Jaipur Tamasha

From Wikipedia, the free encyclopedia
Jump to: navigation, search

Jaipur Tamasha, a unique musical folk play, is a 19th-century contribution by Jaipur city in Indian state of Rajasthan to the folk theatre of Rajasthan. At the outset of the 18th century, in the peripherals of Agra, between two groups originated and developed a poetic dialogue. This later on came to be known as ‘Khayal-Tamasha’ during the reign of Aurangzeb, when musical art was becoming doomed, the contemporary emperor of Jaipur, Maharaja Sawai Jaisingh brought a few artists to Jaipur and settled them in Brahmpuri. The foremost among them was the Bhatt Family of Jaipur.

Here in under the proximity of the chief of the Bhatt family, Shri Banshidhar Bhatt, Tamasha style developed a specific form. This was a musical based folk dramatic form, which had an explicit composition of music acting and dance. The Tamasha form with its music comprising classical, semi classical and folk melody, replete with acting and dancing is being performed from the last 250 years in the open theatre called ‘Akhara’ at Brahampuri in Jaipur with a unique style of presentation. It is performed mainly on the day’s purrourding the festival Holi, on the days of Holi on the following Amaveasya and on Ramnavmi. Similar to the ‘Aagan Theatre’ the audience sit in a circle and the Tamasha actors perform in the centre with the singers, performers and musicians accompanied by their instruments the Tamasha begins with a ‘Lahariya’ there begins a special dancing performance upon a contemporary rhythm which moves from show to fast and reaches its perfection.

The foundation of the narrative of Tamasha is solidarity, love and religious co-existence (secularism) as the Sanskrit plays conclude with a ‘Bharat Vakya’ Tamasha too, at the end of its plot concludes with a happy ending, the fulfilling of the wishes of the protagonist and wishing for the welfare of all.In the Tamasha, the main rages which are amply used are ‘Bhupali’ ‘Aasawari’ (Komal ishbh) “Jonpuri’ ‘Malkuns’ ‘Darbari’ ‘Bihag’ ‘Sindh Kafi’ ‘ Bhairvi’ ‘Kalingda’ and ‘Kedar’ etc. The accompanying instruments are Harmoniyam, Tabla, Sarangi, and Ghugroo.

The costume are very important to the identity of Tamasha. The Tamasha (Crest) “kalangi’ (plume) Gotedar Bhagwavastra ( laced saffron garments), a singi and seli (a sheat fish and a neck ornament) to give beats are among the chief costumes of the performance of Tamasha.. The Tamasha actors also give an imagined description of the costumes of the performance to which the audience believes similarly the part of the female characters is and the audience enjoys suspending their disbelief. The creative texts used in tamasha are chiefly ‘Tamasha Gopichand’ ‘Jogi Jogan’ ‘Roopchand Gandhi’ ‘ Ranjah heer’ ‘ Jutthan Miyan’ ‘Chaila Panihari’, etc. The Jaipur Tamasha has become very famous folk tradition in North India.

References[edit]

  • "Jaipur Tamasha" by Vasudev Bhatt,
  • " Jaipur tamasha shaili ka parivartit swaroop,parampara evm parivartan ke sandarbh mein by - saurabh bhatt
  • "Rajasthan ki Sanskritic Prasthbhoomi",
  • "Jaipur ki Lok Natya Parampara "sangeet ke paripekhshya mein"" by Bindu Rana