List of paintings by Paul Cézanne
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This list of paintings by the French painter Paul Cézanne is incomplete.
The artistic career of Cézanne spanned more than forty years, from roughly 1860 to 1906. A prolific artist, he produced more than 900 oil paintings and 400 watercolours, including many incomplete works. This list is a selection of Cézanne's better-known paintings, or includes those for which images are available.His Quote is “I paint as I see and as I feel, and I feel very strongly.”
Image | Title | Year | Dimensions | Museum | Country |
---|---|---|---|---|---|
Judgment of Paris | 1862-1864 | 15 x 21 cm | Private collection. This is not the same painting as "Le Jugement de Pâris" in "Cézanne." by Joachim Gasquet 1921. | ||
Scipio, the Negro | 1865 | 107 × 103 cm | São Paulo Museum of Art, São Paulo |
Brazil | |
The Painter's Father, Louis-Auguste Cézanne | 1865 | 167,6 x 114,3 cm | National Gallery, London | United Kingdom. | |
The Artist's Father, Reading "L'Événement" | 1866 | 198,5 x 119,3 cm | National Gallery of Art, Washington D.C. | United States | |
Portrait of Uncle Dominique | 1866 | 79,7 x 64,1 cm | Metropolitan Museum of Art, New York | United States | |
Portrait of Uncle Dominique as a Monk | 1866 | 64,8 × 54 cm | Metropolitan Museum of Art, New York | United States | |
Head of an Old Man (Père Rouvel at Bennecourt) | 1866 | 51 × 48 cm | Musée d'Orsay, Paris |
France | |
Portrait of a Man | 1866 | 81,5 × 66 cm | Private collection | ||
Achille Emperaire | 1867-1868 | 200 × 120 cm | Musée d’Orsay, Paris |
France | |
Christ in Limbo | 1867 | 170 x 97 cm | Musée d’Orsay, Paris |
France | |
The Kidnapping | 1867 | 90,5 × 117 cm | Fitzwilliam Museum, Cambridge, England |
United Kingdom | |
The Temptation of St. Antonius | 1867-1869 | 52 × 73 cm | Foundation E.G. Bührle, Zürich | Switzerland | |
The Orgy | 1867-1870 | 130 x 81 cm | Private collection | ||
Preparation for the Funeral (The Autopsy) | 1867–1869 | 49 × 80 cm | Private collection |
||
The Overture to Tannhauser: The Artist's Mother and Sister | 1868 | 57 × 92 cm | Hermitage Museum, Saint Petersburg |
Russia | |
The Magdalen, or Sorrow (La Madeleine) | 1869 | 165 × 124 cm | Musée d’Orsay, París | France | |
The Black Marble Clock | 1869–1871 | 54 × 73 cm | Private collection |
||
Paul Alexis Reading to Émile Zola | 1869–1870 | 130 × 160 cm | São Paulo Museum of Art, São Paulo |
Brazil | |
Paul Alexis Reading at Zolas House | 1869-1870 | 52 × 56 cm | Private collection |
||
Portrait of Antony Valabrègue | 1866-1870 | 60,4 × 50,2 cm | J. Paul Getty Museum, Los Angeles |
United States | |
The Railway Cutting | 1870 | 80 × 129 cm | Neue Pinakothek, Munich |
Germany | |
Pastoral (Pastorale) | 1870 | 65 × 81 cm | Musée d’Orsay, Paris |
France | |
Bathers | 1870 | 33 x 40 cm | Private collection | ||
Man with a Straw Hat (Portrait of Boyer) | 1870-1871 | 55 x 39 cm | Metropolitan Museum of Art, New York | United States | |
L'Estaque, Melting Snow | 1871 | 73 × 92 cm | Foundation E.G. Bührle, Zurich |
Switzerland | |
The Hanged Man's House (La Maison du Pendu, Auvers-sur-Oise) | 1872–1873 | 55 × 66 cm | Musée d’Orsay, Paris |
France | |
View of Auvers-sur-Oise (Paysage d'Auvers-sur-Oise) | Ashmolean Museum, Oxford (stolen painting) |
United Kingdom | |||
The House of Doctor Gachet in Auvers (La Maison du Docteur Gachet à Auvers) | 1872–1873 | 41 × 27 cm | Musée d’Orsay, París |
