|Author||Arthur C. Clarke|
|Publication date||May 1953|
"Jupiter Five" is a science fiction short story by Arthur C. Clarke first published in the magazine If in 1953. It appeared again in Clarke's collection of short stories Reach for Tomorrow, in 1956, and deals with the detection and exploration of an old spaceship from outside the Solar System.
Professor Forster is a distinguished scientist on an expedition with the spacecraft Arnold Toynbee. He determines that the innermost satellite of Jupiter, Jupiter V, is a parked spacecraft from "Culture X", an ancient race of reptiles from outside the Solar System. Culture X coexisted with insectoid Martians, and settled the smaller rocky planets and moons throughout the Solar System apart from the Moon of the Earth. Jupiter V is discovered to be a spherical metal vehicle with a diameter of 30 kilometers. It contains an art gallery with millions of exhibits. One of the art objects is a depiction of a member of Culture X, which Forster dubs "The Ambassador".
It becomes clear that "The Ambassador" was intended explicitly for Mankind. Culture X predicted that intelligent life would develop on Earth and eventually achieve space flight; the statue is a message of greeting and goodwill spanning the gulf of time between its creators' ancient extinction and the arrival of the space travelers from Earth.
A science writer, Randolph Mays, arrives with his pilot and his secretary. Forster takes advantage of a loophole in space law and claims salvage rights to Jupiter V in the name of the World Science Organization. Mays tries to steal "The Ambassador" and other art objects, but Forster turns Mays' companions against him, forcing him to return the stolen items.
Role within Clarke's œuvre
"Jupiter Five" belongs among Clarke's "few attempts at melodrama", together with his short stories "Breaking Strain" (1949) and "Guardian Angel" (1950), according to David N. Samuelson. Thus, it represents one of few cases in which Clarke overcame his "reluctance to tell traditional action-adventure story in the pulp tradition" due to "his literary allegiances and a desire to downplay the thoughtless romanticism evident in such tales of derring-do" (Samuelson). The work is of a rather insignificant literary meaning.[clarification needed]
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The idea of an artifact left behind by a spacefaring alien race for humans to discover after they achieved space flight also showed up in "The Sentinel," a 1948 (published 1951) Clarke short story about the discovery of an ancient artifact on the Moon and the major basis for "2001: A Space Odyssey," the 1968 novel and film Clarke developed in partnership with director Stanley Kubrick. However, the artifacts in "Sentinel" and "Odyssey" are speculated on in-story (in "Sentinel") or explicitly stated (in the novel version of "Odyssey") as being set as a warning to the alien race that humans were in space.
- Arthur C. Clarke: Reach for Tomorrow. Ballantine Books, New York 1956, p. IV
- Arthur C. Clarke: Reach for Tomorrow. Ballantine Books, New York 1956, p. 128-160
- David N. Samuelson: Arthur C. Clarke (1917–). In: Richard Bleiler (ed.): Science Fiction Writers. Critical Studies of the Major Authors from the Early Nineteenth Century to the Present Day. Charles Scribner’s Sons, New York 1982, p. 315