Jump to content

Jazz in Film

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by 205.118.122.125 (talk) at 14:30, 5 October 2016 (minor/wording & paragraph breaks). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Untitled
Professional ratings
Review scores
SourceRating
Allmusic[1]

Jazz in Film is a studio album by tumpeter Terence Blanchard released in 1999 on Sony Records.

The album was meant to be a portrait of jazz in cinema history, a way to chronicle the evolution of jazz score from the late 1940s to present day, and features highly influential themes from classics like Anatomy of a Murder, Taxi Driver and seminal noir The Man With the Golden Arm. Blanchard carves out a little space for himself, revisiting one of his compositions written for Spike Lee's Clockers.

The albums features an all-star lineup, including veteran saxophonist Joe Henderson and pianist Kenny Kirkland, amongst others, backed by a string orchestra arranged by Blanchard.

Track listing

  1. "A Streetcar Named Desire" (Alex North) - 7:55
  2. "Chinatown" (Jerry Goldsmith) - 8:23
  3. "The Subterraneans" (André Previn) - 9:08
  4. "Anatomy of a Murder" (Duke Ellington) - 8:25
  5. "The Pawnbroker" (Quincy Jones) - 7:02
  6. "Taxi Driver" (Bernard Herrmann) - 7:12
  7. "Degas' Racing World" (Ellington) - 7:57
  8. "Man With the Golden Arm" (Elmer Bernstein) - 4:13
  9. "Clockers" (Terence Blanchard) - 8:01

Tracks 2, 3, 6-9 recorded on March 17-18, 1998; 1, 4, 5 on April 7, 1998.

Personnel

References