France | |
Bouquet in a Delft Vase (Bouquet au petit Delft) | 1873 | 74 × 93 cm | Musée d'Orsay, Paris |
France | |
View of Auvers | 1873 | 65 × 80 cm | Art Institute of Chicago, Chicago |
United States | |
A Modern Olympia (Une moderne Olympia) | 1873–1874 | 46 × 55 cm | Musée d’Orsay, París |
France | |
The Buffet | 1873–1877 | 65 × 81 cm | Museum of Fine Arts, Budapest |
Hungary | |
Self-Portrait in a Casquette | 1873-75 | 55 x 38 cm | Hermitage Museum, Saint Petersburg |
Russia | |
The Avenue at the Jas de Bouffan | 1874-1875 | 38 x 46 cm | Tate Gallery | United Kingdom | |
Bathers | 1874–1875 | 38,1 × 46 cm | Metropolitan Museum of Art, New York | United States | |
Afternoon In Naples With A Black Servant | 1875 | 37 × 45 cm | National Gallery of Australia, Canberra |
Australia | |
Bacchanal (The Love Battle) | 1875–1876 | 38 × 46 cm | Private collection |
United States | |
Saint Anthony the Abbott (La Tentation de Saint Antoine) | 1877 | 47 × 56 cm | Musée d’Orsay, París |
France | |
Interior with Two Women and a Child | 1875-1877 | Pushkin Museum, Moscow | Russia | ||
Self-portrait (Portrait de l'artiste) | 1875 | 64 × 53 cm | Musée d’Orsay, París |
France | |
Self-Portrait with Pink Background (Portrait de l'artiste au fond rose) | 1875 | 66 × 55 cm | Musée d’Orsay, París |
France | |
Self-Portrait | 1875-1877 | 55 × 47 cm | Neue Pinakothek, Munich |
Germany | |
Self-Portrait | 1877-1880 | Musée d’Orsay, París |
France | ||
Jas de Bouffan, The Pond | 1876 | 46,1 x 56,3 cm | Hermitage Museum, Saint Petersburg | Russia | |
Bathers | 1876-1877 | 14 × 19 cm | Private collection | ||
Four Bathers | 1877-1878 | 38 × 46 cm | Private collection | ||
Bather from the Back | 1877-1878 | 24,2 x 19,4 cm | Private collection | ||
Portrait of Victor Chocquet | 1876–1877 | 46 × 36 cm | Private collection | ||
Madame Cézanne in a Red Armchair | 1877 | 72,5 × 56 cm | Museum of Fine Arts, Boston |
United States | |
Portrait Of Victor Chocquet Seated | 1877 | 46 × 38 cm | Columbus Museum of Art, Columbus, Ohio |
United States | |
Still Life With Soup Tureen | 1877 | 65 × 83 cm | Musée d’Orsay, París | France | |
Still Life with Open Drawer | 1877-1879 | 33 × 41 cm | Private collection | ||
The Eternal Feminine | 1877 | 43 × 53 cm | J. Paul Getty Museum, Los Angeles | United States | |
Maincy Bridge (Pont de Maincy) | 1879 | 60 × 73 cm | Musée d’Orsay, París | France | |
Farmyard (Cour d'une ferme) | 1879 | 63 × 52 cm | Musée d’Orsay, París | France | |
Poplars (Les Peupliers) | 1879–1880 | 65 × 80 cm | Musée d’Orsay, París | France | |
Forest Interior of Fontainebleau | 1879-1882 | 64 x 80 cm | Private collection | ||
Self-Portrait | 1878-1880 | 61 × 47 cm | Phillips Memorial Gallery, Washington D.C. |
United States | |
Self-Portrait | 1879–1880 | 65 × 51 cm | Kunstmuseum, Bern |
Switzerland | |
Self-Portrait | 1879-1880 | Oskar Reinhart Collection, Switzerland | Switzerland | ||
Portrait of Louis Guillaume | 1879-1880 | 56 × 47 cm | National Gallery of Art, Washington DC | United States | |
Medea (after Delacroix) | 1879-1882 | 38 x 20 cm | Kunsthaus Zürich |
Switzerland | |
Bathers | 1879-1880 | 34,5 × 38 cm | Detroit Institute of Arts | United States | |
Standing Bather Seen from Behind | 1879-1882 | 17,1 × 27 cm | Princeton University Art Museum | United States | |
Three Bathers | 1879–1882 | 52 × 55 cm | Musée du Petit Palais, Paris |
France | |
Bathers | 1880 | 35 × 39,5 cm | Private collection | ||
