Kentucky Route Zero
Kentucky Route Zero | |
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Developer(s) | Cardboard Computer |
Publisher(s) | Cardboard Computer Annapurna Interactive (Console versions) |
Composer(s) | Ben Babbitt |
Platform(s) | Windows, Mac OS X, Linux, Switch, PlayStation 4, Xbox One |
Release |
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Genre(s) | Adventure |
Mode(s) | Single-player |
Kentucky Route Zero is a magical realist, episodic, point and click adventure game created and published by indie developers Jake Elliott and Tamas Kemenczy under the name Cardboard Computer. The project was first revealed on crowdfunding website Kickstarter with a goal of US$6,500, and successfully exceeded the goal, acquiring $8,583.[1] It went into development and a trailer was released on October 17, 2012. A console port, called the "TV Edition" by the developers and developed with the help of Annapurna Interactive, is currently in production.[2]
The game is separated into five Acts, following the narrative of a truck driver named Conway and the mysterious people he meets as he tries to cross the fictional Route Zero to make a final delivery for the antique company for which he works. The first Act was released on January 7, 2013. The game is available on the creator's website, Steam, itch.io, GOG.com and the Humble Store. Players receive all available acts upon purchase, with future acts and updates free-of-charge. The second, third and fourth acts have since been released, with the final act forthcoming. Between each act, a short free-to-play, standalone interlude is usually released in the game's website.
Gameplay
Kentucky Route Zero is a point and click game and contains text-based dialogue instead of vocal audio. There are no traditional puzzles or challenges, with the focus of the game being storytelling and atmosphere. The player controls Conway by clicking on the screen, either to guide him to another location, or interact with other characters and objects. The player also has the choice to choose Conway's dialogue, and occasionally the dialogue of other characters, during in-game conversations. The game is separated into various locations, which Conway can travel between using his truck. A map is shown when traveling on the road, and the player must guide the truck icon to the destination of their choosing, mostly areas where the player has been pointed or sent out to. At certain points, the player may take control of characters other than Conway within the game's twisting, self-referential narrative.[3]
Synopsis
![](http://upload.wikimedia.org/wikipedia/commons/thumb/9/9b/Kentucky_Route_Zero_Map.svg/240px-Kentucky_Route_Zero_Map.svg.png)
Conway, a truck driver, works as a delivery man for an antique shop owned by a woman named Lysette. Being hired to make a delivery to 5 Dogwood Drive, Conway travels the roads of Kentucky to locate the address, accompanied by his dog, whose name is chosen by the player. After searching around, Conway elaborates that he is lost and stops off by an old, pitch-black gas station, "Equus Oils".
Act I
Conway arrives in the Equus Oils station and meets an old man named Joseph, who is the owner of the establishment. Joseph informs Conway that the only way to arrive at Dogwood Drive is by taking the mysterious Route Zero, and then tasks him to fix the circuit breaker to restore power in the station and use the computer to locate directions. Conway goes underneath the station and meets three people who are playing a strange game and ignore him completely. He is able to retrieve their lost dice but soon notices their disappearance afterwards, clearing a way to fix the electricity. When asking Joseph about the strange people who disappeared, he suggests Conway may have been hallucinating. Conway uses the computer to locate the directions of the Márquez Farm to talk to Weaver Márquez, who has a better understanding of the roads. As Conway leaves, Joseph tells him that he loaded a TV into the back of the truck to take to Weaver. Conway drives to the Márquez residence and meets Weaver. Weaver quizzically asks Conway a number of questions and Conway finally asks her about directions to Route Zero. She has Conway set up the TV and when Conway looks into the screen, he sees the vision of a strange farm and spaces out. When he wakes, Weaver informs him of her cousin Shannon who fixes TVs and gives him the directions to Route Zero, and suddenly disappears.
When arriving at the destination, Conway finds the area to actually be an abandoned mine shaft called Elkhorn Mine. He locates Shannon Márquez, who has been exploring the mines in search of something she has lost. Conway decides to help Shannon travel deeper into the mine, and begins toying with a PA system to test the depth and length of the tunnels. Unfortunately, the sound waves cause an eruption and a portion of the mine collapses. Conway injures his leg from falling rubble, and Shannon uses a track to help them travel through the mine. While exploring the mine, Shannon reveals the mine's tragic history, involving the deaths of many miners due to flooding. If the lamplight is turned off during the travel, ghostly visions of miners can be seen wandering the caves. Before exiting the mines, Shannon leaves Conway and travels a bit farther down the mine shaft, and comes across a heap of miner helmets. She comes back quickly without explaining anything. Conway and Shannon travel to Shannon's workshop, and then back to the Márquez Farm, where Shannon reveals that the Márquez family's debts had caused Weaver to flee. As Shannon attempts to fix the old TV, Conway looks in again. This time the picture of the farm begins to warp and separate, causing the screen to create an image of the opening to Route Zero and the truck driving down it, ending Act I.
