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"'''Für Elise'''" ([[English language|English]]: "''For Elise''") is the popular name of one of [[Ludwig van Beethoven]]'s (1770–1827) most popular compositions,<ref>{{cite book|title=The Cambridge companion to Beethoven|last=Kindermann|first=William|year=2000|publisher=Cambridge University Press|location=Cambridge|isbn=9780521589345|pages=125-126}}</ref><ref>{{cite book|title=The Cambridge companion to the piano|last=de Val|first=Dorothy|year=1998|publisher=Cambridge University Press|location=Cambridge|isbn=9780521479868|page=131}} "Beethoven is here [in the 1892 ''Repertory of select pianoforte works''] only by virtue of 'Für Elise', but there is a better representation of later composers such as Schubert ... , Chopin ... , Schumann ... and some Liszt."</ref><ref>{{cite book|title=Alfred's Basic Adult All-In-One Piano Course, Book 3|last=Manus|first=Morton|year=1996|publisher=Alfred Publishing|location=New York|isbn=9780739000687|page=132}}</ref> the [[Bagatelle (music)|Bagatelle]] in [[A minor]] ([[WoO]]&nbsp;59 and [[Biamonti Catalogue|Bia]]&nbsp;515) for solo [[piano]], marked ''poco moto,'' dated 27 April [[1810 in music|1810]]. The original autographed manuscript has been lost and the piece itself was not published until 1865.
"'''Für Elise'''" ([[English language|English]]: "''For Elise''") is the popular name of one of [[Ludwig van Beethoven]]'s (1770–1827) most popular compositions,<ref>{{cite book|title=The Cambridge companion to Beethoven|last=Kindermann|first=William|year=2000|publisher=Cambridge University Press|location=Cambridge|isbn=9780521589345|pages=125-126}}</ref><ref>{{cite book|title=The Cambridge companion to the piano|last=de Val|first=Dorothy|year=1998|publisher=Cambridge University Press|location=Cambridge|isbn=9780521479868|page=131}} "Beethoven is here [in the 1892 ''Repertory of select pianoforte works''] only by virtue of 'Für Elise', but there is a better representation of later composers such as Schubert ... , Chopin ... , Schumann ... and some Liszt."</ref><ref>{{cite book|title=Alfred's Basic Adult All-In-One Piano Course, Book 3|last=Manus|first=Morton|year=1996|publisher=Alfred Publishing|location=New York|isbn=9780739000687|page=132}}</ref> the [[Bagatelle (music)|Bagatelle]] in [[A minor]] ([[WoO]]&nbsp;59 and [[Biamonti Catalogue|Bia]]&nbsp;515) for solo [[piano]], marked ''poco moto,'' dated 27 April [[1810 in music|1810]]. The original autographed manuscript has been lost and the piece itself was not published until 1865.
==History==
==History==
It is not certain who "Elise" was. Some scholars have suggested she was Beethoven's fifth mistress{{By whom|date=June 2009}}, while others have suggested that the discoverer of the piece, [[:de:Ludwig Nohl|Ludwig Nohl]], may have transcribed the title incorrectly and the original work may have been named "Für Therese"<ref>Max Unger, translated by Theodore Baker, "Beethoven and Therese von Malfatti," ''The Musical Quarterly'' 11, no.&nbsp;1 (1925): 63–72.</ref> (Therese being [[:de:Therese Malfatti|Therese Malfatti]] von Rohrenbach zu Dezza (1792–1851), a friend and student of Beethoven's to whom he proposed in 1810 but she turned down to marry the Austrian nobleman and state official Wilhelm von Droßdik in 1816.)<ref>Michael Lorenz: "Baronin Droßdik und die verschneyten Nachtigallen. Biographische Anmerkungen zu einem Schubert-Dokument", ''Schubert durch die Brille'' 26, (Tutzing: Schneider, 2001), pp.&nbsp;47–88.</ref> Another—somewhat dubious—theory is that Elise was Elisabeth Röckel (1793–1883), a German soprano and sister of Joseph August Röckel.<ref>[http://www.thelocal.de/society/20090701-20313.html "Expert finds identity of Beethoven's mysterious Elise"], 1 July 2009 (with a wrong date of birth for Hummel's son)</ref> How the autograph of the ''Albumblatt'' WoO&nbsp;59 ended up in the possession of a certain Babette Bredl (who also owned other copies of Beethoven's works in Therese Malfatti's hand) in Munich, during Röckel's lifetime, is still to be explained.
It is not certain who "Elise" was. Some scholars have suggested she was Beethoven's fifth mistress{{By whom|date=June 2009}}, while others have suggested that the discoverer of the piece, [[:de:Ludwig Nohl|Ludwig Nohl]], may have transcribed the title incorrectly and the original work may have been named "Für Therese"<ref>Max Unger, translated by Theodore Baker, "Beethoven and Therese von Malfatti," ''The Musical Quarterly'' 11, no.&nbsp;1 (1925): 63–72.</ref> (Therese being [[:de:Therese Malfatti|Therese Malfatti]] von Rohrenbach zu Dezza (1792–1851), a friend and student of Beethoven's to whom he proposed in 1810 but she turned down to marry the Austrian nobleman and state official Wilhelm von Droßdik in 1816.)<ref>Michael Lorenz: "Baronin Droßdik und die verschneyten Nachtigallen. Biographische Anmerkungen zu einem Schubert-Dokument", ''Schubert durch die Brille'' 26, (Tutzing: Schneider, 2001), pp.&nbsp;47–88.</ref> Another—somewhat dubious—theory is that Elise was Elisabeth Röckel (1793–1883), a German soprano and sister of Joseph August Röckel.<ref>[http://www.thelocal.de/society/20090701-20313.html "Expert finds identity of Beethoven's mysterious Elise"], 1 July 2009 (with a wrong date of birth for Hummel's son)</ref> How the autograph of the ''Albumblatt'' WoO&nbsp;59 ended up in the possession of a certain Babette Bredl (who also owned other copies of Beethoven's works in Therese Malfatti's hand) in Munich, during Röckel's lifetime, is still to be explained.GIOVANNI IS A LOSER!