The Battle of Love | 1880 | 38 x 46 cm | National Gallery of Art, Washington D.C. | United States | |
Portrait of Paul, the Artist's Son | 1880 | 15,2 × 17,1 cm | Princeton University Art Museum | United States | |
Madame Cézanne in the Garden | 1880-1882 | 63 x 80 cm | Musée de l’Orangerie, Paris | France | |
Self-Portrait with Olive-Colored Wallpaper | 1880-1881 | 33,6 × 26 cm | National Gallery, London |
United Kingdom | |
Self-Portrait with White Turban | 1881-1882 | 55,5 × 46 cm | Neue Pinakothek, Munich |
Germany | |
Portrait of Madame Cézanne with a Fan | 1881 | 81 × 66 cm | Foundation E.G. Bührle, Zürich | Switzerland | |
Farm in Normandy | 1882 | 47 x 65,7 cm | Albertina, Vienna | Austria | |
L'Estaque, View Through the Pines | 1882-1883 | 72,5 x 90 cm | Reader's Digest Collection, New York City | United States | |
Rocks at L'Estaque | 1882–1885 | 73 x 91 cm | São Paulo Museum of Art, São Paulo | Brazil | |
L'Estaque with Red Roofs | 1883-1885 | 65 × 81 cm | Private collection | ||
The Bay of Marseilles seen from L'Estaque (Le golfe de Marseille vu de l’Estaque) | 1883–1885 | 65 x 54 cm | Musée d’Orsay, París |
France | |
View of L'Estaque and the If Castle (The Sea in L'Estaque) | 1883–1885 | 71 x 57,7 cm | Fitzwilliam Museum, Cambridge, England |
United Kingdom | |
The Bay of Marseilles, view from L'Estaque | 1885 | 80 × 99,6 cm | Art Institute of Chicago | United States | |
Bathers Outside a Tent | 1883-1885 | 63,5 × 81 cm | Staatsgalerie Stuttgart | Germany | |
Man Standing, Arms Extended | 1883 | 33 × 24 cm | Private collection | ||
Self-Portrait | 1883-1887 | 44 × 36 cm | Ny Carlsberg Glyptotek, Copenhagen |
Denmark | |
Portrait of Madame Cézanne with Loosened Hair | 1883-1887 | 62 × 51 cm | Private collection | ||
Farmhouse and Chestnut Trees at Jas de Bouffan | 1884 | 92 × 73,7 cm | Norton Simon Museum, Pasadena, California |
United States | |
Jas de Bouffan | 1885-1887 | 60 × 71 cm | National Gallery in Prague | Czech Republic | |
Horse Chestnut Trees of Jas de Bouffan | 1885 | 65 x 81 cm | Kunstmuseum Winterthur | Switzerland | |
Provençal Manor | 1885 | 48,3 × 33 cm | Princeton University Art Museum | United States | |
Chestnut Trees at Jas de Bouffan | 1885-1887 | 73 x 92 cm | Minneapolis Institute of Arts, Minnesota | United States | |
Chestnut Trees and Farm at Jas de Bouffan | 1885-1887 | 65,5 × 81,3 cm | Private collection | ||
The Neighborhood of Jas de Bouffan | 1885-1887 | 65 × 81 cm | Solomon R. Guggenheim Museum, New York City | United States | |
Madame Cézanne | 1885-1887 | 55,6 × 45,7 cm | Solomon R. Guggenheim Museum, New York City | United States | |
Tall Trees at the Jas de Bouffan | 1885-1887 | 65 x 81 cm | Courtauld Institute of Art, London | United Kingdom | |
High Trees In Jas de Bouffan | 1885-1887 | 73 x 59 cm | Private collection | ||
The Aqueduct | 1885 | 72 x 91 cm | Pushkin Museum, Moscow | Russia | |
Plain by Mont Sainte-Victoire | 1885 | 58 x 72 cm | Pushkin Museum, Moscow | Russia | |
Mont Sainte-Victoire seen from Bellevue (Montagne Sainte-Victorie vue de Bellevue) | 1885 | 73 × 92 cm | Barnes Foundation, Merion, Pennsylvania |
United States | |
Mont Sainte-Victoire and the Viaduct of the Arc River Valley | 1885–1887 | 65,4 x 81,6 cm | Metropolitan Museum of Art, New York | United States | |
Mont Sainte-Victoire | 1885-1887 | 67 × 92 cm | Courtauld Institute of Art, London | United Kingdom | |