Act II
Act II opens with a prelude in which Lula Chamberlain, an installation artist whose work is featured in the Kentucky Route Zero bonus content Limits & Demonstrations, receives a rejection notice from the Gaston Trust for Imagined Architecture. After reading this notice, Chamberlain sorts through a series of proposals for reclaiming spaces for purposes alternate to their current function, such as a proposal to reclaim a basketball court as a dog kennel.
Following the prelude, the focus returns to Conway, Shannon, and Conway's dog. The three arrive at a six-story building known as the Bureau of Reclaimed Spaces. In the lobby they are told that in order to receive directions to Dogwood Drive they must first obtain an ingestion notice from within the Bureau. The receptionist suggests they seek out Lula Chamberlain, currently the Bureau's senior clerk. After a series of bureaucratic misdirections, the three manage to meet with Lula. She informs them that the directions to Dogwood Drive are at an off-site storage facility within an old church. Additionally she suggests Conway should seek out Doctor Truman for treatment of his injured leg. At the storage facility Conway chats about hobbies with the caretaker of the building and listens to a prerecorded sermon on the virtue of hard work while Shannon finds the record they are seeking. As they leave the building Conway collapses from his injury, hallucinating about Elkhorn Mine, and Shannon decides their first priority should be to find Doctor Truman and obtain treatment.
Upon their return, the receptionist at the Bureau tells the group that Doctor Truman can be found at his house off the highway. The group leaves Route Zero and goes back above ground in search of Doctor Truman. Arriving at the site, the group discovers that the doctor's house has been torn down and replaced with a museum—the Museum of Dwellings. While searching the museum, they encounter a young boy named Ezra, who claims his brother is Julian, a giant eagle. Ezra tells them the Doctor now lives in the Forest, and offers to fly them using Julian. The group accepts and after traveling through the strange illusory forest, lands in the woods. As Conway's condition worsens, Shannon helps him continue, and finally locates Doctor Truman's house. Doctor Truman tells Conway his injury is severe but treatable, and prescribes him an anesthetic called Neurypnol TM. Act II ends as Conway succumbs to the drug, causing his vision to grow black and the walls of the house to pull away to reveal the forest beyond.
Act III
The Act opens with Conway dreaming of a previous conversation he had with Lysette. The two recall a tragic event involving Charlie, Lysette's son, and Lysette informs Conway of a new delivery to be made, which will be the last delivery of Lysette's antique shop. Conway awakens from the Neurypnol TM-induced sleep at Doctor Truman's house to find his injured leg replaced with a strange skeletal limb giving off a yellow glow. After returning to the Museum of Dwellings to find it closed for the night, Conway, Shannon and Ezra resume their search for Lula Chamberlain in Conway's truck. The three are quickly stopped again, however, after the truck's engine breaks down. While Shannon calls for a tow truck, two musicians, Johnny and Junebug, pass the group on a motorcycle with a sidecar, and after some discussion decide to help the group get the truck moving again in exchange for following them to the Lower Depths bar to watch their performance. The group agrees, traveling to the Lower Depths and talking with Harry, the bartender, who gives directions back to Route Zero. After their performance, Johnny and Junebug decide to accompany Conway, Shannon and Ezra on their travels.
Upon returning to Route Zero, the group comes across a large cave dominated by a rock spire, known as the Hall of the Mountain King. There they find various types of vintage electronics in many states of disrepair, including a large amount set on fire. They come across an old man named Donald who appears fixated on a grand computer project involving a "mold computer" that is enhanced by black mold growing inside it, as well as a piece of software designed as a comprehensive simulation called Xanadu. Donald claims that Lula was one of the people who designed Xanadu along with him, and that she had left a long time ago, but that there may be a way to find her using Xanadu. However, as Xanadu is not working correctly after an apparent sabotage from creatures Donald calls the Strangers, the group must travel to the Place Where the Strangers Come From in order to seek out their help. Conway and Shannon talk to the Strangers off-screen and, after returning with the solution, travel back with the group to the Hall of the Mountain King and fix Xanadu, using it to locate Lula. With Donald's help, she finds directions to Dogwood Drive, and tells the group to meet her at the Bureau of Reclaimed Spaces.
