboarding, using a "stretched out" version of the Tyrannosaurus rex from Jurassic Park.
The film is notably the first to use ILM's Caricature software, as it was developed to help lip-sync Draco's animation to Sean Connery's voiceover work.
Actual filming began in July 1994 in Slovakia. During sequences with Draco and Bowen in them, visual effects supervisor Scott Squires and his teams used what they called a "monster stick"—a pole with a bar and two red circles at the top—as an indicator for where Draco's eyes would be for Quaid's reference. They also set up speakers through which Cohen would read Draco's lines for Quaid, which Quaid said "helped [him] out a lot."
Although Draco is fully rendered in CGI, full-sized models of some of Draco's body parts were used for some of the scenes. One of them was Draco's foot, which was used to pin Bowen to the ground, and the other was Draco's jaw during the scene where Bowen gets trapped inside it. While the foot was a non-moving prop, the jaw had moving parts and was operated by a puppeteer.
According to Cohen, they spent an additional thirteen months working on the film after making the final cut of the film. He was in Rome to shoot Daylight on-location during this period, and had to review animation sequences with ILM and give them his comments and instructions through a satellite hookup.
Music and sound
The score was composed by Randy Edelman. The main theme song, "The World of the Heart" and "To the Stars", were used in film trailers such as Two Brothers, Mulan, and Seven Years in Tibet, clip montages at the Academy Awards, numerous other film trailers, and the closing credits of the U.S. broadcasts of the Olympic Games, making it a well known film score. MCA Records released the film's soundtrack album on May 28, 1996, which contains 15 music tracks.
The film was released in the US and Canada on May 31, 1996, and earned $15,027,150 during its opening weekend.
Dragonheart was released on VHS on April 8, 1997, and on DVD as a "Collector's Edition" on March 31, 1998. The film was later released on HD DVD on May 29, 2007. Dragonheart and Dragonheart: A New Beginning were released together on a one-disc print known as "2 Legendary Tales" on March 2, 2004. Dragonheart was released on Blu-ray Disc on March 27, 2012.
Charles Edward Pogue wrote a novelization of DragonHeart based on his screenplay, which was published by The Berkley Publishing Group in June 1996. It has been released in several languages and in five editions in the U.S. to widespread critical acclaim, with readers praising Pogue's writing, how the book develops the story, setting, and characters more than the film, also noting its darker and more serious tone compared to that of the film. In 1999, the film was adapted as a junior novelization by Adriana Gabriel.
Differences from the film
Some of the notable differences from the film are:
- A scene where Kara, Gilbert, and the rebels gift Bowen with a new shield and suit of armor they design and make, adorned with the symbol of the Old Code (a silver sword hilt up within a golden circle) combined with the constellation Draco.
- Some of Queen Aislinn's background is revealed and she has a larger role as she did in the original script, including a deleted extended dialogue scene with Kara when she helps the latter escape Einon's castle.
- During the scene where Bowen and Draco scam Lord Felton, Draco causes more damage to the lord's property. His fireballs cause a blizzard of flour to cover everything and Draco causes a huge grist wheel to crash into the side of Felton's house. Bowen charges toward Draco on horseback and the 'fight' ends abruptly when Draco pretends to eat Bowen and flies off carrying his horse toward their waterfall base, leading into Bowen and Draco's discussion about the latter's yearning for death.
- A cut scene where Draco and Bowen scam an overweight lord in a village by a lake after dealing with Felton. Bowen 'shoots' Draco down with a bow and arrow and Draco falls into the lake, which eventually leads to their conversation about the Old Code and Bowen accusing Draco of pricking his conscience.
- As Gilbert practices archery in a forest clearing with Hewe and a boy named Trev, he inadvertently kills Brok's falcon shortly after the knight releases it. Brok, Felton, and two other men follow the fallen bird to the rebels' location. During the altercation, Hewe cuts off Felton's hand and the rebels are pursured, leading to Brok discovering the rebel camp.
- A vivid nightmare sequence where Bowen dreams of the dragons he had killed, himself fighting Einon, Einon turning into Draco, and Bowen being sucked into a black void where he's unable to hear himself screaming for Draco.
- More scenes with Draco than the film could afford to have.
- One being a 'hug' between him and Bowen in the rain in Avalon, which was in the original script and storyboards.
- Another being a scene where, on the eve of battle, Bowen flies around the rebel camp and Einon's castle on Draco's back as his scales change color to match the night sky and enable them to fly around undetected; during which Aislinn presents the dragonslayers to Einon, and Bowen allows Draco to destroy his trophy shield.
- The features removed from Draco due to budget, lack of time, and software issues such as the iridescent scales, nictitating membrane, glowing eyes, and maimed right hand.
- A developed romance between Bowen and Kara, where the film only hints at romantic interest between them.
- A cut scene in the cistern of Einon's castle, where Kara gives Bowen her father's headband as her 'lady's favor', and they kiss before going to save Draco.
- A deleted scene with Gilbert and Bowen where they discuss their goals, a pilgrimage to find Avalon and killing dragons, respectively.
- A scene where Einon returns to Draco's cave after the encounter at the waterfall, finds Aislinn there, and gets suspicious that she's hiding something from him.