Mont Sainte-Victoire | 1885-1887 | 55 × 65 cm | National Gallery of Scotland, Edinburgh | Scotland | |
Mont Sainte-Victoire with Large Pine | 1886-1887 | The Phillips Collection, Washington, D.C. | United States | ||
Bather | 1885 | 127 × 96,8 cm | Museum of Modern Art, New York | United States | |
Five Bathers | 1885-1887 | 65,5 x 65,5 cm | Kunstmuseum Basel | Switzerland | |
Portrait of Madame Cézanne | 1885 | 46 x 38 cm | Private collection | ||
Portrait of Madame Cézanne | 1885–1887 | 92,6 x 72,9 cm | Barnes Foundation, Merion, Pennsylvania |
United States | |
Portrait of Madame Cézanne | 1885–1886 | 47 x 39 cm | Musée d'Orsay, Paris |
France | |
Madame Cézanne | 1886 | 100.6 x 81.3 cm | Detroit Institute of Arts | United States | |
Gardanne | 1886 | 65 × 100 cm | Barnes Foundation, Merion, Pennsylvania |
United States | |
Boy Resting | 1887 | Hammer Museum, Los Angeles | United States | ||
Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress | 1888-1890 | 116.5 x 89.5 cm | The Metropolitan Museum of Art, New York City | United States | |
The Boy in the Red Vest | 1888–1890 | 79,5 × 64 cm | Foundation E.G. Bührle, Zurich | Switzerland | |
Boy in a Red Vest | 1888-1890 | 81 x 85 cm | Museum of Modern Art, New York | United States | |
Boy in a Red Waistcoat | 1888-1890 | 92 x 73 cm | National Gallery of Art, Washington DC | United States | |
Boy in a Red Waistcoat | 1888-1890 | 65,7 x 54,7 cm | Barnes Foundation, Marion, Pennsylvania | United States | |
Boy in a Red Vest (watercolour) | 1890 | 46 x 30 cm | Private collection | ||
Portrait of his son Paul Cézanne | 1888-1890 | 64,5 × 54 cm | National Gallery of Art, Washington DC | United States | |
Banks of the Marne | 1888–1890 | 65 × 81 cm | Hermitage Museum, Saint Petersburg |
Russia | |
Banks of the Marne | 1888-1890 | 71 × 90 cm | Pushkin Museum, Moscow | Russia | |
Mount Sainte-Victoire | 1888-1890 | 65 × 81 cm | Private collection | ||
The Pool at the Jas de Bouffan (Basin and Washing Place in Jas de Bouffan) | 1888-1890 | 64.8 x 81 cm | Metropolitan Museum of Art, New York | United States | |
Banks of the Oise | 1888 | 49 × 60 cm | Private collection | ||
Kitchen Table (Still Life With Basket) | 1888–1890 | 64 × 80 cm | Musée d’Orsay, Paris |
France | |
Still Life with Peaches and Pears | 1888-90 | 61 × 90 cm | Pushkin Museum, Moscow |
Russia | |
The Blue Vase (Le Vase bleu) | 1889–1890 | 61 × 51 cm | Musée d’Orsay, París |
France | |
Pierrot and Harlequin | 1888 | 102 × 81 cm | Pushkin Museum, Moscow |
Russia | |
Harlequin | 1889–1890 | 92 × 65 cm | National Gallery of Art, Washington, DC |
United States | |
Harlequin | 1888-1890 | 91 x 65 cm | Private collection | ||
The Card Players | 1890–1892 | 134 x 181,5 cm | Barnes Foundation, Merion, Pennsylvania |
United States | |
The Card Players | 1892–1893 | 65 × 81 cm | Metropolitan Museum of Art, New York City |
United States | |
The Card Players | 1892-1893 | 97 × 130 cm | Royal Family of Qatar[1] |
Qatar | |
The Card Players | 1892–1895 | 60 x 73 cm | Courtauld Institute of Art, London |
United Kingdom | |
The Card Players | 1892–1895 | 47,5 x 57 cm | Musée d’Orsay, París |
France | |
Man with a Pipe | 1890 | 91 × 72 cm | Hermitage Museum, Saint Petersburg |
Russia | |
Man Smoking a Pipe | 1890-92 | 72 x 91 cm | Pushkin Museum, Moscow |
Russia | |
Man with a Pipe | 1892 | 73 x 60 cm | Courtauld Institute of Art, London |
United Kingdom | |
Bathers (Les Baigneurs) | 1890-1894 | 60 × 81 cm | Musée d’Orsay, París |
