Dyads can be classified by the interval between the notes. For example, the interval between C and E is a major third, which can imply a C major chord, made up of the notes C, E and G. When the pitches of a dyad occur in succession, they form a melodic interval. When they occur simultaneously, they form a harmonic interval.
The harmonic series is built over a fundamental pitch, and the rest of the partials in the series are called overtones. The second partial is an octave above the fundamental and the third pitch is a fifth, so if C is the fundamental pitch the second note is C an octave higher and then the next pitch would be G. The harmonic series has more fifths than just this one, for example the fourth to the sixth, the sixth to the ninth and the seventh to the eleventh partial are all a fifth away from each other, though the latter is of a slightly different size than the former ones.
- Harnsberger, Lindsey C. (1997). "dyad". Essential Dictionary of Music: Definitions, Composers, Theory, Instrument & Vocal Ranges. Los Angeles: Alfred Publishing. p. 47. ISBN 0-88284-728-7. OCLC 35172595. Retrieved 24 February 2009.
- "Intervals and dyads – Open Music Theory". Open Music Theory (in American English). Retrieved 2015-12-06.
- Young, Doug (2008). Mel Bay Presents Understanding DADGAD, p.53. ISBN 978-0-7866-7641-5.
- Benjamin, et al. (2008). Techniques and Materials of Music, p.191. ISBN 0-495-50054-2.