Jack Reilly (artist)
|Born||1950 (age 65–66)|
|Awards||National Endowment for the Arts grant, Arizona Commission on the Arts grant|
Reilly's early abstract paintings reflected various influences of prominent artists of the time including Frank Stella, Ellsworth Kelly, Ronald Davis, Jules Olitski, and Trevor Bell. Each of these abstract painters dealt with structure, color, atmosphere, light and ambiguous space; elements that would eventually converge in Reilly's abstract paintings. Shortly after moving to Los Angeles in 1978, Reilly's geometric abstraction emerged, extracting and redefining elements prevalent in contemporary abstract painting. His work commented on numerous formal and pictorial issues of the era, and by combining illusionary space with color field painting, Reilly created a synthesis of geometric abstraction and pictorial depth, which is also referred to as Abstract Illusionism. In 1979 Reilly's work was exhibited in his first solo show in Los Angeles at the Molly Barnes Gallery. That same year, curator Donald Brewer included Reilly's painting in a major museum exhibition entitled "The Reality of Illusion," an international survey of painting and sculpture that explored "trompe l'oeil" in both abstract and representational art. The exhibition opened at the Denver Art Museum and traveled throughout the United States for two years.
By 1980, Reilly's paintings were represented by galleries in major American cities including the Molly Barnes Gallery in Los Angeles, Aaron Berman Gallery in New York, Foster Goldstrom Fine Arts in San Francisco and Marilyn Butler Gallery in Scottsdale. Articles and reviews on Reilly's shaped canvas paintings were subsequently published in Arts Magazine, Art Week, and the Los Angeles Times, and in books including Inside the L.A. Artist (1988) by Marva Morrow, American Art Now (1985) by Edward Lucie-Smith, and Introduction to Design (1983) by Robin Landa.
The 1990s yielded large-scale public art and corporate commissions for Reilly with the County of San Diego Public Arts Program and American Airlines at Los Angeles International Airport. In the late 1990s, his artwork evolved in scope as he incorporated elements of mixed media into his signature shaped canvas paintings. In addition to his ongoing work as a contemporary painter, Reilly was hired in 2001 by the California State University Channel Islands to develop the University's Art Department, where he served as department chair through 2012 and currently remains in the position of professor. In 2012 Reilly's paintings were exhibited in a solo exhibition as part of the Getty Foundation initiative Pacific Standard Time: Art in L.A., 1945-1980 documenting the contributions to contemporary art history of artists, curators, and critics based in Los Angeles. His paintings are included in collections of the Arizona State University Art Museum, the Oakland Museum of California and numerous corporate collections including Atlantic Richfield (ARCO) and Verizon Communications among others.
- Lucie-Smith, Edward. American Art Now, New York: Wlliam Morrow Co. pp. 139–140, 1985 (Color Reproduction).
- Marrow, Marva. Inside the L.A. Artist, Salt Lake City, UT: Peregine Smith Books. p. 78, 1988 (Color Reproduction).
- Landa, Robin. An Introduction to Design, Englewood, NJ: Prentis Hall, p. 21, 1983 (B&W Reproduction).
- Brewer, Donald. Reality of Illusion, American Art Review Press, 1979, ISBN 0-9602974-0-5 (Color Reproduction).