France | |
Bathers | 1890-1894 | 26 x 40 cm | Hermitage Museum, Saint Petersburg | Russia | |
Forest | 1890-1892 | 72 x 92 cm | White House Collection, Washington D.C. | United States | |
Still Life with Apples and a Pot of Primroses | 1890 | 58 × 91 cm | Metropolitan Museum of Art, New York |
United States | |
The Basket of Apples (Le Panier de pommes) | 1890-94 | 65 x 80 cm | Art Institute of Chicago, Chicago |
United States | |
Still Life with Tulips and Apples | 1890-94 | 58,5 × 42 cm | Art Institute of Chicago, Chicago |
United States | |
Self-Portrait with Palette | 1890 | 92 × 73 cm | Foundation E.G. Bührle, Zürich |
Switzerland | |
Self-Portrait in a Felt Hat | 1890–95 | 61,2 × 50,1 cm | Bridgestone Museum of Art, Tokyo |
Japan | |
Portrait of Madame Cézanne | 1890 | 81 x 65 cm | Musée de l’Orangerie, Paris |
France | |
Madame Cézanne in a Red Dress | 1890–1894 | 89 x 70 cm | São Paulo Museum of Art, São Paulo |
Brazil | |
Woman with a Coffeepot (La Femme à la cafetière) | 1890-95 | 130 × 97 cm | Musée d’Orsay, Paris |
France | |
Madame Cézanne in the Conservatory | 1891 | 92 × 73 cm | Metropolitan Museum of Art, New York |
United States | |
The House with the Cracked Walls | 1892–1894 | 80 x 64,1 cm | Metropolitan Museum of Art, New York | United States | |
Seated Peasant | 1892-1896 | 54,6 x 45,1 cm | Metropolitan Museum of Art, New York | United States | |
Madame Cézanne in a Yellow Armchair | 1893-1895 | 81 × 85 cm | Private collection | ||
Still Life, Drapery, Pitcher, and Fruit Bowl | 1893-1894 | 59 × 72.4 cm | Whitney Museum of American Art, New York City | United States | |
Rideau, Cruchon et Compotier | 1893–1895 | 59.7 x 73 cm | Private Collection |
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Still Life with a Curtain | 1895 | 55 × 74.5 cm | Hermitage Museum, Saint Petersburg | Russia | |
Woman in a Green Hat (Madame Cézanne) | 1894-1895 | 100.2 x 81.2 cm | Barnes Foundation, Merion, Pennsylvania | United States | |
Maison Maria with a View of Château Noir | 1895 | 65 × 81 cm | Kimbell Art Museum, Fort Worth, Texas |
United States | |
The Quarry at Bibémus | 1895 | 65 × 81 cm | Museum Folkwang, Essen |
Germany | |
Large Pine and Red Earth | 1895 | 72 x 91 cm | Hermitage Museum, St. Petersberg | Russia | |
Still Life with Cherub | 1895 | 70 × 57 cm | Courtauld Institute of Art, London | United Kingdom | |
Still Life with Onions | 1895–1898 | 66 x 81 cm | Musée d’Orsay, París |
France | |
Self-Portrait | 1895 | 55 × 46 cm | Private collection | ||
Self-Portrait (watercolour) | 1895 | 26 × 22 cm | Private collection | ||
Portrait of Gustave Geffroy | 1895 | 116 × 82 cm | Musée d’Orsay, París |
France | |
Man with Crossed Arms | c.1899 | 92 x 72.7 cm | Solomon R. Guggenheim Museum, New York City | United States | |
An Old Woman with a Rosary | 1895-1896 | 80 × 64 cm | National Gallery, London | United Kingdom | |
Young Italian Girl Resting On Her Elbow | 1896 | 92 × 73 cm | J. Paul Getty Museum | United States | |
Man in a Blue Smock | 1896-97 | 81.5 x 64.8 cm | Kimbell Art Museum, Fort Worth, Texas |
United States | |
Annecy Lake | 1896 | 64 × 79 cm | Courtauld Institute of Art, London |
United Kingdom | |
Mont Sainte-Victoire Seen from the Bibémus Quarry (La Montagne Sainte-Victoire vue de la carrière Bibémus) | 1897 | 65 × 81 cm | Baltimore Museum of Art, Baltimore |
United States | |
Turning Road at Montgeroult | 1898 | 81.2 × 66 cm | Museum of Modern Art, New York |
