Hear my prayer

Hear my prayer
Hear my prayer
Motet by Felix Mendelssohn
Other name	Hör' mein Bitten
Key	G major
Catalogue	WoO 15
Text	from Psalm 55
Language	English
Performed	8 January 1845: London
Scoring	soprano; SATB choir; organ;

Hear my prayer

1927 recording by Ernest Lough at Temple Church, London.

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"Hear my prayer" (German: Hör' mein Bitten) is an anthem for soprano solo, chorus (SATB) and organ or orchestra composed by Felix Mendelssohn in Germany in 1844. The first performance took place in Crosby Hall, London, on 8 January 1845.^[1] (The organ is now at St Ann's church, Tottenham.^[2]) The accompanist on that occasion was organist, composer and teacher Ann Mounsey (1811–1891). She later married the librettist of the work, William Bartholomew (1793–1867), who also collaborated with Mendelssohn on his oratorio Elijah (German: Elias). The anthem is particularly well known through the recording made in 1927 by treble Ernest Lough.^[3]

The text (derived from Psalm 55):^[4]

Hear my prayer, O God, incline Thine ear!
Thyself from my petition do not hide.
Take heed to me! Hear how in prayer I mourn to Thee,
Without Thee all is dark, I have no guide.

The enemy shouteth, the godless come fast!
Iniquity, hatred, upon me they cast!
The wicked oppress me, Ah where shall I fly?
Perplexed and bewildered, O God, hear my cry!

My heart is sorely pained within my breast,
my soul with deathly terror is oppressed,
trembling and fearfulness upon me fall,
with horror overwhelmed, Lord, hear me call!

O for the wings, for the wings of a dove!
Far away, far away would I rove!
In the wilderness build me a nest,
and remain there for ever at rest.

Hör' mein Bitten, Herr, neige dich zu mir,
auf deines Kindes Stimme habe Acht!
Ich bin allein; wer wird mein Tröster und Helfer sein?
Ich irre ohne Pfad in dunkler Nacht!

Die Feinde sie droh'n und heben ihr Haupt:
"Wo ist nun der Retter, an den ihr geglaubt?"
Sie lästern dich täglich, sie stellen uns nach
und halten die Frommen in Knechtschaft und Schmach.

Mich fasst des Todes Furcht bei ihrem Dräu'n.
Sie sind unzählige – ich bin allein;
mit meiner Kraft kann ich nicht widersteh'n;
Herr, kämpfe du für mich. Gott, hör' mein Fleh'n!

O könnt' ich fliegen wie Tauben dahin,
weit hinweg vor dem Feinde zu flieh'n!
in die Wüste eilt' ich dann fort,
fände Ruhe am schattigen Ort.

References

^ Wollston, Silas. "Oh, for the wings of a dove". Retrieved 4 March 2019.
^ 'London, Greater, Tottenham, South, St. Ann, St. Ann's Road / Avenue Road, N16907', The National Pipe Organ Register. Online resource, accessed 1 June 2024.
^ Ashley, Martin (29 April 2016). How High Should Boys Sing?: Gender, Authenticity and Credibility in the Young Male Voice. Routledge. p. 33. ISBN 978-1-317-12085-8. Retrieved 14 September 2021.
^ Human, D.J. (1997). "A tradition-historical analysis of Psalm 55". Verbum et Ecclesia. 18 (2): 267–279. doi:10.4102/ve.v18i2.562. hdl:2263/15581. ISSN 2074-7705.

External links

Hear My Prayer, WoO 15: Scores at the International Music Score Library Project

[1] Wollston, Silas. "Oh, for the wings of a dove". Retrieved 4 March 2019.

[2] 'London, Greater, Tottenham, South, St. Ann, St. Ann's Road / Avenue Road, N16907', The National Pipe Organ Register. Online resource, accessed 1 June 2024.

[3] Ashley, Martin (29 April 2016). How High Should Boys Sing?: Gender, Authenticity and Credibility in the Young Male Voice. Routledge. p. 33. ISBN 978-1-317-12085-8. Retrieved 14 September 2021.

[Human1997-4] Human, D.J. (1997). "A tradition-historical analysis of Psalm 55". Verbum et Ecclesia. 18 (2): 267–279. doi:10.4102/ve.v18i2.562. hdl:2263/15581. ISSN 2074-7705.

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