After arriving at the Bureau, Conway receives Lula's directions, which involve taking a ferry from the Bureau down a river. While waiting for the ferry, Conway reveals what happened while he was talking with the Strangers - he and Shannon had gone via a hidden elevator to an underground whiskey factory staffed by odd, indistinct glowing skeletons, identical in appearance to Conway's new leg. While at the factory, Conway is mistaken for a new hire as a shipping truck driver and coerced into taking a drink of a very expensive whiskey, and is subsequently roped into a shipping job for the Strangers to pay it off. Act III ends with the ferry arriving, carrying an automaton shaped like a woolly mammoth.
Act IV
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Development
In the early stages of development the developers were influenced by the works of Gabriel García Márquez, Flannery O'Connor and David Lynch.[4] They also looked at theatre scripts for inspiration, which later helped in characterisation, dialogue, environment design and treatment of space, lighting and movement.[5]
Reception
Kentucky Route Zero has received positive reviews from critics. GameSpot referred to it as being "beautiful and mysterious enough to grip you",[6] and IGN called it "a damn fine example of what makes the medium of video games so special".[7] PC Gamer stated that "Other adventures see you decide a character's fate, their successes or failures. Kentucky Route Zero makes a point of asking you to describe their interior instead – and, by extension, yourself as well ... A powerfully evocative and beautiful subversion of point-and-click rote, but occasionally opaque and disorienting."[8]
Rock, Paper, Shotgun named Kentucky Route Zero game of the year in 2013.[9] Game Developers Choice Awards awarded Kentucky Route Zero Act III the Best Narrative award in 2015.
Game | Metacritic |
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Kentucky Route Zero - Act I | 81%[10] |
Kentucky Route Zero - Act II | 82%[11] |
Kentucky Route Zero - Act III | 91%[12] |
Kentucky Route Zero - Act IV | 90%[13] |
References
- ^ "Kentucky Route Zero, a magic realist adventure game". Kickstarter. Retrieved July 6, 2013.
- ^ "» Notes on the TV Edition - Cardboard Computer". cardboardcomputer.com. Retrieved October 6, 2018.
- ^ Yelbayev, Andrey (January 18, 2013). "Kentucky Route Zero – Mysterious narrative by Cardboard Computer". Creative Applications Network. Retrieved July 6, 2013.
- ^ Smith, Ryan (January 22, 2013). "Jake Elliott, writer and designer of Kentucky Route Zero". The Gameological Society. Onion Inc. Retrieved July 26, 2016.
Tamas and I are always talking about David Lynch, and he's a huge influence on us as far as tone.
- ^ McMullan, Thomas (July 27, 2014). "Where literature and gaming collide". Eurogamer. Gamer Network. Retrieved July 28, 2014.
- ^ VanOrd, Kevin (January 11, 2013). "Kentucky Route Zero Review". GameSpot. Retrieved July 6, 2013.
- ^ Gallegos, Anthony (January 12, 2013). "Kentucky Route Zero Episode One Review". IGN. Retrieved July 6, 2013.
- ^ PC Gamer staff (January 16, 2013). "Kentucky Route Zero review". PC Gamer. Retrieved July 6, 2013.
- ^ Walker, John; Rossignol, Jim; Meer, Alec; Smith, Adam; Grayson, Nathan (December 24, 2013). "The Amazing & Astonishing RPS Advent Calendar: Day 24". Rock, Paper, Shotgun. Retrieved December 24, 2013.
- ^ "Kentucky Route Zero - Act I". Metacritic. Retrieved August 14, 2016.
- ^ "Kentucky Route Zero - Act II". Metacritic. Retrieved August 14, 2016.
- ^ "Kentucky Route Zero - Act III". Metacritic. Retrieved August 14, 2016.
- ^ "Kentucky Route Zero - Act IV". Metacritic. Retrieved August 14, 2016.
External links
- Official site
- Cardboard Computer
- In-depth analysis article series about the backgrounds and artistic influences of Act I, Act II, and Act III written by Magnus Hildebrandt and published on the website Superlevel
- Critical Analysis of Act I's theme, form and artistic references