United States | |
The Great Pine | 1898 | 85 × 92 cm | São Paulo Museum of Art, São Paulo |
Brazil | |
Forest Interior | 1898-1899 | 61 x 81,3 cm | Fine Arts Museums of San Francisco | United States | |
Mont Sainte-Victoire[2] | 1896-1898 | 78 × 99 cm | Hermitage Museum, Saint Petersburg | Russia | |
Road at the Mont Sainte-Victoire | 1898-1902 | 81 × 99 cm | Hermitage Museum, Saint Petersburg | Russia | |
Self-Portrait with Beret | 1898-1900 | 63,5 × 50,8 cm | Museum of Fine Arts, Boston |
United States | |
Portrait of Ambroise Vollard | 1899 | 100 × 81 cm | Musée du Petit Palais, Paris |
France | |
Apples and Oranges (Pommes et Oranges) | 1899 | 74 × 93 cm | Musée d'Orsay, Paris |
France | |
Château-Noir | 1900-1904 | 74 × 96,5 cm | National Gallery of Art, Washington, DC |
United States | |
The Grounds of the Château-Noir | 1900-1904 | 90,7 × 71,4 cm | National Gallery, London | United Kingdom | |
Mill at the River (watercolour) | 1900-1906 | 31 × 49 cm | Private collection | ||
Cistern in the Park of Château Noir | 1900 | 61 × 74,3 cm | Princeton University Art Museum | United States | |
Route to Le Tholonet | 1900-1904 | 81,1 × 101,6 cm | Princeton University Art Museum | United States | |
Women Bathing | 1900 | 73 x 92 cm | Ny Carlsberg Glyptotek, Copenhagen | Denmark | |
Seven Bathers | 1900 | 38 × 46 cm | Beyeler Foundation, Riehen | Switzerland | |
Bathers | 1900-1905 | 59 × 80 cm | Art Institute of Chicago | United States | |
Bathers | 1900-1905 | 73 × 92 cm | Private collection | ||
The Three Skulls | 1900 | 34 × 60 cm | Detroit Institute of Arts, Detroit |
United States | |
Pyramid of Skulls | 1901 | 37 cm x 45.5 cm. | Private collection | ||
Forest (Forêt) | 1902–1904 | 81,4 x 66 cm | National Gallery of Canada, Ottawa |
Canada | |
Young Girl with a Doll | 1902 | 92 × 73 cm | Private collection | ||
Little Girl with a Doll | 1902-1904 | 73 × 60 cm | Private collection | ||
Lady in Blue | 1904 | 88,5 x 72 cm | Hermitage Museum, Saint Petersburg |
Russia | |
Boulders Near the Caves Above Château-Noir | 1904 | 65 × 54 cm | Musée d’Orsay, París | France | |
Mount Sainte-Victoire | 1904 | 70 × 92 cm | Philadelphia Museum of Art, Philadelphia |
United States | |
Mont Sainte-Victoire | 1904-1906 | 65,1 × 83,8 cm | Princeton University Art Museum | United States | |
Mount Sainte-Victoire | 1904-1906 | 65 × 81 cm | Private collection | ||
Mount Sainte-Victoire | 1904-1906 | 65 × 81 cm | Foundation E.G. Bührle, Zürich | Switzerland | |
Mount Sainte-Victoire | 1905 | 63,5 × 83 cm | Kunsthaus Zürich |
Switzerland | |
Mount Sainte-Victoire and Château Noir | 1904-1906 | 65,6 × 81 cm | Philadelphia Museum of Art | United States | |
The Gardener Vallier | 1904–1906 | 107,4 × 74,5 cm | National Gallery of Art, Washington, DC |
United States | |
Portrait of Vallier | 1906 | 65 x 54 cm | Private collection | ||
The Bathers | 1894-1905 | 127 × 196 cm | National Gallery, London | United Kingdom | |
The Bathers (Les grandes Baigneusess) | 1906 | 208 × 251 cm | Philadelphia Museum of Art, Philadelphia |
United States | |
Pont des Trois Sautets (watercolour) | 1906 | 41 × 53 cm | Cincinnati Museum of Art, Cincinnati, Ohio |
United States |
References
- ^ Peers, Alexandra (January 2012). "Qatar Purchases Cézanne's The Card Players for More Than $250 Million, Highest Price Ever for a Work of Art". Vanityfair.com. Retrieved 3 February 2012.
- ^ [1] [dead link]