Ghost Dad
| Ghost Dad | |
|---|---|
 Promotional poster | |
| Directed by | Sidney Poitier |
| Written by | Brent Maddock S. S. Wilson Chris Reese |
| Produced by | Terrence Nelson |
| Starring | Bill Cosby Kimberly Russell Salim Grant Denise Nicholas Ian Bannen Christine Ebersole Barry Corbin |
| Cinematography | Andrew Laszlo |
| Edited by | Pembroke J. Herring |
| Music by | Henry Mancini |
| Distributed by | Universal Pictures |
Release date |
|
Running time | 83 minutes |
| Country | United States |
| Language | English |
| Box office | $25,421,633 |
Ghost Dad is a 1990 American fantasy comedy film directed by Sidney Poitier and starring Bill Cosby, in which a widower's spirit is able to communicate with his children after his death. It was critically panned, and wound up on many critics' "worst of 1990" and "worst of all time" lists. The film remains Sidney Poitier's last directorial effort.
Plot
Elliot Hopper (Bill Cosby) is a workaholic widower who is about to land the deal of a lifetime at work, which he hopes will win him a promotion and a company car. After he forgets his daughter Diane's birthday, he attempts to make it up to her by promising her she can have his car when he secures the deal at work on the coming Thursday. After being persuaded to give the car to his daughter early, Elliot must hail a taxi from work, which is driven by Satanist Curtis Burch (Raynor Scheine), who drives erratically and speeds out of control. Attempting to get the taxi stopped, Elliot announces that he is Satan and commands him to stop the taxi. Shocked to see his "Evil Master", Burch drives off a bridge and into the river.
Elliot emerges from the accident scene, but when he approaches a police officer, he learns that he is a ghost when the officer urinates on his shoes, then when he walks into the road, a speeding bus goes straight through him and he endures an old lady on the back seat chomping into a sandwich with her legs far apart coming closer towards him. When he gets home he discovers that his 3 children can see him, but only in a totally dark room, and they can't hear him. He struggles to tell them what happened when he is whisked away to London by paranormal researcher Sir Edith (Ian Bannen), who tells him he is a ghost who has yet to enter the afterlife because "they screwed up"; his soul will not cross over until Thursday.
The pressures of work and family life lead to many comedic events, such as Elliot rubbing meat tenderizer into his face while screaming about the burning in his eyes, as Elliot attempts to get a life insurance policy and complete his company's merger, so his family will be provided for once he crosses over. One day, he must choose between staying in an important work meeting and helping his son with a magic trick at school. He eventually decides that his family's happiness is more important and walks out on his furious boss, Mr. Collins (Barry Corbin), who later smugly fires him. Dejected, Elliot reveals himself as a ghost to his love interest, Joan (Denise Nicholas), whose initial shock soon turns to sympathy.
Edith arrives from London to announce that Elliot is not dead; his spirit jumped out of his body in fright. They also work out that the only previous known case of this happening was Elliot's father. In the excitement to find Elliot's body to reunite his spirit with it, Diane trips on a pair of skates that her little sister Amanda left on the stairs; she falls and is seriously injured. The family rush her to the hospital where her spirit has also jumped out of her body. As she delightedly flies around, Elliot begs her to re-enter her body; his own has started to "flicker". When he collapses, Diane becomes concerned and races into the intensive-care unit to find her father's body. She helps him into the room and they discover that Burch had swapped wallets with Elliot, meaning Elliot was wrongly identified by the hospital as Burch. Elliot returns to his body and wakes up; Diane does the same and jumps off the operating table to tell the family what has happened.
As the reunited family leave the hospital, Elliot spots a yellow taxi parked outside and Burch behind the wheel. Delighted to see his "Evil Master", Burch returns Elliot's imitation Gucci wallet back. Elliot then tells Burch to go to hell and sit on red hot coals waiting for him "until it snows". Curtis agrees enthusiastically and drives off while Elliot, Joan, Edith and the family leave the hospital.
Cast
- Bill Cosby - Elliot Hopper
- Kimberly Russell - Diane Hopper
- Denise Nicholas - Joan
- Salim Grant - Danny Hopper
- Brooke Fontaine - Amanda Hopper
- Ian Bannen - Sir Edith
- Christine Ebersole - Carol
- Barry Corbin - Mr. Emery Collins
- Dana Ashbrook - Tony Ricker
- Omar Gooding - Stuart
- Arnold Stang - Mr. Cohen
- Dakin Matthews - Mr. Seymour
- Raynor Scheine - Curtis Burch
Pre-production
Early in development, John Badham was slated to direct the film with Steve Martin as Elliot Hopper. However, both Badham and Martin left the project for unknown reasons. As a result, Universal hired Sidney Poitier and Bill Cosby to be their respective replacements.[1][2]
Novelization
| Author | Mel Cebulash |
|---|---|
| Language | English |
| Genre | Comedy |
| Publisher | Berkley; Mv Tie in edition |
Publication date | July 1, 1990 |
| Publication place | United States |
| Media type | Print (Paperback) |
| ISBN | 978-0-425-12453-6 |
| OCLC | 21994170 |
As part of the publicity for the movie, a Ghost Dad novelization written by Mel Cebulash was released the year of the film's debut.
Critical reaction
The film received widespread negative reviews, with a 7% rating on film review aggregator website Rotten Tomatoes based on 30 reviews. The consensus states: "A startlingly misconceived effort from director Sidney Poitier and star Bill Cosby, Ghost Dad is a listless, glacially-paced comedy that's alternately schmaltzy and incomprehensible."[3]
Rating the movie half a star out of four, Chicago Sun-Times film critic Roger Ebert characterized the film thus:
Ghost Dad is a desperately unfunny film - a strained, contrived construction that left me shaking my head in amazement… How could Sidney Poitier, a skilled filmmaker with an actor's sense of timing, have been the director of this mess? How did a production executive go for it? Who ever thought this was a good idea?[4]
Box office
In the film's opening weekend, it earned $4,803,480. Domestically the film earned $24,707,633 and $714,000 at the foreign box office for a total of $25,421,633.[5]
VHS and DVD release
Ghost Dad was released on VHS by MCA/Universal Home Video on December 6, 1990. The film was released on DVD by Good Times Video on May 1, 2001, and as a "Studio Selections" DVD by Universal Studios on March 1, 2005.
See also
References
- ^ Klady, Leonard (28 February 1988). "Cinefile". Los Angeles Times. Retrieved 16 July 2015.
{{cite web}}: Italic or bold markup not allowed in:|publisher=(help) - ^ Evans, Bradford (25 October 2012). "The Lost Roles of Steve Martin". Splitsider. Retrieved 16 July 2015.
- ^ Rotten Tomatoes Ghost Dad reviews, September 27, 2013
- ^ RogerEbert.com Chicago Sun-Times movie reviews, June 1, 2007
- ^ Box Office Mojo movie box office performance, June 1, 2007
External links
- Ghost Dad at IMDb
- Ghost Dad at the TCM Movie Database