On 13 October 2009 the pianist and musicologist [[:es:Luca Chiantore|Luca Chiantore]] presented his [[Thesis or dissertation|doctoral thesis]]<ref group=N>Titel: ''Beethoven y sus ejercicios técnicos, entre composición, improvisación e investigación sonora''</ref> at the [[Autonomous University of Barcelona]] and asserted that the piece, while an original work of Beethoven as is proved by the drafts of manuscript BH&nbsp;116, was influenced in the transcription by Ludwig Nohl to the form we know today. Chiantore stated his beliefs that the original signed manuscript upon which Ludwig Nohl claimed to base his transcription, may never have existed.<ref>[http://www.elcultural.es/noticias/ESCENARIOS/505334/Escribio_Beethoven_Para_Elisa "¿Escribió Beethoven Para Elisa?"] (12 October 2009) {{Es icon}}</ref><ref>[http://www.musikeon.net/pdf/MUSIKEON%20Nota%20Fur%20Elise.pdf "¿Quién escribió "Para Elisa"?"] {{Es icon}}</ref> Following widely spread sensationalistic reporting, Chiantore clarified his position.<ref>[http://www.chiantore.com/indexEn.php Clarification]</ref>
On 13 October 2009 the pianist and musicologist [[:es:Luca Chiantore|Luca Chiantore]] presented his [[Thesis or dissertation|doctoral thesis]]<ref group=N>Titel: ''Beethoven y sus ejercicios técnicos, entre composición, improvisación e investigación sonora''</ref> at the [[Autonomous University of Barcelona]] and asserted that the piece, while an original work of Beethoven as is proved by the drafts of manuscript BH&nbsp;116, was influenced in the transcription by Ludwig Nohl to the form we know today. Chiantore stated his beliefs that the original signed manuscript upon which Ludwig Nohl claimed to base his transcription, may never have existed.<ref>[http://www.elcultural.es/noticias/ESCENARIOS/505334/Escribio_Beethoven_Para_Elisa "¿Escribió Beethoven Para Elisa?"] (12 October 2009) {{Es icon}}</ref><ref>[http://www.musikeon.net/pdf/MUSIKEON%20Nota%20Fur%20Elise.pdf "¿Quién escribió "Para Elisa"?"] {{Es icon}}</ref> Following widely spread sensationalistic reporting, Chiantore clarified his position.<ref>[http://www.chiantore.com/indexEn.php Clarification]</ref>
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==Music==
==Music==
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Revision as of 02:13, 12 November 2009

"Für Elise", opening

"Für Elise" (English: "For Elise") is the popular name of one of Ludwig van Beethoven's (1770–1827) most popular compositions,[1][2][3] the Bagatelle in A minor (WoO 59 and Bia 515) for solo piano, marked poco moto, dated 27 April 1810. The original autographed manuscript has been lost and the piece itself was not published until 1865.

