Emily Lawless
This article needs additional citations for verification. (April 2010) |
Emily Lawless | |
---|---|
Born | 17 June 1845 Lyons Demesne |
Died | 19 October 1913 Gomshall, Surrey |
Occupation | Writer |
The Hon. Emily Lawless (17 June 1845 – 19 October 1913) was an Irish novelist and poet from County Kildare. According to Betty Webb Brewer, writing in 1983 for the journal of the Irish American Cultural Institute, Éire/Ireland: "An unflagging unionist, she recognised the rich literary potential in the native tradition and wrote novels with peasant heroes and heroines, Lawless depicted with equal sympathy the Anglo-Irish landholders."
Biography
She was born at Lyons House below Lyons Hill, Ardclough, County Kildare. Her grandfather was Valentine Lawless, a member of the United Irishmen and son of a convert from Catholicism to the Church of Ireland. Her father was Edward Lawless, 3rd Baron Cloncurry (d. 1896),[1] thus giving her the title of "The Honourable".[2] In contrast her brother Edward Lawless was a landowner with strong Unionist opinions, a policy of not employing Roman Catholics in any position in his household, and chairman of the Property Defence Association set up in 1880 to oppose the Land League and "uphold the rights of property against organised combination to defraud". The prominent Anglo-Irish unionist and later nationalist, Home Rule politician Horace Plunkett was a cousin. It is widely believed[who?] that she was a lesbian and that Lady Sarah Spencer, dedicatee of A Garden Diary (1901) was her lover.[citation needed]
She spent part of her childhood with the Kirwans of Castle Hackett, County Galway, her mother's family, and drew on West of Ireland themes for many of her works. She occasionally wrote under the pen name "Edith Lytton".[citation needed]
She died at Gomshall, Surrey.[1]
Writings
Lawless wrote nineteen works of fiction, biography, history, nature studies and poetry, many of which were widely read at the time. She is most famous nowadays for her Wild Geese poems (1902). Her books were:
- A Chelsea Householder (1882)
- A Millionaire's cousin (1885)
- Ireland (1885)
- Hurrish (1886)
- Major Lawrence FLS (1887)
- With Essex in Ireland (1890)
- Grania (1892)
- Maelcho (1894)
- Plain Frances Mowbray and Other Tales (1889)
- A Colonel of the Empire (1895)
- Traits and Confidences (1898)
- Atlantic Rhymes & Rhythms (1898)
- A Garden Diary (1901)
- With The Wild Geese (1902)
- Maria Edgeworth (1904)
- Book of Gilly (1906)
- The Point of View (1909)
- The Race of Castlebar (1914) - co-authored with Shan Bullock
- The Inalienable Heritage (1914)
Hurrish
Some critics identify a theme of noble landlord and noble peasant in her fourth book, Hurrish, a Land War story set in the Burren County Clare which was read by William Ewart Gladstone and said to have influenced his policy. It deals with the theme of Irish hostility to English law. In the course of the book a landlord is assassinated, and Hurrish's mother, Bridget, refuses to identify the murderer, a dull-witted brutal neighbour.
It described the Burren Hills as "skeletons—rain-worn, time-worn, wind-worn—starvation made visible, and embodied in a landscape." The book was criticised by Irish-Ireland journals for its 'grossly exaggerated violence', its embarrassing dialect, staid characters. According to The Nation "she looked down on peasantry from the pinnacle of her three generation nobility".
Her reputation was damaged by William Butler Yeats who accused her in a critique of having "an imperfect sympathy with the Celtic nature" and for adopting "theory invented by political journalists and forensic historians." Despite this, Yeats included With Essex in Ireland and Maelcho in his list of the best Irish novels.
Essex and Grania
Her historical novel With Essex in Ireland was better received and was ahead of its time in developing the unreliable narrator as a technique. Gladstone mistook it for an authentic Elizabethan document.
Her seventh book, Grania, about “a very queer girl leaping and dancing over the rocks of the sea” examined the misogynism of an Aran Island fishing society.
With the Wild Geese
Unusually for such a strong Unionist, her Wild Geese poems (1902) became very popular and were widely quoted in nationalist circles, especially the lines:
- War-battered dogs are we,
- Fighters in every clime;
- Fillers of trench and of grave,
- Mockers bemocked by time.
- War-dogs hungry and grey,
- Gnawing a naked bone,
- Fighters in every clime
- Every cause but our own
Two of the poems including "Clare Coast" (source of the above lines) and "After Aughrim" were included in The Oxford Book of Irish Verse (1958).[3]
Legacy
Her papers are in Marsh's Library in Dublin.
Further reading
- A book of criticism on Lawless—Emily Lawless (1845-1913): Writing the Interspace by Heidi Hansson—was published in 2007 by Cork University Press.
- Emily Lawless, Grania: The Story of an Island, edited by Michael O'Flynn (Victorian Secrets, 2013)
References
- ^ a b Chisholm, Hugh, ed. (1922). Encyclopædia Britannica (12th ed.). London & New York: The Encyclopædia Britannica Company. .
- ^ "Emily Lawless". Princess Grace Irish Library. Retrieved 7 September 2010.
- ^ MacDonagh, Donagh & Robinson, Lennox, eds. (1958) The Oxford Book of Irish Verse. Oxford: Clarendon Press; pp. 100-05
External links
- Use dmy dates from September 2010
- 1845 births
- 1913 deaths
- 19th-century Irish writers
- 19th-century women writers
- 20th-century Irish writers
- 20th-century women writers
- Anglo-Irish women poets
- Irish Anglicans
- Irish historical novelists
- Irish women novelists
- Irish unionists
- Irish women poets
- People from County Kildare
- Women historical novelists