Eliot Porter: Difference between revisions
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==Career== |
==Career== |
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Around 1830 he was introduced to [[Ansel Adams]] by a friend of the family and to [[Alfred Stieglitz]] by his brother [[Fairfield Porter]]<ref name=ACMbio/>. Stieglitz continued to critique Porter’s black and white work, now taken with a small [[Linhof]] view camera<ref name=ACMchron>Amon Carter Museum. [http://www.cartermuseum.org/collections/porter/about.php?sec=chron Eliot Porter: a chronology.] Retrieved September 12, 2008.</ref>. In 1938, Stieglitz showed Porter's work in his [[New York City]] gallery<ref name=Getty>[[J. Paul Getty Museum]]. [http://www.getty.edu/art/exhibitions/porter/ Eliot Porter: in the realm of nature. June 13 - September 17, 2006 at the Getty Center.] Retrieved September 12, 2008.</ref>. The exhibit's success prompted Porter to leave Harvard and pursue photography full-time<ref name=Getty/>. In the 1940s, he began working in color with [[Eastman Kodak]]'s new [[dye transfer]] process, a technique Porter would use his entire career.<ref name=ACMbio/> |
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Porter's reputation increased following the publication of his 1962 book, ''In Wildness Is the Preservation of the World''<ref name=Getty/>. Published by the [[Sierra Club]], the book featured Porter's color nature studies of the [[New England]] woods and quotes by [[Henry David Thoreau]]<ref name=ACMbio/>. A best-seller, several editions of the book have been printed. Porter served as a director of the Sierra Club from 1965 to 1971.<ref>{{cite web|url=http://www.sierraclub.org/history/officers/directors.pdf|title=Roster of Sierra Club Directors|publisher=Sierra Club|accessdate=2009-10-23}}</ref> He was elected a Fellow of the [[American Academy of Arts and Sciences]] in 1971.<ref name=AAAS>{{cite web|title=Book of Members, 1780-2010: Chapter P|url=http://www.amacad.org/publications/BookofMembers/ChapterP.pdf|publisher=American Academy of Arts and Sciences|accessdate=10 April 2011}}</ref> |
Porter's reputation increased following the publication of his 1962 book, ''In Wildness Is the Preservation of the World''<ref name=Getty/>. Published by the [[Sierra Club]], the book featured Porter's color nature studies of the [[New England]] woods and quotes by [[Henry David Thoreau]]<ref name=ACMbio/>. A best-seller, several editions of the book have been printed. Porter served as a director of the Sierra Club from 1965 to 1971.<ref>{{cite web|url=http://www.sierraclub.org/history/officers/directors.pdf|title=Roster of Sierra Club Directors|publisher=Sierra Club|accessdate=2009-10-23}}</ref> He was elected a Fellow of the [[American Academy of Arts and Sciences]] in 1971.<ref name=AAAS>{{cite web|title=Book of Members, 1780-2010: Chapter P|url=http://www.amacad.org/publications/BookofMembers/ChapterP.pdf|publisher=American Academy of Arts and Sciences|accessdate=10 April 2011}}</ref> |
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Revision as of 14:38, 13 March 2012
Eliot Furness Porter | |
|---|---|
| Born | December 6, 1901 |
| Died | November 2, 1990 (aged 88) |
| Nationality | American |
| Known for | Photography |
| Notable work | Color nature photographs |
Eliot Furness Porter (December 6, 1901 – November 2, 1990) was an American photographer best known for his color photographs of nature[1].
Early life
An amateur photographer since childhood, when he photographed the Great Spruce Head Island owned by his family, Porter earned degrees in chemical engineering and medicine, and worked as a biochemical researcher at Harvard University[2].
Career
Around 1830 he was introduced to Ansel Adams by a friend of the family and to Alfred Stieglitz by his brother Fairfield Porter[2]. Stieglitz continued to critique Porter’s black and white work, now taken with a small Linhof view camera[3]. In 1938, Stieglitz showed Porter's work in his New York City gallery[4]. The exhibit's success prompted Porter to leave Harvard and pursue photography full-time[4]. In the 1940s, he began working in color with Eastman Kodak's new dye transfer process, a technique Porter would use his entire career.[2]
Porter's reputation increased following the publication of his 1962 book, In Wildness Is the Preservation of the World[4]. Published by the Sierra Club, the book featured Porter's color nature studies of the New England woods and quotes by Henry David Thoreau[2]. A best-seller, several editions of the book have been printed. Porter served as a director of the Sierra Club from 1965 to 1971.[5] He was elected a Fellow of the American Academy of Arts and Sciences in 1971.[6]
Porter traveled extensively to photograph ecologically important and culturally significant places. He published books of photographs from Glen Canyon in Utah, Maine, Baja California, Galápagos Islands, Antarctica, East Africa, and Iceland. His cultural studies included Mexico, Egypt, China, Czechoslovakia, and ancient Greek sites.
James Gleick’s book Chaos: Making a New Science (1987) caused Porter to reexamine his work in the context of chaos theory. They collaborated on a project published in 1990 as Nature's Chaos, which combined his photographs with a new essay by Gleick.[3] Porter died in Santa Fe, New Mexico in 1990 and bequeathed his personal archive to the Amon Carter Museum in Fort Worth, Texas.[3].
Personal life
Porter was also a friend of Stieglitz's wife, the painter Georgia O'Keeffe, who accompanied him on several camping expeditions including a rough raft trip down the Colorado River in 1961.
Eliot Porter's brother, Fairfield, was a realist painter and art critic. His brother-in-law, Michael W. Straus, was a commissioner of the United States Bureau of Reclamation.
References
- ^ Amon Carter Museum. Eliot Porter collection guide. Retrieved September 12, 2008.
- ^ a b c d Amon Carter Museum. Biography of Eliot Porter. Retrieved September 12, 2008.
- ^ a b c Amon Carter Museum. Eliot Porter: a chronology. Retrieved September 12, 2008.
- ^ a b c J. Paul Getty Museum. Eliot Porter: in the realm of nature. June 13 - September 17, 2006 at the Getty Center. Retrieved September 12, 2008.
- ^ "Roster of Sierra Club Directors" (PDF). Sierra Club. Retrieved 2009-10-23.
- ^ "Book of Members, 1780-2010: Chapter P" (PDF). American Academy of Arts and Sciences. Retrieved 10 April 2011.