Jesus – The Film

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Jesus – The Film
Jesus der film poster.jpg
Theatrical release poster
Directed by

Michael Brynntrup
with episodes by

Anarchistische GummiZelle, Jörg Buttgereit, Die Tödliche Doris, Frontkino / Konrad Kaufmann, Birgit Hein and Wilhelm Hein, intershop gemeinschaft wiggert, Almut Iser, Dietrich Kuhlbrodt, Georg Ladanyi, Merve Verlag, Giovanni Mimmo, padeluun, Robert Paris and Andreas Hentschel, Schmelzdahin, Stiletto, Sputnik Kino / Michael Wehmeyer, Teufelsberg Produktion, Lisan Tibodo, VEB Brigade Zeitgewinn, Werkstattkino München / Doris Kuhn, Andreas Wildfang
Produced by Michael Brynntrup
Screenplay by Michael Brynntrup
Starring Michael Brynntrup
Panterah Countess
Hermoine Zittlau
Uli Versum
Oliver Körner von Gustorff
Bertram Jesdinsky
Ulrich Sappok
Heidi Paris
Peter Gente
Music by padeluun et al.
Cinematography Wolfgang Böhrer, Michael Brynntrup, Jörg Buttgereit et al.
Edited by Michael Brynntrup et al.
Distributed by Stiftung Deutsche Kinemathek
Release date
  • 15 February 1986 (1986-02-15) (Germany)
  • 1 May 1987 (1987-05-01) (United States)
Running time
127 minutes
Country Germany
Language German

Jesus – The Film (aka: Jesusfilm) is a 1986 experimental feature film by German filmmaker Michael Brynntrup. This “Monumental Film” on Super 8 contains 35 episodes made by 22 filmmakers and collectives from East and West Germany. Each episode is a very loose interpretation of the stories, parables and stations of the life of Jesus.


Starting with the birth of the Jesus child, the film deviates wildly from the New Testament template, with the Virgin Mary now giving birth to twins, likely to give credence to the idea that Gnostic The Gospel of Thomas was actually written by the twin brother of Jesus. However, in keeping with tradition, only the life and suffering of the One is portrayed. Throughout the entire film, Jesus is shadowed by dark agents (the Four Evangelists) who seem to be the puppet masters of the story. But this preordained life spins out of control at the Last Supper, where Jesus develops a fondness for drinking blood. On his way to Calvary, he meets Saint Veronica and surrenders to this thirst, thereby acquiring immortality as a vampire. Jesus lives.


The film’s storyline, as well as the creative process of each episode, is inspired by the surrealist technique of the “exquisite corpse”: the episodes' makers didn't know what happened in the previous scenes, receiving only a description of the last connecting shot – and sometimes also the use of previous cast members – in order to maintain the story’s continuity. The constant figure in all the episodes was Michael Brynntrup, the initiator and coordinator of the overall project, in the role of Jesus.

The 127-minute film was shot in black and white on Russian Super 8 film stock. These Super 8 cassettes were smuggled out of East Germany, often under precarious conditions, and then distributed to the participating filmmakers. Due to financial constraints, much of the film processing was done by the filmmakers themselves. This also contributed to the film’s look, recalling the expressionist classics of the silent movie era.

The Super 8 film was digitized and restored in 2014 with the financial support of the "Film Heritage" program of the German Federal Film Board (de) (FFA) and the collaboration of the Deutsche Kinemathek Foundation; since then, the complete version is now available in DCP (Digital Cinema Package) format.


The film premiered at the 1986 Berlinale, as part of the International Forum of New Cinema, before going on a “Mission Tour” through 40 locations across West Germany that same year. Then in 1987, the film went on a “North America Mission”, visiting 10 cities across the USA and Canada with the support of local Goethe Institutes.

The film won the top prize at the 1986 Salzgitter Film Festival and the prize for best production at the 1987 Caracas International Super 8 Festival. The film’s 11-minute trailer (entitled Veronika – Vera Ikon [1]) received an honorable mention at the 1988 Friedberg International Festival of Religious Films and at the 1988 Tel Aviv International Student Film Festival.

In 2014 Jesus – the Film – the Book was published.[2] The book is a bilingual (German/English) compilation of materials documenting the three years of the Jesus Film project, ranging from the initial ideas and research in 1984, through facsimiles of the Jesus Letters that were sent to participating filmmakers, a detailed project diary with notes on the dynamics of group work, additional production materials along with images of the shoot and of props that attained the status of relics, to facsimiles of program flyers from the months-long “Mission Tours” through West Germany (1986) and North America (1987). The book thus stands as an independent work of its own.

  • "Jesus: Der Film is silly, sublime." (Chicago Sun-Times, Peter Keough)
  • "The idea of the film is more important than its technical perfection." (Andy Warhol’s Interview)[3]
  • "This film is the largest collective project in German film history. In the history of world cinema there are few works that can compare." (Jesus – Der Film – Das Buch, Randall Halle)[4]


External links[edit]


  1. ^ Trailer of Jesus – The Film
  2. ^ Jesus – Der Film – Das Buch
  3. ^ Eva Steidel: Fünf Filmmakers - Michael Brynntrup. In: Andy Warhol's INTERVIEW, September 1987.
  4. ^ Randall Halle: Jesus – das Projekt. In: Jesus – Der Film – Das Buch, Vorwerk8, Berlin 2014, ISBN 978-3-940384-58-4, p. 287.