|Born||4 December 1777|
|Died||11 May 1849 (age 71)|
Jeanne Françoise Julie Adélaïde Récamier (French pronunciation: [ʒan fʁɑ̃.swaz ʒy.li a.de.la.id ʁe.ka.mje]) (4 December 1777 – 11 May 1849), known as Juliette (French pronunciation: [ʒy.ljɛt]), was a French socialite, whose salon drew Parisians from the leading literary and political circles of the early 19th century. As an icon of neoclassicism, Récamier cultivated a public persona of herself as a great beauty and her fame quickly spread across Europe. She befriended many intellectuals, sat for the finest artists of the age, and spurned an offer of marriage from Prince Augustus of Prussia.
Family and education
A native of Lyon, and known as Juliette, Jeanne Françoise Julie Adélaïde Bernard was the only child of Jean Bernard, the King's counsellor and a notary, and his wife, the former Marie Julie Matton. Her father became, in 1784, the receiver of finance. She was educated at the Couvent de la Déserte in Lyon briefly, after which her family moved to Paris. Beautiful, accomplished, and with a love of literature, Juliette was described as shy and modest by nature.
At the age of fifteen, she was married on 24 April 1793 to Jacques-Rose Récamier (1751–1830), a banker nearly thirty years her senior and a relative of the gourmet Brillat-Savarin. In relaying the news to a friend of his impending marriage to Juliette, Récamier wrote:
I am not in love with her, but I feel for her a genuine and tender attachment which convinces me that this interesting creature will be a partner who will ensure the happiness of my whole life and, judging by my own desire to ensure her happiness, of which I can see she is absolutely convinced, I have no doubt that the benefit will be reciprocal .... She possesses germs of virtue and principle such as are seldom seen so highly developed at so early an age; she is tender-hearted, affectionate, charitable and kind, beloved in her home-circle and by all who know her.
A rumour arose that her husband was, in fact, her natural father who married her to make her his heir. Their marriage occurred at the height of the revolutionary terror and, if he was guillotined, she would inherit his money. Although many biographers have given credence to this theory, it is unproven, and discounted by several historians. Curiously, however, Récamier once wrote to a friend that his relations with Juliette's mother may have been more than platonic:
It may be said that my feelings for the daughter arise out of those I have had for her mother; but all those who frequent the house are well aware that what took me there was pure friendship, a friendship which had grown out of the possibly somewhat warmer feeling I may have had in the earlier days of our acquaintance. At present, having reached an age when all other pretensions are past, she only wishes to educate her child, and make her a virtuous and good woman.
The Récamier marriage was never consummated, and Juliette remained a virgin until at least the age of forty. A rumour was initiated by writer Prosper Mérimée that she suffered from a physical condition which made the act of sexual intercourse painful. This, however, did not inhibit her charm, as many individuals including François-René de Chateaubriand were said to have had intense emotional relationships with her. Chateaubriand was a constant visitor of her salon and, in a manner, master of the house.
From the earliest days of the French Consulate to almost the end of the July Monarchy, Juliette's salon in Paris was one of the chief resorts of literary and political society that followed what was fashionable. The habitués of her house included many former royalists, with others, such as General Jean Bernadotte and General Jean Victor Moureau, more or less disaffected to the government. This circumstance, together with her refusal to act as lady-in-waiting to Empress consort Joséphine de Beauharnais and her friendship for Germaine de Staël, brought her under suspicion. In 1800 Jacques-Louis David began his portrait of her, but left it unfinished on learning François Gérard had been commissioned to paint a portrait before he had.
It was through Germaine de Staël that Juliette became acquainted with Benjamin Constant, a Swiss-French political activist and writer, whose political equivocations during the last days of the First French Empire and the first of the Bourbon Restoration have been attributed to her persuasions. She was eventually exiled from Paris by the orders of Napoleon I. After a short stay at her native Lyon, she proceeded to Rome, and finally to Naples. There she was on exceedingly good terms with Joachim Murat and his wife Caroline Bonaparte, who were then intriguing with the Bourbons. She persuaded Constant to plead the claims of Murat in a memorandum addressed to the Congress of Vienna, and also induced him to take up a decided attitude in opposition to Napoleon's return during the Hundred Days.
Juliette's husband had sustained heavy financial losses in 1805, and she visited Germaine de Staël at Coppet in Switzerland. There was a project for her divorce, in order that she might marry Prince Augustus of Prussia, but, though her husband was willing, it was not arranged. In her later days she lost most of what was left of her fortune; but she continued to receive visitors in her apartment at Abbaye-aux-Bois, a 17th-century convent (demolished in 1907) situated at 16 rue de Sèvres in Paris, to which she retired in 1819.
Despite old age, ill-health, partial blindness, and reduced circumstances, Juliette Récamier never lost her attractiveness, though at least one man who met her, artist Guillaume Gavarni, opined that she "stank of the lower middle class." And although she numbered among her admirers the Mathieu de Montmorency, Lucien Bonaparte, Prince Augustus of Prussia (whose proposal was accepted but the marriage never occurred), Pierre-Simon Ballanche, Jean-Jacques Ampère, and Benjamin Constant, none of them obtained over her so great an influence as did Chateaubriand, though she suffered much from his imperious temper. If she had any genuine affection, it seems to have been for the baron de Barante, whom she met at Coppet.
Portrait by Jean-Baptiste Augustin (1801)
Portrait by François Gérard (1805)
Canvas by Firmin Massot (1807)
Portrait by François-Louis Dejuinne (1827)
Crayon noir by François Gérard (1829)
- Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. .
- "Juliette Récamier, the Darling of Europe". The Guardian. 18 May 2009. Retrieved 3 October 2018.
- Edouard Herriot, Madame Récamier (London: William Heinemann, 1906)
- Lajer-Burcharth, Ewa. Necklines: The Art of Jacques-Louis David After the Terror. Yale University Press, 1999. p. 344. ISBN 0300074212
- Herold, J. Christopher. Mistress to an Age: A Life of Madame de Staël. Grove Press, 2002. pp. 287–288 ISBN 0802138373
- Herold, J. Christopher. Mistress to an Age: A Life of Madame de Staël. Grove Press, 2002. p. 287. ISBN 0802138373
- Herold, J. Christopher. Mistress to an Age: A Life of Madame de Staël. Grove Press, 2002. p. 290. ISBN 0802138373
- "L'Abbaye aux Bois". lartnouveau.com.
The Abbaye aux Bois Couvent Bernardines was located at 16, rue de Sèvres opposite the hotel Lutécia. The Abbey was created in 1202, the convent removed in 1792 the buildings become a prison in terror, the monastery was destroyed in 1907 during the expansion of the rue de Sèvres. Rue Récamier and Roger-Stéphane Square were then created.
- Edmond and Jules Goncourt. The Goncourt Journals (Doubleday & Company, 1937), p. 23.
|Wikimedia Commons has media related to Juliette Récamier.|
- Amélie Lenormant, Souvenirs et correspondances tirés des papiers de Madame Récamier (1859)
- Amélie Lenormant, Madame Récamier, les amis de sa jeunesse et sa correspondance intime (1872)
- Mary Elizabeth Mohl, Madame Récamier, with a sketch of the history of society in France (1821 and 1862)
- François Guizot in the Revue des deux mondes (December 1859 and February 1873)
- H. Noel Williams, Madame Récamier, and her Friends (London, 1901)
- Édouard Herriot (Engl. trans., by Alys Hallard), Madame Récamier et ses amis (1904)
- This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). . Encyclopædia Britannica (11th ed.). Cambridge University Press.