Based on reviews from 30 critics compiled retrospectively, Rotten Tomatoes gives the film a score of 50% with an average rating of 5.7 out of 10. Critics praised the premise, visual effects, and character development but panned the script as confusing and clichéd.
Roger Ebert gave the film 3 stars out of 4, saying "While no reasonable person over the age of 12 would presumably be able to take it seriously, it nevertheless has a lighthearted joy, a cheerfulness, an insouciance, that recalls the days when movies were content to be fun. Add that to the impressive technical achievement that went into creating the dragon, and you have something to acknowledge here. It isn't great cinema, but I'm glad I saw it." Jami Bernard of The New York Daily News described the film as "a movie for people young enough to keep dragons in the menageries of their imaginations", and went on to say that "the dragon is the most believable part of the whole movie." Ken Tucker of Entertainment Weekly gave the movie a positive review, but criticized the fact that Sean Connery provided the voice for Draco, saying that "If only Sean Connery didn't have such a wonderfully distinctive voice, Draco might live and breathe as his own creature."
Awards and nominations
|Academy Awards||Best Effects, Visual Effects||Scott Squires, Phil Tippett, James Straus, and Kit West||Nominated|
|Saturn Awards||Best Fantasy Film||Universal Pictures||Won|
|Best Costumes||Thomas Casterline and Anna B. Sheppard||Nominated|
|Best Music||Randy Edelman||Nominated|
|Best Special Effects||Scott Squires, Phil Tippett, James Straus, and Kit West||Nominated|
|Hollywood Film Festival||Hollywood Digital Award||Scott Squires||Won|
|Satellite Awards||Outstanding Visual Effects||Scott Squires||Nominated|
|Sitges Film Festival||Best Film||Rob Cohen||Nominated|
|Online Film & Television Association||Best Voice-Over Performance||Sean Connery||Won|
|Best Sci-Fi/Fantasy/Horror Picture||Raffaella De Laurentiis||Nominated|
|Best Visual Effects||Scott Squires, Phil Tippett, James Straus, Kit West||Nominated|
|Annie Awards||Best Individual Achievement: Voice Acting||Sean Connery||Nominated|
|Best Individual Achievement: Animation||Rob Coleman||Nominated|
In the years following its release and strong home media sales, Dragonheart gained a following and is now considered a cult classic. The character of Draco also gained popularity, often being ranked as one of cinema's most memorable dragons, with fans noting him as ILM's best work on the heels of Jurassic Park and praising Sean Connery's vocal performance. In 2006, Draco was ranked no. 6 on a Top 10 list of movie dragons by Karl Heitmueller for MTV Movie News. In 2013, WatchMojo.com ranked Draco no. 8 on their list of "Top 10 Dragons from Movies and TV" and, in 2015, listed him as an Honorable Mention on their list of "Another Top 10 Movie Characters We Didn't Want to Die."
On various days throughout the year in Toronto, a fully restored "20th anniversary edition" of Dragonheart with never-before-seen footage, enhanced visual effects, and a digitally remastered soundtrack is screened at the AMC Yonge & Dundas 24 theatre. On May 31, 2016, in celebration of the film's 20th anniversary, a retrospective article was published on the making of DragonHeart featuring Scott Squires and Phil Tippett among others who worked on the film.
Sequel and prequels
A direct-to-video sequel to the film called Dragonheart: A New Beginning was released in 2000. A prequel called Dragonheart 3: The Sorcerer's Curse was released in 2015, and a second DTV prequel, Dragonheart: Battle for the Heartfire, was released in 2017.
In a 2013 MTV interview about his then-upcoming film 5-25-77, DragonHeart creator Patrick Read Johnson expressed a desire to remake the film with Sean Connery and Liam Neeson, who was the original choice for the role of Bowen before Johnson was fired from the project. In April 2016, Matthew Feitshans, screenwriter of Dragonheart 3 and Dragonheart 4, stated that Universal wants to use the prequels to keep up the film series' momentum, mentioning the possibility and the hopes of them leading to a big-budget remake of the original film. In 2017, Dragonheart was listed as no. 8 on WatchMojo.com's list of "Top 10 Movie Remakes We Actually WANT To See." 
|Reception for Fire & Steel|
After its release, Dragonheart spawned a spin-off 2D hack and slash game for the PlayStation and Saturn called Dragonheart: Fire & Steel, made by Acclaim Entertainment. The game does not use the film's music, instead featuring an original score by Thomas Egeskov Peterson. It was met with overwhelmingly negative reviews due to simplistic gameplay, poor controls, and jerky animation. Though the graphics were praised, particularly the rendered backgrounds, critics agreed that the gameplay problems were an overriding issue. In late 1996, Acclaim ported a PC version of the game, which received similar criticism.
There was also an original Game Boy game based on the film, titled simply Dragonheart. The four reviewers of Electronic Gaming Monthly, while remarking that the Game Boy game is rather simple and lacking in challenge, especially the "anticlimactic" combat, concluded that it offers decent entertainment and longevity for a portable game. They especially praised the storyline, with Sushi X going so far as to say it was the main reason he kept playing the game.
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