Jump to content

Joseph Fay (artist)

From Wikipedia, the free encyclopedia

This is an old revision of this page, as edited by Rich Farmbrough (talk | contribs) at 20:40, 27 April 2017 (Bryan template, caps, volume or name, or other small fixes using AWB). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.

Faust and Mephisto in the Dungeon

Joseph Fay (10 August 1813, Cologne - 27 July 1875, Düsseldorf) was a German painter.

Biography

He attended from 1833 to 1841 the Academy at Düsseldorf, and afterwards studied at Munich, and at Paris under Paul Delaroche. He first painted historical subjects, and had a happy talent in representing scenes from the life and manners of the old Germans. Not meeting with sufficient encouragement, he changed his style for genre painting, for which purpose he visited Italy. He depicted scenes in Italian life. He is associated with the Düsseldorf school of painting.

Works

The following are among his best works:

  • Der St. Gangolfs Brunnen. 1837.
  • Genovefa. 1838.
  • Samson and Delilah. 1839. Cologne Museum
  • Cleopatra. 1841.
  • A large frieze. Elberfeld court house. This was a series of frescoes which portrayed the history of Germany from the destruction of the Varian legionsh. It has perished, but some cartoons of it still exist.
  • Thisbe listening.
  • Romeo and Juliet. 1846.
  • Gretchen in Prison. 1847.

See also

Notes

References

  • Public Domain This article incorporates text from a publication now in the public domainBryan, Michael (1886). "Fay, Joseph". In Graves, Robert Edmund (ed.). Bryan's Dictionary of Painters and Engravers (A–K). Vol. I (3rd ed.). London: George Bell & Sons.
  • Rines, George Edwin, ed. (1920). "Fay, Joseph" . Encyclopedia Americana.
  • Moritz Blanckarts (1877), "Fay, Josef", Allgemeine Deutsche Biographie (in German), vol. 6, Leipzig: Duncker & Humblot, pp. 590–591