Karol Lipiński

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Karol Lipiński. Portrait by Maksymilian Fajans.
Karol Lipiński by Walenty Wańkowicz, 1822.

Karol Józef Lipiński (30 October 1790 – 16 December 1861) was a Polish music composer and virtuoso violinist active during the partitions of Poland. The Karol Lipiński University of Music in Wrocław, Poland is named after him.

Life[edit]

Lipiński was born in Radzyń Podlaski. His father was Feliks Lipiński (1765–1847), and he had a younger brother of the same name Feliks (1815–1865). In 1810 he became the first violin and two years later the conductor of the opera orchestra at Lwów (now Lviv, Ukraine). In 1817 he went to Italy in the hope of hearing Niccolò Paganini. The two met in Milan, met daily to play, and even performed two concerts together in April 1818, which added immensely to Lipiński's reputation. Paganini dedicated his Burlesque Variations on "La Carnaval de Venise", Op. 10 for unaccompanied violin to Lipiński. Later, in 1827, Lipiński returned the honour by dedicating his "Three Caprices for Violin" to Paganini.

In 1818 on his return to Germany he stopped in Trieste to receive instruction from Dr Mazzurana, a very elderly former pupil of Giuseppe Tartini; Mazzurana was ninety years old, and could no longer play himself, but gave his criticism of Lipiński's performance of one of Tartini's sonatas. During that time, he also performed concerts together with the Polish pianist and composer Maria Agata Szymanowska.

In 1820 he travelled to Berlin where he met Louis Spohr, and to Russia. In 1829 he went to Warsaw, and played a series of concerts with Paganini that summer that were attended by the nineteen-year-old Frédéric Chopin. However, a rivalry developed between Lipiński and Paganini which destroyed their friendship. Thereafter, whenever Paganini was asked who the greatest violinist was, he would say "I don't know who the greatest is, but Lipiński is certainly the second greatest".

In 1835–36 he went on a long tour, during which he met Robert Schumann in Leipzig. Schumann was so impressed that he dedicated Carnaval, Op. 9 to him.

In 1836 he visited England and played his Military Concerto with the Royal Philharmonic Orchestra. In June 1839 he received a double appointment in Dresden, as concertmaster of the Royal Oratory and kapellmeister at the court chapel.[1] With his Dresden duties, he ceased touring as a virtuoso, but concentrated on chamber music, with a special devotion to the string quartets of Beethoven. Here he also gave a joint recital with Liszt, performing Beethoven's Kreutzer Sonata.

He developed a great reputation as the only serious rival to Paganini. Henryk Wieniawski dedicated his Polonaise de concert, Op.4 to Lipiński, like Ignacy Feliks Dobrzyński his String Quartet No. 2, Op.40. He retired with a pension in 1861, and died in village Virliv (Ternopil region, Ukraine).

He was the owner of two violins, one made in 1715 by Antonio Stradivari and another by Giuseppe Guarneri del Gesù. Both instruments are referred to as "ex-Lipinski".

The Karol Lipiński Academy of Music in Wrocław, Poland was named after him.

Compositions[edit]

Early in his life, during his assignment at Lviv theatre, Lipiński composed 3 symphonies (Op.2) and 3 operas: Kłótnia przez zakład, Terefere w Tarapacie, and Syrena Dniestru. The last one is an adaptation, with some of his own original music interpolated, of Ferdinand Kauer's Donauweibchen and was played every season at Lviv for nearly thirty years from 1814, but the music is now lost.

Naturally, most of Lipiński's compositions are for violin. These include four violin concertos (a fifth is lost)[citation needed], two string trios (originally for an ensemble 2 violins and a cello) as well as polonaises, rondos, variations, capriccios. He also composed several songs and harmonized some popular Polish tunes.

Recordings[edit]

His compositions have been recorded among others by Polish virtuoso violinist Konstanty Andrzej Kulka of the Fryderyk Chopin University of Music in Warsaw.[2] Of the major works, all the concertos, both trios, a symphony and an overture have been recorded, some of them more than one time.

Notes[edit]

Further reading[edit]

  • Henryka Filatowna. K.J. Lipiński, Wirtuozi i kompozytor. Kraków dissertation, 1930 (unpublished)
  • Józef Powroźniak (pl). Karol Lipiński. Kraków: PWM, 1970
    • Translation by Maria Lewicka: Lipiński. Neptune City, NJ: Paganiniana, 1986
  • Владимир Юрьевич Григорьев. Кароль Липиньский. Москва: Музыка, 1977
  • Karol Lipiński: Życie, działalność, epoka. T. 1–4. Ed. by Maria Zduniak (pl) et al. Wrocław: Akademia Muzyczna im. Karola Lipińskiego, 1990, 1993, 2003, 2007

External links[edit]