History

It is not certain who "Elise" was. Some scholars have suggested she was Beethoven's fifth mistress[by whom?], while others have suggested that the discoverer of the piece, Ludwig Nohl, may have transcribed the title incorrectly and the original work may have been named "Für Therese"[4] (Therese being Therese Malfatti von Rohrenbach zu Dezza (1792–1851), a friend and student of Beethoven's to whom he proposed in 1810 but she turned down to marry the Austrian nobleman and state official Wilhelm von Droßdik in 1816.)[5] Another—somewhat dubious—theory is that Elise was Elisabeth Röckel (1793–1883), a German soprano and sister of Joseph August Röckel.[6] How the autograph of the Albumblatt WoO 59 ended up in the possession of a certain Babette Bredl (who also owned other copies of Beethoven's works in Therese Malfatti's hand) in Munich, during Röckel's lifetime, is still to be explained.GIOVANNI IS A LOSER!

On 13 October 2009 the pianist and musicologist Luca Chiantore presented his doctoral thesis[N 1] at the Autonomous University of Barcelona and asserted that the piece, while an original work of Beethoven as is proved by the drafts of manuscript BH 116, was influenced in the transcription by Ludwig Nohl to the form we know today. Chiantore stated his beliefs that the original signed manuscript upon which Ludwig Nohl claimed to base his transcription, may never have existed.[7][8] Following widely spread sensationalistic reporting, Chiantore clarified his position.[9]

  1. ^ Titel: Beethoven y sus ejercicios técnicos, entre composición, improvisación e investigación sonora

Music

Bagatelle in A minor ("Für Elise")
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Piano performanceⓘ (MIDI rendition)

The piece begins in 3/8 with a right-hand theme accompanied by arpeggios in the left hand; the harmonies used are A minor and E major. The next section moves to the relative major, using the chords C major and G major. A lighter section follows, written in the key of F major, then a few bars in C major before the first section returns without alteration. Next the piece moves into an agitated theme set over a pedal point on A. After a gauntlet of arpeggios and a chromatic descend over an octave and a half, the main theme returns, and the piece ends in its starting key of A minor with an authentic cadence. The piece, though called a bagatelle, is in rondo form. It provides a good basic exercise on piano pedaling technique.

References

  1. ^ Kindermann, William (2000). The Cambridge companion to Beethoven. Cambridge: Cambridge University Press. pp. 125–126. ISBN 9780521589345.
  2. ^ de Val, Dorothy (1998). The Cambridge companion to the piano. Cambridge: Cambridge University Press. p. 131. ISBN 9780521479868. "Beethoven is here [in the 1892 Repertory of select pianoforte works] only by virtue of 'Für Elise', but there is a better representation of later composers such as Schubert ... , Chopin ... , Schumann ... and some Liszt."
  3. ^ Manus, Morton (1996). Alfred's Basic Adult All-In-One Piano Course, Book 3. New York: Alfred Publishing. p. 132. ISBN 9780739000687.
  4. ^ Max Unger, translated by Theodore Baker, "Beethoven and Therese von Malfatti," The Musical Quarterly 11, no. 1 (1925): 63–72.
  5. ^ Michael Lorenz: "Baronin Droßdik und die verschneyten Nachtigallen. Biographische Anmerkungen zu einem Schubert-Dokument", Schubert durch die Brille 26, (Tutzing: Schneider, 2001), pp. 47–88.
  6. ^ "Expert finds identity of Beethoven's mysterious Elise", 1 July 2009 (with a wrong date of birth for Hummel's son)
  7. ^ "¿Escribió Beethoven Para Elisa?" (12 October 2009) Template:Es icon
  8. ^ "¿Quién escribió "Para Elisa"?" Template:Es icon
  9. ^ Clarification
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